I’ve featured several outdoor photos taken in and around Fort Rock, but now you’ll get glimpses indoors at the Fort Rock Valley Homestead Museum. Many of these historical buildings were moved here from nearby. The homes and businesses are furnished as they would have been in the early 1900s. This is a place where history truly comes alive.
A people without the knowledge of their past history, origin and culture is like a tree without roots.
Last weekend we attended an Asian New Year Celebration, and the performances we watched were spectacular! This event brought together performances of music, Tai Chi, Parkour, aerial silks, and lion dancing. A local restaurant provided samples of Asian cuisine. There was also a silent auction.
The Chinese New Year started on February 5th and it’s the Year of the Earth Pig. In other years the Pig is associated with Wood, Fire, Metal, or Water. The Pig occupies the last position of the Chinese Zodiac. It symbolizes “carefree fun, good fortune, and wealth” according to Your Chinese Astrology.
Performances at Asian New Year Celebration
The celebration featured the lion dance at the beginning and end of this event. The two lions of White Lotus Dragon and Lion Dancers danced to the pounding rhythms. Kids in the audience at this event loved when they got to follow the lions out of the auditorium at the end of the celebration. Be sure to watch the video at the end of this post for an up close look at a lion dancing in the audience.
Lion dances are a traditional dance in China and other Asian countries. They have been around for millennia. In the past, the dance was used to scare away evil spirits. But lion dances were also performed to bring joy, prosperity, and good fortune to events such as celebrating a new year. Dancers emulate the movements of lions in colorful costumes.
Oregon Tai Chi Wushu gave performances in large and small groups. They balanced the calm and graceful movements of the larger groups with the fast-paced action of smaller groups. One performance had a modern twist with dueling electric guitars. Watch that video below, near the end of this post. The local group includes participants of all ages, even those as young as four years old.
In the past, martial arts were essential for protection in times of war in China. As that need decreased, they recognized the lasting health benefits of this training. Tai Chi is referred to as “meditation in motion.”
Members of Abstract in Motion did a lighter-than-air performance of Parkour. Merriam-Webster defines Parkour as “the sport of traversing environmental obstacles by running, climbing, or leaping rapidly and efficiently.” This activity was developed in France in the 1980s. It’s kind of like the moves seen in The Matrix movies without the use of special effects. The performers leaped and flipped and moved in ways that made me wonder if they were mere mortals.
One of the most memorable performances for me at the Asian New Year Celebration was the Taiko drumming of the Portland Taiko group. This group “blends the tradition of Japanese taiko drumming with a sense of Asian American identity, creativity, and empowerment.” Watch the videos to see the sense of joy this group emulates.
Taiko percussion instruments were in use in Japan 2,000 years ago. It’s thought taiko drums were used in communication or religious rituals. They resemble instruments found in China and Korea and may have come to Japanese culture from as far away as India. The idea to play together in Kumi-daiko (a taiko ensemble) was created in the 1950s. Drums range in size from small snare drum-sized up to as large as a wine barrel.
Outside the auditorium, Silks Rising gave an aerial silks demonstration. A long piece of silky fabric hung from an open pyramid-shaped structure. A young girl climbed, spun, and dropped on the long piece of fabric in a kind of aerial ballet. I can see why these performances are called “aerial contortion.” Cirque du Soleil invented this art form in 1995.
Until next year’s Asian New Year Celebration…
This celebration packed a lot into two hours. Some performances
were slow, quiet, and graceful; others were fast, loud, and full of raw emotion.
There was something for everyone here. It’s the 12th year of the
Asian New Year Celebration—a fundraiser for Bend Senior High School’s Life Skills
I’m sharing the March issue of the High Desert Voices newsletter. It’s a newsletter for volunteers and staff at the High Desert Museum in Bend, Oregon. I help out with the newsletter and I’m particularly proud of this issue.
This issue of the High Desert Voices newsletter includes a History event – 19th Century Making & Mending; Art – a new exhibit by Native American artist, Rick Bartow; Nature – a fact sheet on white sturgeon; People – a profile of our Communication Director; and Recreation – a trail through the colorful Blue Basin. There’s a little more related to updates for the different areas of the Museum and kudos, for work well done.
The Tin Pan Alley Art “gallery” is located in a short alleyway in downtown Bend, Oregon. The alley features large pieces of art created with a variety of media. Some are 2-dimensional while others are more sculptural. Do you have a favorite among these wonderful pieces of art?
This collection is part of a public art initiative that supports local arts and culture. It takes our outdoor lifestyle into consideration. Another example of outdoor art is featured in many of Bend’s roundabouts.
This is The Visitor by artist Carol Sternkopf. This is a mixed media piece that combines photography, vinyl, paint, twigs, wood, metal, and salvaged home decor. Nature and animals were important in Carol’s childhood. She incorporates them into her art. She hopes viewers think about the “larger story within the magnificent blue owl’s eyes” in this piece.
Here’s a picture of the whole collection. We like to go to the Lone Pine Coffee Shop in this alley. It’s small, but it’s our favorite. The owner takes the craft of creating the best cup of coffee very seriously.
Metal and wood
This is Love Lost, Love Found by artist Bill Hoppe. This colorful metal work represents the artist’s interpretation of an 11th Century Indian manuscript. The many pieces of this sculpture were created by hundreds of community members. This was part of a community engagement goal set forth by the Central Oregon Metal Arts Guild.
This is Tomas’ Riddleby artist Judy Campbell. This piece is created from steel, wood, and lights. Judy was inspired by infinitely repeating patterns, or fractals. In this piece she sought to bring the “abstract concepts such as love, mystery, and infinity into the earthly plane.”
This isRide with Me by artist Jeff Remiker. The mountain culture, especially biking, is a big part of Bend. Jeff was inspired by a childhood love of bike riding. He incorporated wood and metal work into this rustic piece. Viewers can interact with this piece by putting things into the bike basket.
This is an untitled piece by artist Andrew Wachs. This piece was inspired by basalt rock formations that can be found throughout Central Oregon. The artwork represents a close-up perspective of a vertical overhang. Andrew works with metal and wood design in his studio, Weld Design Studio.
Photographs and paintings
This is Southwark by photographer/artist/adventure seeker Amy Castaño. This photograph of a bikeway in London captures some of the many textures and sights of the city. Amy looks for unique viewpoints, different angles, interesting parts of the ordinary, and the perfect radiant light.
This is A Parade of Strange Ideas by artist Phillip Newsom. This vivid painting represents a spontaneous procession of ideas “emerging from the unconscious and growing as multi-dimensional shapes in some back-alley of the mind.” Phillip’s work includes book & magazine illustrations, animal portraits, murals, landscapes, and graphic designs.
Last night we had a front row seat to watch the paddle parade go by on the Deschutes River in Bend, Oregon. This event has taken place for many years, rain or shine. It was kind of blustery weather last night but there were still a lot of people participating in the parade.
The event is hosted by Tumalo Creek Kayak and Canoe in the Old Mill district. Participants dress up their watercraft and themselves with colorful lights. The parade takes place from about 4:00 to 6:00 pm. After it’s over, everyone gets together for nice warm drinks.
Santa and a few of his elves were there to help spread good cheer. The flamingos towing the raft looked sort of tired.
The boats went a little past the Flag Bridge and then turned around.
The breezy conditions made it hard to paddle upstream but it was easy going back down.
Everyone looked like they were having a great time. There were a lot of people watching this year — more than I’ve seen before.
We watched part of the parade from inside a nice warm restaurant. It was a wonderful way to watch one of Bend’s special winter events. 🙂
The Photographs of Edward S. Curtis in the By Her Hand Exhibit
This exhibition features portraits of Native women by photographer Edward S. Curtis from the collection of Christopher G. Cardozo. Curtis took the featured photographs over a 30-year period as part of a project to document Native American’s lifestyle and culture in a time of change. Curtis traveled across North America from 1900 to 1930 photographing over 80 tribes.
By Her Hand Exhibit of Edward S. Curtis Photos, High Desert Museum, Bend, Oregon
Edward S. Curtis worked out of a studio in Seattle, Washington and received financial support from J. P. Morgan. Curtis collected information about the lives of each tribe through photographs, writings, and audio recordings. With the help of Native translators, he assembled a 20-volume set titled The North American Indian. Curtis intended to publish 500 copies but due to a series of financial and personal setbacks, only about 272 were printed. Ninety percent of the original sets are owned by institutions, including the High Desert Museum.
Hupa Female Shaman – by Edward S. Curtis
The portraits in this exhibit have a beautiful yet haunting quality to them. The labor-intensive photogravure process Curtis used allowed him to create subtle variations in tone and focus. Curtis insisted on using only the highest quality materials and he experimented with a variety of techniques. In 2015 there was a city-wide celebration of Curtis’ work in Bend. Dawn Boone, of the A6 studio, gave a lecture on the photographs. She made an observation that one of the women portrayed seemed to be “softening back into the earth right before our eyes.”
On the Beach – Chinook by Edward S. Curtis
Native American author Louise Erdrich has an interesting perspective on the women represented in Edward S. Curtis’ photographs. She said, “Women’s work is celebrated in Curtis’ photographs–women grind corn, bake bread, make clay vessels, doctor each other, pick berries, haul wood and water, gather reeds, dig clams. These images of women working are among my favorites, for they are more practical then elegiac, yet entirely harmonious, and they are often the most sensual of Curtis’ works.”
While Curtis’ ambitious project documented the tribes, it was not without controversy. He often staged portraits. Sometimes he mixed up artifacts and traditions between tribes. He referred to Native Americans as a “vanishing race.” Native peoples were losing their rights and their lands but many did successfully adapt to Western society.
There was a revival of interest in Curtis’ work beginning in the 1970s. He was an exceptional photographer, and he documented many facets of Native American life that no longer exist. Museums across the country feature major exhibitions of his work. Original printings of The North American Indian bring extraordinary prices at auction.
Historical and Contemporary Art from the Museum’s Collection
This new exhibit also includes basketry, beadwork, and leatherwork created by Native Americans of the Columbia Plateau. Intricate beadwork adorns bags, a cradleboard, and clothing. There are examples of different styles of basketry in this exhibit. Featured contemporary Native artists include Pat Courtney Gold, Roberta Kirk, and Kelli Palmer. Kelli Palmer often designs baskets based on photographs from the past—including those of Edward S. Curtis.
By Her Hand Exhibit of Edward S. Curtis Photos, baskets, and beadwork, High Desert Museum, Bend, Oregon
Native American cultures passed techniques for creating basketry and beadwork down through generations. Many items were utilitarian, but the makers included symbols and patterns in artistic ways. Contemporary artists may include materials such as commercial string and yarn in traditional and newly created patterns.
By Her Hand Exhibit of Edward S. Curtis Photos, baskets, and beadwork, High Desert Museum, Bend, Oregon
In the early 20th century, Native people were forced to live on reservations. Many lost their language, ways of life, and skills such as basket making. Children were sent to boarding schools and weren’t allowed to learn things associated with their cultural identity. Columbia Plateau people have been working to bring back the knowledge of cultural traditions. As new generations learn the traditions and art forms of their ancestors, they will ensure the culture portrayed in Curtis’ photographs survives. Pat Courtney Gold notes that basket making is not only artistic; it is an expression of and central to the revitalization of her culture.
By Her Hand Exhibit of Edward S. Curtis Photos, baskets, and beadwork, High Desert Museum, Bend, Oregon
This exhibit will be on display at the High Desert Museum through January 20, 2019. For more about Edward S. Curtis, see a series of articles I wrote here.
This is a reprint of a November 2018 article in High Desert Voices, a newsletter by and for volunteers and staff at the High Desert Museum in Bend, Oregon. To see more issues of the newsletter, go here.
Learn about the natural world by visiting Sunriver Nature Center
Sunriver Nature Center & Observatory is a great place to learn more about the natural world. This small interpretive center is on the west side of Sunriver, Oregon. It’s in an area that includes pine forests, meadows, and the meandering Deschutes River. The “edges” between these habitats are good places to see wildlife.
You can observe local wildlife by walking the trails on your own or going out with a guide. The Sam Osgood Nature Trail winds around the property. In the spring and summer keep an eye out for trumpeter swans. Guided bird walks take place every Saturday morning in the spring, summer, and fall. I have been on several of the walks. You’ll see waterfowl in the pond, raptors flying overhead, and songbirds along the walk. Great gray owls have been spotted in the area occasionally. You never know what you might spot on one of these walks.
There are also programs for families and kids. There are Kids Nature Camps for kids 4-10 years of age at certain times of the year. Family programs might include offerings such as Family Birding, Aquatic Explorations, and Eco Bike Tours. During the school year, staff travel to nearby schools to give presentations.
The Sunriver Nature Center building has live animals, diorama displays of local habitats, hands-on exhibits, and a collection of rocks with a focus on meteors. Their collection of live animals includes birds, reptiles, amphibians, and insects. Birds of prey are used in daily educational talks in the amphitheater.
This is a licensed rehabilitation center so there may be some birds not on public display. With the help of staff and volunteers, the birds get much needed medical attention. If possible, they are released back into the wild.
The Oregon Observatory
The Oregon Observatory offers spectacular views of daytime and night skies. There are opportunities to see galaxies, nebulae, and planets and their moons. The observatory has a large collection of telescopes available. Kids can learn about astronomy through visits, classes, and through community outreach. Look at these amazing photos from the observatory! Hours vary – click here for the most current information.
A few sights to see at the Sunriver Nature Center
One of my favorite places to hang out is near the bird feeders. You’ll see lots of birds, and an occasional squirrel, taking advantage of a free meal.
Here’s a room where reptiles, amphibians, and insects can be viewed. It’s called the Creature Cave.
Birds of prey can be seen up close and personal in their enclosures. A building was constructed recently to house and exercise the Center’s raptors.
Check their website to find out about current events and to register for camps and walks. Staff and volunteers take some of their wildlife ambassadors (like the great horned owl pictured below) to events in the area. Sunriver Nature Center is a non-profit that depends upon donations. Click here to donate.
These images from Fort Rock, Oregon focus on looking up. In this photo you see what a town from the early 1900’s may have looked like. Buildings were moved to this site to create the Fort Rock Valley Historical Society Homestead Village Museum. Each building is decorated with artifacts so it’s easy to imagine yourself stepping back in time.
Pioneers were promised rich and fertile land. That was not the reality in this arid high desert. Many settlers moved away after unsuccessfully trying to cultivate the land.
Yet some stayed and learned to love the land. In this photo a sage thrasher perches on a shovel next to a re-created pioneer garden. Listen to the thrasher’s beautiful song here.
Fort Rock is a prominent land feature that settlers looked forward to seeing. Some pioneers who settled there cannot imagine living anywhere else. The ever-changing skies make even those of us there for a short visit look up in wonder.
I saw these outdoor bonsai trees on the High Desert Garden Tour in Bend, Oregon this summer. I marveled at the artistry that went into sculpting these plants. Though I’ve seen bonsai trees in the past, I was pleasantly surprised to see tree species that grow locally sculpted into small replicas of full size trees. You can see why they are referred to as “living art.”
Sometimes you may have looked up at rock climbers on Smith Rock (near Terrebonne , Oregon) and wondered what drives them in their quest to reach the top. This new exhibit helps answer that question. Ascent: Climbing Explored, looks at the history, evolution, and culture of climbing and mountaineering in the West. What began as scientific exploration, grew into an activity people take part in for sheer joy of the experience.
One of the first things you see in the exhibit is a journal entry from John Muir. Muir taught people about conserving wild places through his eloquent writings. In another section of the exhibit, the artwork of Thomas Moran is featured. The paintings he created of Yellowstone in 1871 helped to establish the world’s first national park. The artwork and writings of early explorers were the “social media” of their day. Artist Sarah Uhl, also featured in this exhibit, presents landscape art that is a continuation of themes first presented by 19th century artists. James Lavadour, of the Walla Walla tribe, did the bold bright paintings of mountains near the exhibit entrance. His paintings, and the clean lines of the exhibit, bring a modern look to the displays.
A bit of history related to climbing
Many of the objects displayed in Ascent are on loan from the Mazamas. The Mazamas climbing club was founded in 1894 in Portland. William Gladstone Steel was one of the driving forces of the organization. From the start, they have played an active role in conservation. The Mazamas club was also ahead of the times in allowing women to enroll as full members. As Steel said, “No climb is complete without them.”
One item featured in the exhibit belongs to the company founded by rock climber Yvon Chouinard. In 1970, Chouinard purchased pre-made Rugby shirts and affixed his brand name onto them. You can see one of these shirts near the van scene. He later had great success with Patagonia, the company he created.
There are two large display cases that show historical and current gear used in mountain climbing. Some equipment has changed little, while other items, such as footwear and climbing rope, have changed radically. One of the most significant changes was in the materials used in shoes. Since the 1980s, they have become significantly lighter.
Different techniques of climbing
Climbers and mountaineers are always looking for new ways to see the mountains. In the 1920s, methods to reach the summit included using metal spikes, known as pitons, into the rock. One of the hands-on displays shows protective gear climbers use to anchor themselves to the rocks. While pitons and other equipment help make the sport safer, some prefer to “clean climb” without hammering things into the surface they climb over. The bolts cause damage to the rock from repeated placement and removal.
In the 1970s, climbers lives revolved around climbing. They preferred to free climb, using only their hands and feet. We called these athletic climbers “rock jocks” when I was in college. Climbers were often referred to as “dirtbags”. Dirtbags often lived in vans, such as the one in the exhibit, and some experimented with drugs.
The drive towards ascent
Climbers are driven to reach summits despite the risks. As one climber quoted in the exhibit said, “It breathes life into me.” Climbers climb for many reasons. The physical and mental challenges are just a part of the experience.
Certain locations, such as Yosemite and Smith Rock, are particularly challenging and draw in climbers from all over the world. The Yosemite Decimal System (YDS) rates the difficulty level on a scale of 1 to 5, with 1 being the easiest level. By the 1950s, this scale was further refined with the addition of decimal points and letters.
The first ascent of Smith Rock was made in 1935 by Central Oregon resident Johnny Bissell. In the 1950s, national attention came to Smith Rock after Madras residents Jack Watts, and brothers Jim and Jerry Ramsey, established climbing lines on the peak. A 650-acre state park was created at Smith Rock in 1960 to conserve the site. Though many considered the various routes “climbed out” by the late 1970s, Alan Watts, Jack Watts’ son, started developing top down routes. At the time, they were considered the hardest routes in the world with a YDS of 5.14a. One of Watts’ routes was featured in 1986 on the cover of Mountain, an influential climbing magazine, and climbers soon flocked to Smith Rock.
Rock climbers come in all shapes and sizes and one display features information on adaptive climbing. Climber Mark Wellman was the first paraplegic to summit El Capitan at Yosemite. Gear has been modified over the years to meet the needs of climbers’ specific needs.
The next generations to ascend
A large climbing wall for kids is a popular part of the Ascent exhibit. The wall is for future rock climbers between the ages of 5-12. The kids I saw were thrilled to climb up the blue wall studded with colorful hand- and footholds. It was almost as if they were climbing for the sheer joy of the experience.
This is a reprint of a July 2018 article in High Desert Voices, a newsletter by and for volunteers and staff at the High Desert Museum in Bend, Oregon. To see more issues of the newsletter, go here.
Here are some pictures from the High Desert Garden Tour located in Bend, Oregon. Lots of colorful gardens out there!
There were gardens with winding paths and comfortable places to sit to take in the scenery.
You can get plenty of ideas on what colorful plants to plant in borders on this garden tour.
Or maybe you want potted plants on wheels that can be moved to where you can see them best.
After looking at all of those colorful plants on a hot July day, it made me want to jump into a swimming hole. Maybe I could have taken a quick dip in this backyard pond on the tour. 😉
If you want to see the featured gardens on the garden tour next year, check local nurseries in Bend for tickets for this July event. The tickets sell out fast! Next year will be the 25th year of this annual event.
I saw these apple blossoms in the McCoin Orchard near the trailhead for the Gray Butte trail. This orchard, near Terrebonne, Oregon, was originally planted in the late 1880s and it was rescued by range specialists 100 years later.
There’s a nice hike here with some spectacular views of the country. The close up views of spring flowers are great as well.
I visited the ghost town of Shaniko, Oregon this spring. The town is right on U.S. Route 97 and I’ve driven by it many times but didn’t really know much about it. The 1910 census showed its population at its peak level of 600 people. By 1911, the population plummeted. It’s called a ghost town today but according to the 2010 census, 36 people still call it home. They originally named the town Cross Hollows.
The first thing I wanted to know was where the current name came from. In 1867 Oregon received a grant to build a military road from The Dalles to Fort Boise, Idaho. They discovered gold in Canyon City and thousands of miners relied on small towns nearby for supplies. Settlers traveled to areas that had previously been hard to access. They grabbed up large parcels of land under the Homestead Act of 1862. One of the settlers was August Scherneckau, and he established a post office in the area. Members of the local Wasco tribe pronounced his name SHAN-i-koh, and the name stuck. As someone with an unusual name, I can relate to that!
Boom to bust
By 1900, Shaniko was the center of production of wool, wheat, cattle, and sheep in eastern Oregon. The Columbia Southern Railway rail line, originating from Biggs Junction 55 miles to the north, reached Shaniko in 1900 and they shipped products from here throughout the region. Incoming supplies included farm equipment, building materials, fence posts, and coal and wood fuel. In 1901 it was one of the largest shipping centers in the world.
Shaniko Stagecoach Station
The soil was not good for farming but it worked well for cattle and sheep. Shaniko was known as the “Wool Capital of the World.” It marketed 4 million pounds of wool in 1901. In 1903 the Moody Warehouse Company recorded sales totaling over a million dollars in a single day!
In 1911 the Oregon Trunk Railroad, created by railroad magnates Edward Harriman and James J. Hill, began operating. It linked Portland to Bend and fewer trains traveled on the route to Shaniko. Business in Shaniko began to decline. Fires destroyed much of the business district in 1911. The Interstate Commerce Commission stopped rail service to Shaniko in 1943.
One of the many interesting doors in Shaniko
Shaniko’s recent past
The Shaniko Historic District was listed in the National Register of Historic Places in 1982. Buildings include the Shaniko Hotel (designated in 1979), the Sage Museum, Shaniko School, City Hall and Jail, Wedding Chapel, and the Wool Warehouse.
If you visit, look for some of the interesting old doors like the one above. There’s another one on my post The Watcher Within.
Colorful signs posted around town tell the history of Shaniko
Oregon businessman Robert B. Pamplin, Jr. purchased the hotel and a few businesses in 2000. He planned to renovate historic buildings and develop new properties. However, in 2008 there was a dispute related to access to water to serve the hotel and café. He closed those businesses, tried to sell them for $3.2 Million, and later decided they were no longer for sale (as of 2016).
Life goes on in Shaniko…
The Shaniko Preservation Guild maintains several historic buildings and operates a small museum. When I was there with my group, one of them found an old article about one of her relatives who lived there tacked onto the wall. Cool!
I took this picture on a trip to the ghost town of Shaniko, Oregon and didn’t notice the watcher within until I edited the photo. I thought it was something inside but realized later it was a reflection of the Shaniko Hotel across the street. It looked like some alien creature out of a Star Wars movie watching me. I found some interesting doors in Shaniko but apparently they were keeping an eye on me.
There are three short hikes near the covered picnic area. The Geologic Time Trail winds along ¼ mile to connect you to the other two trails. Interpretive signs note the changes of the last 50 million years. The colorful small signs explaining the geologic history looked brand new. The Trail of Fossils takes you up a ¼ mile loop trail on the hillside and shows you fossils that left their imprints in large boulders.
An almost-tropical forest covered this region 44 million years ago. 120 inches of rainfall per year, compared to about 9 inches today. Bananas used to grow here! Bear-like predators, four-toed primitive horses, and other creatures once roamed this land. The Clarno Arch Trail takes you up ¼ mile trail (yup, another ¼ mile one!) to the base of a cliff with a natural arch cut into the stone. This trail has a 200 foot elevation gain. If you hike all the trails out and back, it adds up to 1.25 miles.
Spring shrubs and flowers
When I was there in mid-May, wildflowers were in full bloom. The rose bush featured in one of my earlier posts—Wild Rose: Friday Flowers—was near where we parked. The “trunk” of that shrub looked like a formidable weapon! We saw orange globemallow blooming along the trail. Large netleaf hackberry shrubs grew on the slopes near the cliffs.
Birds of the cliffs
There were a handful of birds out that day. Canyon wrens serenaded us with their descending song. A prairie falcon, American kestrel, and golden eagle flew near the cliffs protecting their nest sites. A California quail called Chi-ca-go in the background. Swallows flitted overhead.
Fossilized logs forming a “T” on the cliff face
Logs and lichens
We spotted several fossilized leaves and branches along the Trail of Fossils. When we went up the Clarno Arch Trail, we saw large fossilized logs sticking out of the cliff face. The colorful lichens covering the rocks attracted my attention as usual.
Colorful lichens on the rocks
Stairway to the arch
The columns of the Palisades were formed by volcanic lahars 54-40 millions years ago. They are stately and beautiful but the stair step-like structure beneath the arch really got my attention. Water must have pooled up in each “step” before falling.
Steps beneath the arch
When we were there with Bend Parks and Recreation, it was a cool day. I imagine it gets hot in the summer here so plan your visit with that in mind.
The Central Oregon Wildflower Show is on hiatus in 2018 but the Native Plant Sale is taking place this weekend, June 9 and 10, at Sunriver Nature Center. Click on Sunriver Nature Center – Upcoming Special Events for more information. I am sharing an article I wrote last year about the show.
Getting to know local flora at the Wildflower Show
Colorful examples of native plants drew crowds to the 29th annual Central Oregon Wildflower Show at Sunriver Nature Center on July 1-2, 2017. Participants could visit a room packed full with cuttings of plants, each of which were clearly labeled. Visitors could go on short staff-led wildflower hikes near the Nature Center to see some of the featured plants growing in the wild. Volunteers working at the event were ready to answer questions visitors might have.
Teams of volunteers headed out on the day before the show to collect wildflowers and other plants. They collected plant cuttings in the Cascade Mountains and near Metolious, Odell, and Crescent Lakes. They also collected specimens near Bend and eastwards into the Ochoco Mountains. Nearly 300 specimens were collected and identified for the wildflower show, the only event of this type in Central Oregon.
Up close and personal
If you’ve ever wondered what a particular plant was, this was a good place to find out. “Is that what balsamroot looks like?” I heard one visitor say. She was happy to put a “face” with that name. Seeing labeled plant cuttings of certain plants that are hard to identify, such as grasses, helped visitors figure out what they may have seen in the field.
There were cuttings from grasses, wildflowers, shrubs, and trees at this show. Cuttings of the plants were neatly arranged in water-filled vases around the room. Many were in full bloom. Lavender-colored Mariposa lilies shared the room with scarlet red paintbrush, yellow Oregon sunshine, blue and purple showy penstemon, and delicate white queen’s-cup. It was interesting to see so many plants in one place and think about which types you might want to put in your own yard.
Going native with plants from the Wildflower Show
The Wildflower Show had a limited supply of native plants for sale that were provided by a local nursery. Planting your yard with low-water usage plants can not only help you spend less on your water bill, it can also ensure your plants grow well and attract butterflies, bees, and other wildlife.
One of the most interesting displays at this show consisted of weeds that grow in the area. Yes, the Dalmatian toadflax plant is pretty with its snapdragon-like yellow flowers and interesting leaf structure. However, it can easily get out of control and push out native species. Knowing what some of these noxious weeds look like can make it easier for you to know what to pull in your yard. Here’s a link to a brochure that has pictures of some of the invasive weeds that grow locally. Noxious Weeds: Your Responsibility.
Learning from our community
Booths representing several local groups were set up outside at this show. Local author, LeeAnn Kriegh, featured in the July 2017 High Desert Voices newsletter, was among them. Participants had many questions and the representatives from the different groups were very helpful in answering them. There were several wildflower-related lectures at this show. Damian Fagan, of the High Desert Museum, gave a lecture about locations where you might find various wildflower species. Other lectures were about getting to know some of the state’s flora, native plant landscaping, and how to provide habitat for monarch butterflies.
If you are curious to learn more about native plant species, consider going to this show next year. It is small, but it’s jam-packed with helpful information. Proceeds from the native plant sale and admission benefit the non-profit Sunriver Nature Center.
I went on a field trip recently to one of my favorite places–Glass Buttes. Obsidian is everywhere you look! It’s like being a kid in a candy store. In fact in one of my previous posts, Glass Butte Dragonglass, I show a picture of some obsidian I have collected displayed in a candy bowl.
Obsidian everywhere you look!
Glass Buttes – Rockhounding and habitat
Located about halfway between the towns of Bend and Burns in eastern Oregon, this site is a rockhounder’s paradise. You can dig and crack open obsidian with a rock hammer, but you really don’t need to because it’s all over the surface. The Bureau of Land Management oversees most of this site. Individuals may collect up to 250 pounds of obsidian per year.
Glass Buttes, Oregon
Glass Butte, elevation 6,388 ft., and Little Glass Butte, elevation 6,155 ft., tower over the surrounding hills. Sagebrush, rabbitbrush, and bunchgrass cover the landscape. Western juniper and mountain mahogany are interspersed over the land. Sagebrush-dependent species such as Brewer’s sparrows, sagebrush sparrows, and sage thrashers were seen and heard the day we were there. A pair of mountain bluebirds was seen perching high in the juniper trees. We caught glimpses of ferruginous hawks.
Mountain bluebird pair
Geological history of Glass Buttes
Glass Buttes formed during the Miocene and Pliocene periods, 5-5.8 million years ago. Three layers of lava flows from volcanic domes and vents formed the buttes. The first flow was basalt, the second rhyolitic lava, and the third another layer of basalt. Rhyolite contains a high percentage of silica and it forms much of the substrate. Due to a rapid rate of cooling of magma at Glass Buttes, larger mineral crystals didn’t have time to form. The silica-rich “glass” of obsidian formed as a result of this process.
Lichen covered Rhyolite rock
Here’s an interesting article with more details about the obsidian at Glass Buttes for you geology geeks. Obsidian is Hot Stuff.
This area is in the Brothers Fault Zone of the High Lava Plains physiographic province. The many faults are easily observed in aerial photos and through the use of Light Detection and Ranging (LiDAR) data. A 2011 map of Glass Buttes based on LiDAR can be seen here.
Flint knappers then and now
Obsidian from Glass Buttes has been used in making tools for thousands of years. Native Americans made arrowheads, spear points, and other cutting tools with the glass-like stone. Obsidian from this site has been found throughout western North America.
Lupine at Glass Buttes
Modern day flint knappers take advantage of the abundance of obsidian at this site. Some groups meet annually at events such as the Glass Buttes Knap-in to work on their craft. My first photo on this post shows what flint knappers left behind at one of their campsites.
Obsidian from Glass Buttes, Oregon
Types of obsidian at Glass Buttes
There are MANY types of obsidian at Glass Buttes. I will quote Tim Fisher who runs the Oregon Rockhounds Online website. “Need a list of what’s here? OK, here goes: black/mahogany, leopardskin, mahogany, Midnite lace, triple flow, double flow, pumpkin, purple and silver sheen, gold sheen, silver sheen, rainbow, peacock, purple sheen, fire, green, Aurora Borealis rainbow, black, opaque black, opaque banded, gunmetal, and probably many more!” If you want detailed information on where to find the different types, please purchase the Ore Rock On guide from his website. We own it and it contains invaluable info for sites in Oregon, Washington, Idaho and western Montana.
Glass Buttes Aurora Borealis Obsidian – Photo by Tim Fisher
Some rockhounds search for specific types, such as rainbow and fire obsidian, and they can be the most difficult to find.
Exploratory geothermal site
Other land use
We made a couple additional short stops on the field trip. We stopped at an abandoned mercury-bearing cinnabar mine. The site was discovered in 1933 and mined until 1957. Another stop was made at an exploratory geothermal well site. No development is currently taking place but it may happen in the future. Greater sage-grouse live and breed here and that may limit development.
Obsidian-paved road at Glass Buttes
This is a great area to visit but I should remind you of a couple things. Obsidian is SHARP so make sure you have good tires and a spare tire. Four-wheel drive vehicles are recommended for certain areas. There is no water or facilities here. If you visit, be prepared. Access to this site is on an unmarked road near mile marker 77 on Highway 20. Drive south a couple miles to find obsidian. Additional information is available from the organizations listed here.
I have been to this site several times. My recent trip was with Bend Parks and Recreation. I always wish I could stay at Glass Buttes just a little bit longer. It’s a hard place to leave if you love rocks!
The hike to Gray Butte, located in the Crooked River National Grassland near Terrebonne, Oregon, is great to walk in the spring because of the wildflowers. I went here in May and we saw quite a few colorful flowers. The habitat is sagebrush steppe with scattered western juniper trees.
View of Mt. Jefferson from Gray Butte trail
I have been here twice with Leslie Olson, one of my favorite guides with Bend Parks and Recreation. One time we went on Cole Loop Trail #854 and the other time we went on Gray Butte Trail #852. The roads to the trailheads have sections that are rough but passable. We did out-and-back hikes of around four to five miles total distance. They are listed as easy to moderate hikes. Here’s a map that shows both trails.
McCoin Orchard at Gray Butte trailhead
A piece of history
My most recent hike began at Gray Butte trailhead, elevation 3,800 feet, near the McCoin Orchard. The orchard was originally planted by Julius and Sarah McCoin in 1886. The property was purchased by the U.S. Forest Service in the 1930’s. At one time there were 100 fruit trees here – apple, pear, plum, etc. Grassland range specialists saved the surviving trees in the 1980’s. When I was there, the trees were in full bloom.
Gray Butte Peak
Did I make it to the top of the butte yet? Nope, but we had fantastic views from the Gray Butte Trail. Gray Butte reaches an elevation of 5,108 feet. We stopped for lunch on a rocky overlook known as the Austin Creson Viewpoint, elevation 4,200 feet. Austin Creson was involved in the planning of this trail. The viewpoint is 1.9 miles from the trailhead and this was where we turned back.
Views from Gray Butte
The Austin Creson Viewpoint is on the northern edge of the Crooked River Caldera. This caldera is enormous. It encompasses 425 square miles. In fact, the volcanic eruption associated with this caldera was the sixth largest on earth. Woah! Right here in Central Oregon. That’s impressive.
From our lofty perch at the viewpoint we had great views of Mt. Jefferson, the Three Sisters, Broken Top, and Black Butte. Yes, it was a bit cloudy but seeing the peaks peeking through is always thrilling.
American Oil Beetle
We saw and heard eagles, swifts, and sparrows on our hike. We also saw a weird beetle known as the American oil beetle. Nice to look at but don’t touch them because they will produce an oil that will irritate your skin.
Gray Butte wildflowers
Seeing the wildflowers on this hike made my day. They are so beautiful! I am including photos from my most recent hike and from my earlier hike a couple years ago. Enjoy!