The pictures featured in this post focus on part of the picture being in the spotlight. A darker background increases the contrast and draws your eye towards the lighter part.
We visited Steamboat Geyser at Yellowstone National Park in the early morning. The sun rose behind the scene, bathing the steam in light.
These two Northern River Otters at the High Desert Museum were in constant motion the day I photographed them. In this picture, sunlight illuminated both of their heads simultaneously.
I dip a dry brush into Titanium White and tentatively paint delicate wisps onto Cobalt Blue Wyoming skyscapes
Emboldened, I fill my brush and paint curving lines reaching towards the sky
Historic Short Bridge, built in 1945.
I saw these multi-colored trailing petunias in a hanging basket in downtown Bend. Since they produce so many flowers, another common name for this plant is ‘million bells.’
These perennials are hybrids from plants originally grown in South America. They bloom from spring through first frost and they’re easy to grow. They make a perfect addition to hanging baskets.
Though I don’t have a favorite type of photography, I prefer to do “lens in my pocket” photography. I use a Samsung Ultra phone or a Panasonic Lumix camera that easily fit into a pocket.
Sometimes I like taking panoramas of scenes from afar with my phone, such as this photo of bison in the Lamar Valley of Yellowstone National Park.
At other times, I like a closer view of wild creatures. This Barred Owl in my backyard was photographed with my phone attached to a spotting scope. This is called “digiscoping.” The owl visited regularly last spring, feasting on the numerous Pacific tree frogs in our pond.
I bought an inexpensive phone case and glued on a universal mount for digiscoping. You can quickly pop in a phone, attach it to a scope or binoculars, and it’s ready to go.
This is a pencil sketch I drew of a White-faced Ibis. He is a character in a book I’m working on. The ibis, Arco Iris, gets his power from the rainbow obsidian stone he wears. Sometimes if you draw a character, it helps you write about their personality and physical traits.
I recently took pictures of White-faced Ibis in a field near Paisley, Oregon. The field was full of blue camas and it gave the scene a kind of magical feeling.
When you think of ibis, you may think of ancient depictions of this bird found in Egypt, but there are three species in the United States. You can find Glossy Ibis, White Ibis, and White-faced Ibis in parts of North America, Central America, and South America.
Inlay depicting Thoth as the ibis with a maat feather. Image source: Metropolitan Museum of Art, CC0, via Wikimedia Commons
The plumage of our local ibis looks black at first, but when you take a closer look, it’s iridescent. Their feathers catch the light as they plunge their long beaks into marshes and meadows in search of prey. They eat a variety of prey including insects, worms, and small fish. Ibis are particularly fond of crayfish.
When in breeding plumage, some of the White-faced Ibis’ feathers turn a bronze color, their legs turn pink, and a mask of pale white skin around their eyes appears. What better way to attract a mate than putting on a mask, pink leggings, and a bronze cape!
Do you have artwork you would like to share? Be sure to include the First Friday Art tag.
First Friday Art (FFA)
wind-sculpted mountains
emerge from sandy shorelines
embrace life, vanish
Note: These sand “mountains” near Waldport, Oregon are about 1/2 inch tall.
In early June, while participating in a Great Basin Natural History workshop, I took photos of the storm over Playa. Playa, located on the shores of Summer Lake, serves as a retreat for artists and scientists looking for a peaceful place to do their work. They also offer a limited number of workshops.
We had an unusually wet spring here in the High Desert. This photograph shows a big storm over Playa. I stayed in the two-story cabin pictured and had commanding views of the Basin and Range landscape. High winds were pushing dust storms into the air near the lake’s shore.
I’ll be showing how I processed this picture three ways with Corel PaintShop Pro 2021. Prior to trying out the various effects, I slightly increased the contrast and brightness.
The first two show the original photograph and the same picture with a Retro effect. For this image I went to Effects>Photo Effects>Retro Lab>Process 2. This effect slightly blurs and darkens the edges and increases color saturation. I thought this effect made the center appear brighter and gave the photo a vintage feel.
Trying to choose only three of my favorite photos for this challenge was very difficult. I decided to focus on memorable moments from home.
The first shows a glorious fall sunset behind my juniper tree muse. I like the combination of color, lightness and darkness, and texture in this photo. The branches of the western juniper tree seem to be directing a symphony of clouds.
The second is a close up view of a different juniper tree’s bark. Though some see western junipers as an unwelcome invader in sagebrush habitats, I’m impressed by their beauty. Their rough bark varies in color, as does their wood. Wrinkles add to their character as they age. The birds in my yard are grateful for the shelter and food these trees provide.
The third picture is of my “pet” Cooper’s Hawk. I’ve taken a lot of pictures of her. On this day, she took an extended bath and spent a long time preening her feathers. Her fluffed up feathers, piercing gaze, and stance are not the typical view you get of these raptors. It was one of those memorable moments!
I’ve noticed odd plants, animals, and natural features recently and wondered if they were real or surreal.
I had an odd feeling when my flight flew over Mt Rainier a few weeks ago. Just as we passed over its peak, this strange creature emerged from its depths. Yikes! I was glad I was able to take a quick snapshot before it disappeared.
While exploring Crack in the Ground on a June field trip, I was overcome by a sudden feeling of peacefulness. I paused when I noticed a movement from the corner of my eye. This benevolent Picasso face emerged from the rock walls and smiled and nodded at me.
On a recent hot afternoon, I dozed off in my comfortable recliner. I was awakened by a strange noise. A few feet away, I saw a weird creature. It had the head of a ground squirrel and the body of a cat. Was it real or surreal?
When I was strolling down Hood Avenue on 9 July 2022, something across the street caught my eye. I was there to see the art of quilters at the Sisters Outdoor Quilt Show. Though the event has taken breaks due to wildfire smoke and pandemics, it proudly celebrated its 47th year in 2022.
I had to take a closer look at this quilt. WOW! I think it was my favorite of the whole show. The intricate stitching and subtle changes in color drew me towards it. There are signs telling you not to touch the quilts, but I really wanted to touch this one.
I continued my walk and noted some of the interesting architecture in this western-themed town. This clock business was one of my favorites. I’ve always wanted to live in a house with a tower.
Some quilts attracted a lot of attention and I had to wait for visitors to pass by before snapping a picture. Here is one of those.
Once again, I am sharing images of the Sisters Outdoor Quilt Show on 9 July 2022. Today I’ll show quilts with critters, people, holidays, and places.
One of the groups attending the event had a bee-themed challenge.
The one below was my favorite. It’s simple but complex at the same time.
This “Phoebee” quilt had a lot of quilting stiches.
This one had a more traditional design.
The Sisters Outdoor Quilt Show is one of the biggest events in Central Oregon. You know it’s summer when you start seeing advertisements about the show.
Set in the small town of Sisters, Oregon, this show “is internationally recognized as the world’s largest outdoor quilt show.” The show often displays more than 1,300 quilts. Visitors from all over the world gather in Sisters on the second Saturday in July to view the quilts.
The quilts shown include more traditional patterns.
On a recent trip to the Oregon coast, I was impressed by the contorted shapes of shore pines along the shorelines. The scientific name of this tree is Pinus contorta var. contorta. It’s a very fitting name.
Some shore pines are barely attached to rocky cliffs. This common tree of the coast tolerates salt spray and a wide variety of soils.
High winds are common near the shorelines and they sculpt these lovely trees into interesting shapes.
Others grow in 40-50 foot tall forests, constantly buffeted by the wind.
These resilient trees have adapted to living in a challenging environment. They twist and turn in an effort to find the best ways to survive.
Thursday Tree Love
Whatsoever is Lovely Week 27
These colorful lichens at Lake Abert look like bits of captured sunshine.
Changing seasons bring double views
Shining cactus blossoms returning
Mothers guarding their curious young
Dramatic storms hovering over landscapes
Today I’m sharing a primrose painting, photo, and poem I created. When I was on a field trip in early June, we saw a “field” of this plant in bloom near Crack in the Ground. Tufted evening-primrose, Oenothera caespitosa, usually only bloom at night but on that day, dark clouds filled the skies.
Here’s a watercolor I painted of the flowers.
And here’s the work in progress in my little studio space.
This is the close up photograph I took of these beautiful flowers near Crack in Ground. I’m growing evening-primrose in my landscaping and, so far, the always hungry resident mule deer have not discovered them. 🤞
Here is a Sijo poem about these remarkable flowers.
Awakened when the moon rises over the silent desert
Flowers in sandy soil open, shining like pale lanterns
Enchanting the world with intoxicating scent, until dawn breaks
Do you have artwork you would like to share? Be sure to include the First Friday Art tag.
The Powder House building, near Prineville Reservoir State Park in Central Oregon, makes a great subject for photographs. This historic rock structure was once used to store gunpowder. It’s located next to a popular boat ramp on the reservoir.
I’ll be showing how I processed this picture three ways with Corel PaintShop Pro 2021. Prior to trying out the various effects, I increased the contrast, brightness, and white balance slightly.
The first two show the original and the same picture with a Retro effect. For this image I went to Effects>Photo Effects>Retro Lab>Surreal. This effect blurred the edges like a vignette. I thought this effect emphasized the door in the building. It looked like a portal to another place surrounded by misty fog.
The next two show the original and the same picture with a Time Machine effect. For this image I went to Effects>Photo Effects>Time Machine>Albumen. This monotone effect reflects a technique used in the 1850s-1890s. It works well when you’re trying to emphasize the history of a place. A picture such as this might have appeared in newspapers of the time.
When cannabis was legalized for recreational use in Oregon in 2015, dispensaries popped up all around Bend. Dr Jolly’s is one of these appropriately named establishments.
The first picture shows a vibrant mural at the south end of the building. This looks like a color-filled view of Cascade peaks located near Bend. Red flowers and blue marijuana plants grow in the foreground.
The second photo shows a view of the front of the building. A hand points the way to the entrance. Barbers poles, with green stripes instead of red, flank the doors.
The artwork at this business was created by Janessa Bork and Josh Ramp, of VIVI Design Co., in 2020. Their website refers to Janessa and Josh as the “dynamic duo [who] founded VIVI in 2018 with a focus on unique tactile presence.” They create murals – inside and out, signs, menus, and other graphics. The pair’s impressive talent is on display at Dr Jolly’s and many other local businesses.
When you focus on the eyes of your subject, you make a connection with them to share with others.
The intense golden stare of an alert Great Horned Owl.
The ghostly ice-blue eyes of a dog with ancestry from frozen lands.
The chestnut brown gaze of an immense grizzly bear in motion.
Today I’m sharing pictures of the doors of Shaniko, Oregon. Once a bustling town known as “The Wool Capital of the World”, it later became a ghost town. Its current population is somewhere between 12 and 32, depending on the source.
The doors and doorways of abandoned and occupied buildings in Shaniko have a lot of personality.
From the curious…
To the grand.
From the rustic…
Here’s an up close view of prickly pear cactus buds in my garden. Yes, those spikes are sharp and difficult to weed around, but I eagerly await the day when their delicate yellow flowers unfurl.
High Desert voices can be heard throughout Central Oregon if you just pause and listen.
Bold shouts of the many
Quiet whispers of the few
Raucous calls of the many
Here’s a picture of tulips up close growing in my garden. There’s something special about these two flowers.
They are the first to make it to this stage without being eaten by our resident deer!
This beautiful exhibit at the High Desert Museum featured x-ray images of fish. X-Ray Vision: Fish Inside Out! The Smithsonian National Museum of Natural History and the Smithsonian Institution Traveling Exhibition Services (SITES) organized the exhibit.
I am presenting them in sepia tone. The photographers at the Smithsonian showed their structure in artistic layouts.
Though I wrote down the species of the fish in each display, I decided to let the x-ray images of fish speak for themselves. The wonder of Nature.
This exhibition closes at the High Desert Museum on May 8, 2022, but it will continue travelling to other museums around the country.
Today I’m sharing a photograph of a colorful walk in Portland processed three ways. We visited the Portland Japanese Garden in October 2021. The fall colors are a photographer’s dream!
I’ll be showing how I processed this picture from the garden three ways with Corel PaintShop Pro 2021. Prior to trying out the various effects, I increased the contrast slightly.
The first two show the original and the same picture with a retro effect. For this image I went to Effects>Photo Effects>Retro Lab>Hue 90. This effect blurred the edges like a vignette and cast a green glow over everything. Even the carp in the foreground is green! It’s easy to imagine this as a strange world in a fantasy or science fiction book.
The Western Antique Aeroplane & Automobile Museum in Hood River, Oregon has a large collection of cars from the “Golden Age of Transportation” – the period from the early 1920s through the 1940s. The Museum has a collection of over 130 vehicles from the 1900s to the 1960s. You can get more information on vehicles in the collection by year or manufacturer here.
Artifacts from the time period are on display near many of the cars. Here’s a camping scene.
Storefronts around the perimeter of the building add visual interest to the collection.
The color and design of the cars make them great subjects for photographs.
A couple days ago, we went on a Lower Crooked River drive. We were there early in the morning, attempting to avoid an incoming storm system. I remembered I had been there about a year earlier for an afternoon drive. How would the lighting differ in the photos taken on both trips?
Just south of Prineville, Oregon, the Lower Crooked River Back Country Byway winds its way along the Crooked River. The 43-mile long road meets up with Highway 20 to the south.
This post highlights the 8-mile section between Prineville Reservoir and Castle Rock. See map at the end of the post. On this drive, the curving lines of the road and river contrast with the straight lines of geological features.
As we drove north from the reservoir, shadows covered the east side of the road. The morning light cast a warm glow over the canyon lands.
Basalt columns looked pretty in full light…
But took on more character in the shadows.
When taking pictures, you might want to think about composing your photo in thirds. What?
According to the Digital Photography School, the rule of thirds “is a compositional guideline that breaks an image down into thirds (both horizontally and vertically) so you have nine pieces and four gridlines. According to the rule, by positioning key elements along the gridlines, you’ll end up with better compositions.”
While browsing my photos, I realized horizontal layers are more important to me in composition. Do my pictures always follow the rule of thirds guidelines? No, it’s okay to bend the rules.
SLR Lounge notes, “Of all the “rules” in photography, the rule of thirds is one of the easiest to successfully break.”
This sandhill crane is in the upper third corner, but the differing textures and colors of the plants catch your attention. This photo has four layers.
This pronghorn is near the lower third of the picture. I could have cropped it more, but I didn’t want to cut out the misty mountains in the background. This photo has five layers.
A white poppy up close growing in our garden last year. Poppies come in a variety of colors, but they’re also pretty in white.
Thermophile color blooms near Earth’s core
In bouquets of startling brilliance
Fertilized by extreme heat
In caldera water
Where few dare to tread
The Archaea
Find a home,
Warm and
Safe
