It’s that time of year when you share some of your favorite pictures. As usual, I have a hard time narrowing it down. Please enjoy this selection of wild places, wildlife, history, and a pinch of art at the end.
May the new year bring you wisdom, patience, and peace.
Lens-Artists Photo Challenge (LAPC) – Favorite Photos of 2019
These beaded bags are some of my favorite works of art. The bags are part of a display at The Museum at Warm Springs. In this region, work with beads began in earnest in the early 1800s. The beads, created in the glass shops of Venice, Italy, were transported across oceans, mountains, and plains. Settlers, trappers, and explorers used them in trade.
When you look at these photos, you will notice something becoming more clear in the background. Right across from this display, there is a modern-day image showing members of the three tribes that live on the Warm Springs Reservation. You can see their reflections in my photos of the bags. It was almost as if they were looking over my shoulder making sure I noticed their presence.
This museum features parts of their history you probably didn’t learn about in school. It also shows their resilience and celebrates their heritage. These beaded bags are a part of their culture that preserve moments worth remembering.
For more images of beaded pieces from my past posts, see beadwork.
Sunflowers & stagecoaches? You may be wondering how those two things go together.
Last August we explored the Steens Mountain area by car. Did you know you can drive all the way around this 50-mile long mountain and to its 9,700-foot peak at certain times of the year? The views from up there are breathtaking!
The following pictures are from the dirt road on the east side of Steens Mountain. Common sunflowers, Helianthus annus L., were in full bloom along the road.
As their name implies, common sunflowers are common throughout the conterminous United States and in parts of Canada and Mexico. Sunflowers have been introduced in other parts of North America and throughout the world. They occur in a wide variety of habitats including prairies, roadsides, near railroad right-of-ways, savannas, and forest edges.
These leggy plants grow 1.5 to 8+ feet tall and bloom from July through October. Their iconic flowers actually have two kinds of flowers. The yellow “ray” flowers look like petals but each is an individual flower. The “disc” flowers, at the center of the brown head, are usually small. If you magnified your view of the center of the flower, you would see that each of these disc flowers had five petals. The alternate leaves, and the main stem are covered in coarse hair.
Sunflowers are valuable to both wildlife and people. The seeds are sought out by many species of birds. Do you have sunflower seeds from the cultivated variety of sunflower in your bird feeder? If you do, you know how much birds and other wildlife enjoy eating them.
Now on to how this plant is used by humans. Wow! Where do I start?
You have probably munched on sunflower seeds, but did you know the yellow flowers are also edible? They make a colorful addition to a salad.
In July of 1805, the Lewis and Clark expedition traveled along the Missouri River in Montana and recorded these observations on sunflowers.
The sunflower is in bloom [NB: Copy for Dr. Barton ] and abundant in the river bottoms. The Indians of the Missouri particularly those who do not cultivate maze make great uce of the seed of this plant for bread, or use it in thickening their soope. they most commonly first parch the seed and then pound them between two smooth stones untill they reduce it to a fine meal. to this they sometimes mearly add a portion of water and drink it in that state, or add a sufficient quantity of marrow grease to reduce it to the consistency of common dough and eate it in that manner. the last composition I think much best and have eat it in that state heartily and think it a pallateable dish.
There are many medicinal uses of this annual plant. Flowers were used for heart problems and in treating burns. Roots were used in treating blisters and snakebites. Native Americans made a leaf tea to treat lung ailments and high fevers. A poultice was applied to snake and spider bites. Seeds were used as diuretics and to help heal coughing.
In addition to the historical usages, sunflowers are used in creating dyes, soap, cattle and chicken feed, and a fine silky fiber, similar to hemp. Sunflower oil is widely consumed in both North America and Europe.
Fun Fact: Some Native Americans believed sunflowers were a symbol of courage. Warriors would carry sunflowers cakes with them into battle. Hunters would sprinkle themselves with sunflower powder to keep their spirits up.
So now you know more about sunflowers, but why is this post called Sunflowers & Stagecoaches? While taking pictures of the sunflowers, I remembered to look for an old stagecoach stop I had seen on a Circling Steens Mountain birding field trip. Ah ha! Found it. See the dark spots in the middle of this photo? Those are the remnants of a stagecoach stop.
Here’s a closer look. The crumbling rock walls are all that’s left of this stop.
In the late 1800s to early 1900s, stagecoach routes crisscrossed the West. On the more heavily traveled routes there were stops every 25 miles or so. Why that distance? That’s about how far a team of horses pulling wagons full of goods and passengers could travel. Their progress was slow due to difficult terrain and weather that could quickly change from scorching heat to bone-chilling cold.
Some of these stations were just for changing horse teams while others had accommodations available for travelers. The stops in Fields and Frenchglen offered more options for weary travelers. One stop near the one pictured above charged 25 cents for overnight lodging and meals. The charge for the care of each horse was an additional 25 cents.
Travel along these stagecoach routes was not fast. For example, the east-west route from Ontario, Oregon to Burns, Oregon took approximately 40 hours. Today that 130-mile route takes 2 hours 12 minutes. But imagine all the sights those early travelers must have seen on those slow journeys…
This interesting collection of framed arrowhead art is on display at the Fort Rock Homestead Village Museum. The obsidian used to make much of this art exists throughout parts of Central Oregon. It is abundant at Glass Buttes . Big Obsidian Flow, (shown here) at Newberry National Volcanic Monument, contains 380 million cubic yards of obsidian. Native peoples had a lot of material to work with close by.
Camp Hart Mountain was constructed by the Civilian Conservation Corps (CCC) and operated from 1937 to 1941. Hart Mountain National Antelope Refuge , established in December of 1936 by President Franklin D. Roosevelt, helped protect pronghorn antelope.
The CCC crew stationed at Camp Hart Mountain helped with many projects such as building roads, stringing telephone lines, and building new structures. After their work was completed, most of the buildings at the camp were taken down. The building in the distance was the infirmary and it’s the only historical building remaining at this site. There is currently an RV campground located here.
By the way, I worked at Hart Mountain years ago and saw pronghorn regularly. Here’s a story of one such encounter.
Sensationalized accounts of the “Promised Land” caused the single largest voluntary migration in America. Artists such as Albert Bierstadt presented glamorized versions of the journey along the Trail.
We stumbled upon the Columbia Gorge Discovery Center in northern Oregon one autumn day . The Center opened in 1997 but we had never been there.
Wouldn’t you like to have a river winding across your floor like this one in the entry hall?
How about a cedar dugout canoe? Some were up to 50 feet in length.
The Columbia Gorge Discovery Center & Museum is in The Dalles along the Historic Columbia River Highway. Built in the 1900s, this road was the first scenic highway in the U.S. The highway winds through areas with forests, rocky cliffs, and dramatic waterfalls. We were planning to visit Multnomah Falls that day, but it was inaccessible due to a fire.
So we ended up here and a Columbian mammoth trumpeted with joy when he saw us. We stayed out of the way of his 16-foot long tusks. We found another interesting critter close by.
Did you know that there were once dire wolves in Oregon? Me neither. They were the largest canid to have lived, weighing as much as 150 pounds. Sometimes creatures portrayed in stories, such as Game of Thrones, actually existed.
Next we walked into a gallery of Native American artifacts. This center features artifacts from Wasco, Northern Paiute, and Warm Springs tribes.
Beadwork and basketry always impresses me. It would take so much patience to create something like that, something I don’t always have.
In another part of the center, the practice of fishing the Columbia River off of wooden platforms is highlighted. Native Americans fished this river for thousands of years but the runs of salmon have decreased dramatically due to dams and warming water temperatures.
Several displays referred to the explorations of Lewis and Clark.
They passed through the Gorge traveling west in October of 1805 and on their way back home in April of 1806.
Members of the Lewis and Clark party traded with the natives for needed supplies and information on routes. See those strings of beads hanging from the display? Beads had great value as an item to trade at the time.
Naturalists were eager to explore this new land and this display shows some of the winged wonders they encountered. That’s a lot of butterflies!
As the United States expanded its territories in the 1840s and 1850s, more settlers moved toward the West. Lt. John C. Frémont explored the Oregon Trail, camping at The Dalles in 1843. The Army helped map potential wagon routes through Oregon.
Thousands of settlers soon made their way to Oregon and towns sprung up to support them.
Businesses catering to the settler’s needs prospered. Those are some nice saddles!
The railroad expanded into Oregon. Chinese immigrants helped construct railways and worked in the gold mines. They brought elements of their culture with them.
Though some of their customs and products, such as fireworks, were appreciated by the largely European American residents, Chinese often encountered prejudice.
This exhibit detailed archaeological work on the Chinatown site that once existed in The Dalles. After the Chinese Exclusion Act of 1882, it was more difficult for them to stay in the United States. Most moved away from The Dalles by the late 1920s.
For some history about Chinese in John Day, Oregon, about 200 miles to the south, read Kam Wah Chung: A Step Back in Time.
Excavations at Chinatown have uncovered many artifacts and evidence of past floods and fires. In 2013, this site was listed among Restore Oregon’s Most Endangered Places.
There were a couple things we didn’t see on this visit.
The Columbia Gorge Discovery Center was a nice place for an unplanned stop. Lots to see and do there. We were there in October and there weren’t many other visitors. The fall leaves outside the building greeted us in bright shades of gold.
There’s a great fountain just outside the front door. I leave you with the calming sounds of its waters.
Old wagon wheels of time at Fort Rock Homestead Village Museum, Oregon.
I saw this old switchboard at the Harney County Historical Museum in Burns, Oregon. I could imagine Ernestine sitting in front of it saying, “One ringy dingy…two ringy dingy. Is this the party to whom I am speaking?” Making calls is a little easier today.
This interesting Double O Ranch sign is on part of the Malheur National Wildlife Refuge in eastern Oregon. At one time this 17,000 acre ranch was privately owned by Bill Hanley. The U.S. Government purchased most of it in 1941 and added it to the refuge. The ranch was originally owned by Amos W. Riley and James A. Hardin. It was established in 1875 and was one of the first permanent pioneer settlements in Harney County.
I’ve featured several outdoor photos taken in and around Fort Rock, but now you’ll get glimpses indoors at the Fort Rock Valley Homestead Museum. Many of these historical buildings were moved here from nearby. The homes and businesses are furnished as they would have been in the early 1900s. This is a place where history truly comes alive.
A people without the knowledge of their past history, origin and culture is like a tree without roots.Marcus Garvey
Lens-Artists Photo Challenge – History
Last weekend we attended an Asian New Year Celebration, and the performances we watched were spectacular! This event brought together performances of music, Tai Chi, Parkour, aerial silks, and lion dancing. A local restaurant provided samples of Asian cuisine. There was also a silent auction.
The Chinese New Year started on February 5th and it’s the Year of the Earth Pig. In other years the Pig is associated with Wood, Fire, Metal, or Water. The Pig occupies the last position of the Chinese Zodiac. It symbolizes “carefree fun, good fortune, and wealth” according to Your Chinese Astrology.
The celebration featured the lion dance at the beginning and end of this event. The two lions of White Lotus Dragon and Lion Dancers danced to the pounding rhythms. Kids in the audience at this event loved when they got to follow the lions out of the auditorium at the end of the celebration. Be sure to watch the video at the end of this post for an up close look at a lion dancing in the audience.
Lion dances are a traditional dance in China and other Asian countries. They have been around for millennia. In the past, the dance was used to scare away evil spirits. But lion dances were also performed to bring joy, prosperity, and good fortune to events such as celebrating a new year. Dancers emulate the movements of lions in colorful costumes.
Oregon Tai Chi Wushu gave performances in large and small groups. They balanced the calm and graceful movements of the larger groups with the fast-paced action of smaller groups. One performance had a modern twist with dueling electric guitars. Watch that video below, near the end of this post. The local group includes participants of all ages, even those as young as four years old.
In the past, martial arts were essential for protection in times of war in China. As that need decreased, they recognized the lasting health benefits of this training. Tai Chi is referred to as “meditation in motion.”
Members of Abstract in Motion did a lighter-than-air performance of Parkour. Merriam-Webster defines Parkour as “the sport of traversing environmental obstacles by running, climbing, or leaping rapidly and efficiently.” This activity was developed in France in the 1980s. It’s kind of like the moves seen in The Matrix movies without the use of special effects. The performers leaped and flipped and moved in ways that made me wonder if they were mere mortals.
One of the most memorable performances for me at the Asian New Year Celebration was the Taiko drumming of the Portland Taiko group. This group “blends the tradition of Japanese taiko drumming with a sense of Asian American identity, creativity, and empowerment.” Watch the videos to see the sense of joy this group emulates.
Taiko percussion instruments were in use in Japan 2,000 years ago. It’s thought taiko drums were used in communication or religious rituals. They resemble instruments found in China and Korea and may have come to Japanese culture from as far away as India. The idea to play together in Kumi-daiko (a taiko ensemble) was created in the 1950s. Drums range in size from small snare drum-sized up to as large as a wine barrel.
Outside the auditorium, Silks Rising gave an aerial silks demonstration. A long piece of silky fabric hung from an open pyramid-shaped structure. A young girl climbed, spun, and dropped on the long piece of fabric in a kind of aerial ballet. I can see why these performances are called “aerial contortion.” Cirque du Soleil invented this art form in 1995.
This celebration packed a lot into two hours. Some performances were slow, quiet, and graceful; others were fast, loud, and full of raw emotion. There was something for everyone here. It’s the 12th year of the Asian New Year Celebration—a fundraiser for Bend Senior High School’s Life Skills Program.
Hope you enjoy watching the videos!
FOWC – Watch
It’s always hard to pick favorite photos at the end of the year. Here are several representing nature, history, and culture. Enjoy and have a great New Year!
Lens-Artists Photo Challenge – Photographic review of 2018
These images from Fort Rock, Oregon focus on looking up. In this photo you see what a town from the early 1900’s may have looked like. Buildings were moved to this site to create the Fort Rock Valley Historical Society Homestead Village Museum. Each building is decorated with artifacts so it’s easy to imagine yourself stepping back in time.
Pioneers were promised rich and fertile land. That was not the reality in this arid high desert. Many settlers moved away after unsuccessfully trying to cultivate the land.
Yet some stayed and learned to love the land. In this photo a sage thrasher perches on a shovel next to a re-created pioneer garden. Listen to the thrasher’s beautiful song here.
Fort Rock is a prominent land feature that settlers looked forward to seeing. Some pioneers who settled there cannot imagine living anywhere else. The ever-changing skies make even those of us there for a short visit look up in wonder.
Lens-Artists Photo Challenge – Look Up
Sometimes you may have looked up at rock climbers on Smith Rock (near Terrebonne , Oregon) and wondered what drives them in their quest to reach the top. This new exhibit helps answer that question. Ascent: Climbing Explored, looks at the history, evolution, and culture of climbing and mountaineering in the West. What began as scientific exploration, grew into an activity people take part in for sheer joy of the experience.
One of the first things you see in the exhibit is a journal entry from John Muir. Muir taught people about conserving wild places through his eloquent writings. In another section of the exhibit, the artwork of Thomas Moran is featured. The paintings he created of Yellowstone in 1871 helped to establish the world’s first national park. The artwork and writings of early explorers were the “social media” of their day. Artist Sarah Uhl, also featured in this exhibit, presents landscape art that is a continuation of themes first presented by 19th century artists. James Lavadour, of the Walla Walla tribe, did the bold bright paintings of mountains near the exhibit entrance. His paintings, and the clean lines of the exhibit, bring a modern look to the displays.
Many of the objects displayed in Ascent are on loan from the Mazamas. The Mazamas climbing club was founded in 1894 in Portland. William Gladstone Steel was one of the driving forces of the organization. From the start, they have played an active role in conservation. The Mazamas club was also ahead of the times in allowing women to enroll as full members. As Steel said, “No climb is complete without them.”
One item featured in the exhibit belongs to the company founded by rock climber Yvon Chouinard. In 1970, Chouinard purchased pre-made Rugby shirts and affixed his brand name onto them. You can see one of these shirts near the van scene. He later had great success with Patagonia, the company he created.
There are two large display cases that show historical and current gear used in mountain climbing. Some equipment has changed little, while other items, such as footwear and climbing rope, have changed radically. One of the most significant changes was in the materials used in shoes. Since the 1980s, they have become significantly lighter.
Climbers and mountaineers are always looking for new ways to see the mountains. In the 1920s, methods to reach the summit included using metal spikes, known as pitons, into the rock. One of the hands-on displays shows protective gear climbers use to anchor themselves to the rocks. While pitons and other equipment help make the sport safer, some prefer to “clean climb” without hammering things into the surface they climb over. The bolts cause damage to the rock from repeated placement and removal.
In the 1970s, climbers lives revolved around climbing. They preferred to free climb, using only their hands and feet. We called these athletic climbers “rock jocks” when I was in college. Climbers were often referred to as “dirtbags”. Dirtbags often lived in vans, such as the one in the exhibit, and some experimented with drugs.
Climbers are driven to reach summits despite the risks. As one climber quoted in the exhibit said, “It breathes life into me.” Climbers climb for many reasons. The physical and mental challenges are just a part of the experience.
Certain locations, such as Yosemite and Smith Rock, are particularly challenging and draw in climbers from all over the world. The Yosemite Decimal System (YDS) rates the difficulty level on a scale of 1 to 5, with 1 being the easiest level. By the 1950s, this scale was further refined with the addition of decimal points and letters.
The first ascent of Smith Rock was made in 1935 by Central Oregon resident Johnny Bissell. In the 1950s, national attention came to Smith Rock after Madras residents Jack Watts, and brothers Jim and Jerry Ramsey, established climbing lines on the peak. A 650-acre state park was created at Smith Rock in 1960 to conserve the site. Though many considered the various routes “climbed out” by the late 1970s, Alan Watts, Jack Watts’ son, started developing top down routes. At the time, they were considered the hardest routes in the world with a YDS of 5.14a. One of Watts’ routes was featured in 1986 on the cover of Mountain, an influential climbing magazine, and climbers soon flocked to Smith Rock.
Rock climbers come in all shapes and sizes and one display features information on adaptive climbing. Climber Mark Wellman was the first paraplegic to summit El Capitan at Yosemite. Gear has been modified over the years to meet the needs of climbers’ specific needs.
A large climbing wall for kids is a popular part of the Ascent exhibit. The wall is for future rock climbers between the ages of 5-12. The kids I saw were thrilled to climb up the blue wall studded with colorful hand- and footholds. It was almost as if they were climbing for the sheer joy of the experience.
This is a reprint of a July 2018 article in High Desert Voices, a newsletter by and for volunteers and staff at the High Desert Museum in Bend, Oregon. To see more issues of the newsletter, go here.
This exhibit at the High Desert Museum runs from April 28 – September 9, 2018
Here’s a cabin scene in Torrey, Utah. It looks as though this old building could tell many interesting stories. Lots of drama in those walls…
Tuesday Photo Challenge at Dutch Goes the Photo! – Scene
I visited the ghost town of Shaniko, Oregon this spring. The town is right on U.S. Route 97 and I’ve driven by it many times but didn’t really know much about it. The 1910 census showed its population at its peak level of 600 people. By 1911, the population plummeted. It’s called a ghost town today but according to the 2010 census, 36 people still call it home. They originally named the town Cross Hollows.
The first thing I wanted to know was where the current name came from. In 1867 Oregon received a grant to build a military road from The Dalles to Fort Boise, Idaho. They discovered gold in Canyon City and thousands of miners relied on small towns nearby for supplies. Settlers traveled to areas that had previously been hard to access. They grabbed up large parcels of land under the Homestead Act of 1862. One of the settlers was August Scherneckau, and he established a post office in the area. Members of the local Wasco tribe pronounced his name SHAN-i-koh, and the name stuck. As someone with an unusual name, I can relate to that!
By 1900, Shaniko was the center of production of wool, wheat, cattle, and sheep in eastern Oregon. The Columbia Southern Railway rail line, originating from Biggs Junction 55 miles to the north, reached Shaniko in 1900 and they shipped products from here throughout the region. Incoming supplies included farm equipment, building materials, fence posts, and coal and wood fuel. In 1901 it was one of the largest shipping centers in the world.
The soil was not good for farming but it worked well for cattle and sheep. Shaniko was known as the “Wool Capital of the World.” It marketed 4 million pounds of wool in 1901. In 1903 the Moody Warehouse Company recorded sales totaling over a million dollars in a single day!
In 1911 the Oregon Trunk Railroad, created by railroad magnates Edward Harriman and James J. Hill, began operating. It linked Portland to Bend and fewer trains traveled on the route to Shaniko. Business in Shaniko began to decline. Fires destroyed much of the business district in 1911. The Interstate Commerce Commission stopped rail service to Shaniko in 1943.
The Shaniko Historic District was listed in the National Register of Historic Places in 1982. Buildings include the Shaniko Hotel (designated in 1979), the Sage Museum, Shaniko School, City Hall and Jail, Wedding Chapel, and the Wool Warehouse.
If you visit, look for some of the interesting old doors like the one above. There’s another one on my post The Watcher Within.
Oregon businessman Robert B. Pamplin, Jr. purchased the hotel and a few businesses in 2000. He planned to renovate historic buildings and develop new properties. However, in 2008 there was a dispute related to access to water to serve the hotel and café. He closed those businesses, tried to sell them for $3.2 Million, and later decided they were no longer for sale (as of 2016).
Yes, that pronghorn is kind of bossy, but I hope you’ll take a minute to look at my “new and improved” About page. Thanks for visiting!
Bend Branches About page
I took this picture on a trip to the ghost town of Shaniko, Oregon and didn’t notice the watcher within until I edited the photo. I thought it was something inside but realized later it was a reflection of the Shaniko Hotel across the street. It looked like some alien creature out of a Star Wars movie watching me. I found some interesting doors in Shaniko but apparently they were keeping an eye on me.
I have so many Yellowstone favorite places it’s hard to choose. Here’s a collection of photos of things that make the park special. I start this post with a quote from President Theodore Roosevelt who was known as the “conservation president.”
“The only way that the people as a whole can secure to themselves and their children the enjoyment in perpetuity of what the Yellowstone Park has to give is by assuming the ownership in the name of the nation and by jealously safeguarding and preserving the scenery, the forests, and the wild creatures.”
Theodore Roosevelt, April 24, 1903 at the laying of the cornerstone of Gateway to Yellowstone National Park
Yellowstone National Park, with its larger-than-life landscapes, dramatically changing weather conditions, amazing menagerie of wildlife, variety of plant life, and geology in action, is one of my favorite places. It also has a rich history as the world’s first national park.
Evidence shows ancient peoples lived in Yellowstone Country 11,000 years ago. European Americans began exploring the lands in the early 1800’s. Teams of explorers brought back tales of wonder of this unique environment. Their work was supported by images created by artists Thomas Moran and Henry W. Elliot and photographer William Henry Jackson. The park was established in 1872 by President Ulysses S. Grant. Additional protections for the park and its wildlife were instituted in 1894 when congress passed the National Park Protection Act – now known as the Lacey Act.
President Theodore Roosevelt had a love of the land and he was instrumental in making sure many natural areas were preserved. His quote above reflects the importance of preserving wild places so that all may enjoy them “in perpetuity.”
Here are photos of some special landscapes.
And more of spectacular hot springs and other features.
And don’t forget to notice the tiny landscapes beneath your feet.
And of course the wildlife.
Yellowstone National Park gets visitors from all over the world. 4,116,524 people visited in 2017.
May we all continue to safeguard and preserve its scenery, forests, and wild creatures.
Weekly Photo Challenge – Favorite Place
I am always amazed by the beautiful beadwork on display at the High Desert Museum where I volunteer. The carefully crafted pieces represent work by tribes of the Columbia Plateau in parts of modern-day Washington, Oregon, and Idaho.
Tribes represented include Umatilla, Wasco, Wishram, Paiute, Washo, Chehalis, Quinault, Nez Perce, Skokomish, Chinook, Tillamook, Yakima, Warm Springs, Haida, Salish, Yaqui, and others.
They are artifacts with an emphasis on “art.” However, Native Americans in the 1700’s and 1800’s did not make art for art’s sake. Beads embellished utilitarian pieces. Beads adorned items ranging from small handbags and knife cases, to deerskin clothing and footwear.
The High Desert Museum houses the Doris Swayze Bounds Collection of Native American Artifacts. Born in 1904 in Oklahoma, Doris Swayze Bounds later lived in Hermiston, Oregon, where she worked as a banker. She always appreciated Native American people and their culture. Many of the pieces in the collection were gifted to her by local Native Americans as a way of showing their respect and affection to her. The artifacts date from the 1870’s to the 1960’s. The collection has many pieces, but I focused on the beadwork in this post.
In the early 1800’s, beads used in trading with native people were referred to as “pony” beads. Transported by pack animals, the beads were limited in availability and colors. The smaller “seed” beads became widely available after about 1850. These inexpensive beads were available in larger quantities and in a wider variety of colors.
White traders thought of the beads as cheap trinkets but to native peoples, they were highly prized. The beads were valued for their beauty and durability. They also freed up time that would have gone into crafting beads from bone, shells, and other materials. The beadwork became a status symbol and a source of pride in their culture.
Bead-working techniques vary and show ethnic membership. Colors and motifs represent different things to different tribes. If symbols are changed, such as being inverted or assembled in incorrect colors, they may show a hidden negative message. For example, an inverted American flag could have expressed displeasure with governmental policies.
The beadwork is this collection is beautiful but some pieces were made during a dark chapter in American history. The hardships native peoples endured are difficult to imagine. Beadwork allowed them to express pride in their culture when they were being forced to give up their traditional ways of life. We are fortunate that some of their remarkable work has been preserved.
To view more of this collection and learn about Native American’s many accomplishments and challenges, visit the High Desert Museum in Bend, Oregon
Source of beadwork history information:
Logan, M. H. (2014). Brightly Beaded: North American Indian Glass Beadwork [Pamphlet]. Knoxville, Tennessee: University of Tennessee, McClung Museum of Natural History and Culture.
One Word Photo Challenge – Museum