Plains Indian Museum, Wyoming: LAPC

Today I’m sharing pictures taken at the Plains Indian Museum section of the Buffalo Bill Center of the West. This world-class museum has five sections focused on western history, culture, and the environment. It’s in Cody, Wyoming, a half an hour drive from the east entrance to Yellowstone National Park.

The theme this week for the Lens-Artists Photo Challenge is “low light.” Museums and galleries often have challenging lighting for taking photographs. I used my Samsung phone to take most of these photos since it does well in low light conditions. I’ll share some of my tips for taking and editing photos.

The first image shows a war lodge. Warriors made these temporary structures in wooded areas to hide their presence in enemy territory.

There was a reflection of a large blue screen on the right side of the image that I eliminated with my editing program, Corel PaintShop Pro 2021. I also used a vignette effect to direct viewers to the most interesting parts of this structure.

Stick tee pee in Cody museum

The next picture shows part of a display of several headdresses. Members of the Blackfeet tribe created the bonnet on the left ca. 1850. It includes golden eagle and great horned owl feathers, buffalo horns, tanned hide, horse hair, ermine, porcupine quills, wood, wool, silk ribbon, and cotton thread.

I erased a dark part of the base and dimmed the lights. In this case, I cloned darker colors near the lights onto the bright bulbs.


Plains Indian on the move and at home

The next photo shows a family traveling with a dog who is pulling their supplies with a travois. A large dog could pull 75 pounds and this was a common practice among Plains Indians.

This image had several reflections from the overhead spotlights on the background photo. I used cloning and the scratch remover tool to get rid of them.

Plains Indian on the move

The next photo shows a woman on horseback with an infant on her back. Cradleboards of Plains Indians were bordered with leather, forming a sort of hood. These cradleboards combined elements of woodwork, basketry, and beadwork.

I cropped this down a lot, but left some dark cording at the bottom so I could show the horse’s front hooves. You sometimes have to work around things meant to protect the displays. Once again, I removed reflections from ceiling lights.

Plains Indian woman

The next image shows a tipi made of heavy canvas. Most were covered with bison hides before the 1880s, but they did not last as long as canvas. These were more permanent than stick war lodges and could be moved easily.

I debated cropping more off the top because of the bright spotlight. I left it in to show more of the structure. In this case, I dimmed all the spotlights by using the burn tool. This darkened the brightness slightly.

Tee pee

This picture is of an earth lodge. Tribes living in the Upper Missouri region used these more permanent structures. They covered timber framed structures with sod and these houses protected people from temperature extremes.

I cropped out as much as I could around the building while keeping the blue-edged ceiling structure. I thought it looked like a flattened flying saucer. πŸ˜‰

Plains Indian building

The artistry of Plains Indians

This picture shows several decorated shields created by men of the tribe. The shields portray images of elements of nature thought to bring them protection in battle.

I eliminated spotlight reflections but left the long, horizontal reflection. Sometimes you can’t eliminate all the distractions.

Museum display in Cody

This display shows how Plains Indian tribes adapted to new resources. When European settlers and hunters moved into their lands in the 1870s, they brought colorful beads to use in trade.

For this image, I shifted position until I found a spot without reflections. I used the perspective corrector on the largest sign to make it easier to read.

Display at Cody museum

This display shows more examples of beadwork. Each tribe used distinctive patterns to decorate items such as bonnets, purses, and cradleboards.

This display had a couple of distracting marks on the background display board, and I erased them.

Plains Indian beadwork

This colorful piece is a traveling medicine doll. It includes tripod sticks, symbolizing tipi poles. The items being carried represent things of importance to a Crow family while moving. It was not a toy.

Displays are often full of multiple pieces, so if some interest you, be sure to zoom in close. I cropped out adjacent pieces and bumped up the vibrancy of the already vibrant colors.

Traveling medicine doll

This is a representation of a more modern Native American family home. Note the artistry of the quilt and beadwork displayed around the room.

Sometimes you need to be patient while others view displays. I waited a couple minutes to take this picture. At popular attractions, like the arches in Utah, I’ve politely asked visitors to step back for a second so I can take a quick picture.

Display at museum in Cody

Living off the land

This picture shows examples of plants important to native people of the plains. They used these plants for many purposes, including food, medicine, natural dyes, and raw materials for clothing and tools. I have an interest in these plants because I may include them in a book I’m working on.

I used a perspective corrector to bring the framed pieces back to their true rectangular form. Though I attempted to lighten the specimens, the lighting was uneven in this display case.

Pressed plants

The next photo is of the sign below the pressed plant display. I don’t normally share pictures I take of signs on my blog or newsletters.

If you plan to write about something you saw later, take pictures of the signs. I wish I would have figured that out long ago!

Sign in museum in Cody

One more bit of advice… be careful when taking pictures of display cases and framed artwork covered by glass. It’s easy to get a picture of yourself in the reflections. πŸ˜€

Lens-Artists Photo Challenge (LAPC) – Low light

Beaded buckskin Powwow outfit: Wordless Wednesday

Beaded buckskin Powwow outfit
Beaded buckskin Powwow outfit, High Desert Museum, OR

Wordless Wednesday

Plateau Indian Beaded Moccasins: LAPC

I’m featuring pictures of Plateau Indian beaded moccasins for the Lens-Artists Photo Challenge. The challenge this week is “A labor of love.”

After so much was taken away from Native Americans, creating beadwork became a labor of love. They preserved parts of their culture by decorating everyday items.

Plateau Indian beaded moccasins, High Desert Museum, Oregon August 2020

Prior to the European invasion of North America, Native Americans decorated their clothing with shells, porcupine quills, and bones.

Beaded footwear, High Desert Museum, Oregon August 2020
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Beaded bags: LPM Photo Adventure

These beaded bags are some of my favorite works of art. The bags are part of a display at The Museum at Warm Springs. In this region, work with beads began in earnest in the early 1800s. The beads, created in the glass shops of Venice, Italy, were transported across oceans, mountains, and plains. Settlers, trappers, and explorers used them in trade.

When you look at these photos, you will notice something becoming more clear in the background. Right across from this display, there is a modern-day image showing members of the three tribes that live on the Warm Springs Reservation. You can see their reflections in my photos of the bags. It was almost as if they were looking over my shoulder making sure I noticed their presence.

This museum features parts of their history you probably didn’t learn about in school. It also shows their resilience and celebrates their heritage. These beaded bags are a part of their culture that preserve moments worth remembering.

Horse & eagle beaded bags, Warm Springs, Oregon 25 October2019
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Beautiful Beadwork – OWPC: Museum

Messages communicated without words

I am always amazed by the beautiful beadwork on display at the High Desert Museum where I volunteer. The carefully crafted pieces represent work by tribes of the Columbia Plateau in parts of modern-day Washington, Oregon, and Idaho.

Beautiful Beadwork at the High Desert Museum 25February2018Tribes represented include Umatilla, Wasco, Wishram, Paiute, Washo, Chehalis, Quinault, Nez Perce, Skokomish, Chinook, Tillamook, Yakima, Warm Springs, Haida, Salish, Yaqui, and others.

Doris Swayze Bounds Collection of Native American Artifacts

They are artifacts with an emphasis on β€œart.” However, Native Americans in the 1700’s and 1800’s did not make art for art’s sake. Beads embellished utilitarian pieces.Β  Beads adorned items ranging from small handbags and knife cases, to deerskin clothing and footwear.

Beautiful Beadwork at the High Desert Museum 9December2015The High Desert Museum houses the Doris Swayze Bounds Collection of Native American Artifacts. Born in 1904 in Oklahoma, Doris Swayze Bounds later lived in Hermiston, Oregon, where she worked as a banker. She always appreciated Native American people and their culture. Many of the pieces in the collection were gifted to her by local Native Americans as a way of showing their respect and affection to her. The artifacts date from the 1870’s to the 1960’s. The collection has many pieces, but I focused on the beadwork in this post.

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