Here’s an outdoor pronghorn painting I did in our backyard. It’s the first Friday of the month so it’s time to share your First Friday Art. If you have artwork you would like to share, use the First Friday Art tag.
We have an 8 x 16 foot shed in the backyard and it had a boring blank west-facing wall. It needed something to make it more interesting. I thought of painting a pronghorn, one of my favorite critters.
I developed an appreciation for pronghorns many years ago when I did fieldwork at Hart Mountain National Antelope Refuge in southeastern Oregon. Pronghorns, AKA antelope, are native in parts of western North America and they’re common at the refuge.
Steps taken to create the outdoor pronghorn painting
First I brightened up the side of the shed with some leftover light blue paint. Then I sketched out the pronghorn from pictures I had taken, supplemented with other source materials.
For some people doing the initial sketch is easy, but it’s not for me. Do you know what the picture below is?
Eraser dust! I did a lot of erasing and redrawing.
The next step was back painting the silhouette of the pronghorn. I used an off white paint – more leftovers – to help the colors pop.
Next I sketched over the white paint.
Then I painted in the big blocks of color and added shading. The last thing I paint is the eye. It can give a painting life.
A dead juniper branch and igneous rock collected from my property helped the painting fit in with our High Desert setting.
There will be more High Desert creatures added to this piece. I’ll start work on a badger, black-billed magpie, and golden-mantled ground squirrel.
I filled up some of my empty space (and empty time) creating this outdoor pronghorn painting. Hope you are finding time to be creative!
When I walk my dog in the Old Mill district, I always smile when I see the art at the amphitheater. The Les Schwab Amphitheater is the main venue for large events in Bend, Oregon. Minneapolis artist, Erin Sayer, painted the crow on one side of the stage and the owl on the other.
Fellow Minneapolis artist, Yuya Negishi, assisted her. Yuya painted a dragon mural on the side of a building across the river and another mural on a staircase.
Even the utility boxes are painted.
There’s a big, open field in front of the stage.
The Deschutes River runs behind the stage. Here’s a view from across the river. Those silos on the right side belong to Deschutes Brewery.
Events are temporarily postponed or cancelled because of coronavirus. Huge crowds, such as these seen at Bend Brewfest, often fill the fields at events.
The flower border along one side of the field is spectacular at certain times of the year.
Accommodations for entertainers at this venue are unique. They are old boxcars resting on a section of train track. You can see the old train station, built in 1911, across the street.
Here’s a closer view of the train station on a winter day. Now it’s the Art Station, managed by Bend Park and Recreation District. It offers art classes for adults and children.
Art at the Amphitheater shows up in many forms including murals, concerts, colorful flower borders, art classes, and locally brewed beers. 😀
It’s already First Friday again! Today I’m sharing a prairie falcon pen-and-ink drawing I created. This drawing shows their dark “armpit” marking. That’s one of the ways to distinguish them from peregrine falcons.
Here are a couple glimpses of a prairie falcon flying high above the 9,734 foot peak of Steens Mountain in Oregon.
She unfurled her gossamer wings and searched for a far away land, greener than green. After a journey of many miles, she caught glimpses of Ireland & Northern Ireland. When she landed in a lush green pasture, a part of her remembered…
Though I usually keep my travels within driving distance, I just returned from a 10-day trip to Ireland and Northern Ireland with my daughter. After losing my brother and father within months of each other, I felt an urge to visit the land of my ancestors.
We drove about 1,600 miles and I took lots of photos. I will be sprinkling glimpses of Ireland & Northern Ireland into my blog occasionally. Enjoy the scenery!
We recently visited a newish bakery for a cup of coffee and a sweet. This sweet spot has a good variety of sweets and beautiful artwork.
Check out this large mural full of flora and fauna. Find out more about the six artists that helped create the artwork in this space here.
The front counter has bold black and white tilework.
Even the storage areas are painted. I loved the fox peeking out and the figurine on the top.
Even the light fixtures are works of art. Can you see what the railing in the loft is made from? Rolling pins!
Here’s the view from outside. This bakery is located in the Box Factory area of Bend.
In the early 1900s, there was a box making factory here. Now this sweet spot, restaurants, a cider manufacturer, a make-your-own-beer business, an exercise studio, a tourism company, and stores fill the building.
I often walk through this “Tunnel of Joy” by the Deschutes River in Bend, Oregon. I call it that because the bright artwork is so joyful. I’ve previously featured one side of the bridge and the other but never the inside of the tunnel.
The abstract painting lining the tunnel is by artist, Tom Cramer. He works in a variety of media and is one of the most successful artists currently working in Portland, Oregon. His best-known mural was “Machine”, painted in 1989.
At first this mural appears to just be random shapes, but if you look closer you may notice shapes you recognize. I see faces, hearts, snakes, and wings. You can use your imagination to find objects in an abstract work of art.
I’m thankful the city of Bend supported the creation of this Tunnel of Joy to make all of our days a little brighter.
The essence of all beautiful art, all great art, is gratitude.
You can find the Tin Pan Theater tucked away in an alley in downtown Bend, Oregon. If you didn’t know it was there, you could walk right past it.
This tiny theater only has 28 seats. You might not see the next Avengers movie there, but you will see some great movies. Indie films like The Nightingale, Linda Ronstadt: The Sound of my Voice, and Maiden. They also feature foreign films.
Get there early because seats fill up fast. You can enjoy some popcorn and drinks while you’re waiting–including some local brews.
This theater received good news recently. BendFilm purchased the property in May 2019. The BendFilm Festival takes place in October and films can be viewed at this theater and several other locations. This festival was recently recognized by MovieMaker Magazine as being one of the 25 coolest film festivals in the world.
As BendFilm Executive Director Todd Looby noted, “Anyone who has entered the Tin Pan Theater immediately falls in love with the space.”
Be sure to look at the artwork in the alley just across from the theater. Tin Pan Alley Art features a variety of techniques and media. Bend has some amazing art and culture tucked away in its nooks and crannies.
Catlow Cave artifacts, including sagebrush bark sandals, grass & bark baskets, and arrowheads & spearpoints, are displayed at the Harney County Historical Society Museum in Burns, Oregon. There are a couple pointed sticks that may be “knitting needles”, used to knit the sagebrush bark together.
These cave artifacts are between 9,000 to 10,000 years old. The Northern Paiute people lived in this region. There are several caves in the Catlow Valley cliffs. Petroglyphs adorn some of the rock faces.
This is a kinetic sound sculpture that’s part of an exhibit at the High Desert Museum in Bend, Oregon. The exhibit is called Desert Reflections: Water Shapes the West and it runs through September 29, 2019. This exhibit used the combined talents of scientists, historians, and artists.
When you play the video on this post, listen carefully to the music in the background. The sounds of High Desert water and wind were recorded. They were combined with the “color” of music played on a Skinner church organ.
As the artists at Harmonic Laboratory state, “This evokes the richness of the region, a place shaped by many forces interacting in a complex way.”
As you stand underneath the sculpture, the calming tones, continuous motion, and gentle breeze helps you feel some of the energy that’s such an important part of High Desert environments.
Have you ever stepped inside a time capsule and discovered a place frozen in time? You have the opportunity to visit such a place if you stop at the Kam Wah Chung State Heritage Site in John Day, Oregon. The small building, located two blocks north of Highway 26, was, at one time, bustling with activity. Kam Wah Chung, which translates to the “Golden Flower of Prosperity,” served as a dry goods store, herbalist shop, import business, house of worship, and boarding house. It also housed an informal library and post office.
A Tour Inside
As you step into the dimly lit interior of the building, you get a feel for what life was like decades ago.
Boxes and tins of everyday products line the shelves. Merchandise stocked at Kam Wah Chung appealed to both Chinese and American customers.
In the backroom, larger boxes of supplies fill the room.
The apothecary is amazing! Stacks of small neatly labeled boxes reach to the ceiling.
They used many herbs in the practice of Chinese medicine, but also more exotic things like lizard feet, bat wings, and bear parts. A small room across from the apothecary served as a place to treat patients.
You step through a low doorway to get into the kitchen. The table and wood stove look ready to serve a hot meal.
An early version of a refrigerator cabinet sits in a corner.
Religion was an important part of everyday life and small altars, with dried oranges and incense stick offerings, are tucked into various nooks.
Two sets of bunk beds are in the same room as the kitchen. Advertisements line the walls and undersides of the bunks, in case you might need to purchase a suit while staying there.
As you pass through another door, you’ll enter a private bedroom. You can’t go upstairs, but additional boarding and living quarters are located there.
History of Kam Wah Chung
The building was constructed in the 1860s as a trading post, and it was put under lease to the Kam Wah Chung Company in 1878. Ing Hay and Lung On, both originally from the Guangdong Province of China, formed a partnership and purchased the business in 1887. It served as a gathering place for Chinese immigrants who traveled to Oregon to work on railroad lines and in gold mines. In 1862, prospectors discovered gold in Canyon City, two miles south of John Day. In 1880, John Day was home to over 2,000 Chinese, the second largest Chinese community in Oregon and one of the largest in the U.S.
Partners in business – Ing Hay and Lung On
Ing Hay, also known as “Doc Hay,” practiced herbal medicine and pulsology. Doc Hay lost his sight, but he claimed he could use his sensitive hands to identify ailments based on a patient’s pulse. Western medicine was in its infancy at that time and anyone could claim to be a doctor. Nearly half of patients treated by “quack” doctors died from infection. Ing Hay served both Chinese and non-Chinese patients and was a well-respected healer throughout the region. He was considered a “municipal treasure” after he used his herbal remedies to prevent the spread of illness during the Influenza Epidemic of 1918.
Lung On, also known as “Leon,” was a well-educated man fluent in both English and Chinese. He used his charisma and many skills in his work as a merchant, labor contractor, mediator, and translator. After the gold rush, he turned to other endeavors. Lung On started a mail-order clothing company and also had one of the first car dealerships and service stations east of the Cascades. He also dabbled in real estate and horse racing. Lung On was a successful businessman and he willed his $90,000 estate to Ing Hay. Both men continued living in the Kam Wah Chung building for nearly 60 years and were considered valued members of the community.
The Chinese Exclusion Act
Though both had family in China, they never returned to their native country. One reason for this was the Chinese Exclusion Act of 1882. Increasing tensions between Chinese and resident laborers in a struggling economy led to a series of laws. The Act stated that Chinese could not become U.S. citizens or own land. Teachers, students, diplomats, and merchants were given limited rights, but weren’t always allowed back into the U.S. if they left the country. In John Day, Chinese could only live in a small neighborhood near Kam Wah Chung and it served as a refuge for them. More moved to John Day in 1885 when the Chinese neighborhood in Canyon City burned to the ground and they were not allowed to rebuild. It was a challenging environment for people of Chinese heritage and they felt safer living near each other.
Chinese could not own guns in Grant County so Ing Hay and Lung Ho kept meat cleavers at the ready to defend themselves. You can see evidence of how they were harassed by observing bullet holes in their metal-clad front door. The thin layer of metal didn’t stop any bullets, but it prevented fire from destroying the building.
Opening the Time Capsule
Lung On passed away in 1940 and Ing Hay moved to a Portland nursing home in 1948. He passed away in 1952 and his nephew sold the building to the city of John Day. Ing Hay wanted the building to serve as a Chinese history museum, but that request was forgotten. The Kam Wah Chung building remained locked until 1967. When the doors were opened, everything inside was largely intact. Over 30,000 artifacts have been cataloged. The apothecary contained hundreds of herbs, some of which no longer exist in the wild. One of Doc Hay’s medical books may have been compiled 300-500 years ago by one of the founders of Chinese medicine. If the book is an original, it would be one of the few copies known to still exist.
Visiting Kam Wah Chung
Kam Wah Chung was deeded to Oregon State Parks and Recreation in 1975 and leased to the city of John Day. It opened to the public in 1977. The state took over management of the site in 2004. The Friends of Kam Wah Chung help manage a small visitor center and store housed in a separate building.
Oregon State Parks and Recreation offers free 45-minute tours of the Kam Wah Chung site from May 1 to October 31. A guide must accompany visitors. The guides offer visitors a wealth of information and they obviously enjoy sharing their knowledge. Their talks are enhanced by informative recordings. The tours fill up fast so this year they are experimenting with making reservations in advance.
There are several exciting updates related to Kam Wah Chung. Plans are in the works for a larger visitor center that may include a “virtual reality” room that would simulate the interior of the building. Recent archaeological research at the site has revealed where the temple and other buildings may have once stood. In July, students can participate in an archaeology field school on the site as part of the Oregon Chinese Diaspora Project. Malheur National Forest, Southern Oregon Laboratory of Anthropology, and Kam Wah Chung are among those working on this project. The Discovery Channel is working on a documentary about Chinese traditional medicine and they have shot footage at Kam Wah Chung and several other locations. The program is expected to air in North America in the fall of 2019.
Visitors from around the world
This site is an important destination for those interested in history. It is the best known example of an historical Chinese mercantile and herb store in the United States. Chinese scholars have expressed great interest in Kam Wah Chung and they visit the site regularly. As news stories related to discoveries at the site have spread throughout China, it has become a destination for Chinese tourists. People from all over the world visit Kam Wah Chung.
There has been a significant increase in the number of visitors from the Netherlands. Locations near Kam Wah Chung were featured in the highly popular Dutch reality program “Wie is de Mol?” which translates as “Who is the Mole?”
I am fortunate that this site is only about two hours away from Bend, Oregon, where I live. It’s a trip well worth taking.
Here are a few interesting facts about Kam Wah Chung:
More than 90 unopened bottles of bourbon whiskey were found under the floorboards and in the walls, stashed there during the Prohibition. Today they are valued at around $10,000 each. Several bottles mysteriously disappeared during various renovations.
Ing Hay’s great-grandnephew, Robert M. Wah, MD, served as president of the American Medical Association in 2015. The call to work as a healer continues in this family.
$23,000 worth of uncashed checks were found under Ing Hay’s bed. They would be worth about $250,000 in today’s dollars. Some think he never cashed them because he knew his patients couldn’t afford to pay the bills.
To view a 2015 Emmy nominated documentary about Kam Wah Chung produced by Oregon Public Broadcasting, see Oregon Experience – Kam Wah Chung. The personal stories recounted by people who knew Ing Hay and Lung On helps to bring the history of this remarkable place to life.
This is a reprint of a June 2019 article in High Desert Voices, a newsletter by and for volunteers and staff at the High Desert Museum in Bend, Oregon. To see more issues of the newsletter, go here.
This interesting Double O Ranch sign is on part of the Malheur National Wildlife Refuge in eastern Oregon. At one time this 17,000 acre ranch was privately owned by Bill Hanley. The U.S. Government purchased most of it in 1941 and added it to the refuge. The ranch was originally owned by Amos W. Riley and James A. Hardin. It was established in 1875 and was one of the first permanent pioneer settlements in Harney County.
This drum painting is part of the new Desert Reflections: Water Shapes the West exhibit at the High Desert Museum. The artist, Ka’ila Farrell-Smith, blends traditional indigenous art forms and contemporary installation art. The traditional concept of a drum is extended into a large rectangular form. Two “hitchhiker” rocks anchor it to the ground.
The sounds and views of this instrument change as it reacts to sunlight. The shadows of the sinew on the back move across the front as the sun moves across the sky. The sinew expands and contracts as temperatures change.
The painting on the front references the Long Lake abstract petroglyphs. It is an example of Great Basin Curvilinear, Rectilinear, and Representational rock art styles.
I liked the back of this work just as much as the front. Loved the lines!
Last weekend we attended an Asian New Year Celebration, and the performances we watched were spectacular! This event brought together performances of music, Tai Chi, Parkour, aerial silks, and lion dancing. A local restaurant provided samples of Asian cuisine. There was also a silent auction.
The Chinese New Year started on February 5th and it’s the Year of the Earth Pig. In other years the Pig is associated with Wood, Fire, Metal, or Water. The Pig occupies the last position of the Chinese Zodiac. It symbolizes “carefree fun, good fortune, and wealth” according to Your Chinese Astrology.
Performances at Asian New Year Celebration
The celebration featured the lion dance at the beginning and end of this event. The two lions of White Lotus Dragon and Lion Dancers danced to the pounding rhythms. Kids in the audience at this event loved when they got to follow the lions out of the auditorium at the end of the celebration. Be sure to watch the video at the end of this post for an up close look at a lion dancing in the audience.
Lion dances are a traditional dance in China and other Asian countries. They have been around for millennia. In the past, the dance was used to scare away evil spirits. But lion dances were also performed to bring joy, prosperity, and good fortune to events such as celebrating a new year. Dancers emulate the movements of lions in colorful costumes.
Oregon Tai Chi Wushu gave performances in large and small groups. They balanced the calm and graceful movements of the larger groups with the fast-paced action of smaller groups. One performance had a modern twist with dueling electric guitars. Watch that video below, near the end of this post. The local group includes participants of all ages, even those as young as four years old.
In the past, martial arts were essential for protection in times of war in China. As that need decreased, they recognized the lasting health benefits of this training. Tai Chi is referred to as “meditation in motion.”
Members of Abstract in Motion did a lighter-than-air performance of Parkour. Merriam-Webster defines Parkour as “the sport of traversing environmental obstacles by running, climbing, or leaping rapidly and efficiently.” This activity was developed in France in the 1980s. It’s kind of like the moves seen in The Matrix movies without the use of special effects. The performers leaped and flipped and moved in ways that made me wonder if they were mere mortals.
One of the most memorable performances for me at the Asian New Year Celebration was the Taiko drumming of the Portland Taiko group. This group “blends the tradition of Japanese taiko drumming with a sense of Asian American identity, creativity, and empowerment.” Watch the videos to see the sense of joy this group emulates.
Taiko percussion instruments were in use in Japan 2,000 years ago. It’s thought taiko drums were used in communication or religious rituals. They resemble instruments found in China and Korea and may have come to Japanese culture from as far away as India. The idea to play together in Kumi-daiko (a taiko ensemble) was created in the 1950s. Drums range in size from small snare drum-sized up to as large as a wine barrel.
Outside the auditorium, Silks Rising gave an aerial silks demonstration. A long piece of silky fabric hung from an open pyramid-shaped structure. A young girl climbed, spun, and dropped on the long piece of fabric in a kind of aerial ballet. I can see why these performances are called “aerial contortion.” Cirque du Soleil invented this art form in 1995.
Until next year’s Asian New Year Celebration…
This celebration packed a lot into two hours. Some performances
were slow, quiet, and graceful; others were fast, loud, and full of raw emotion.
There was something for everyone here. It’s the 12th year of the
Asian New Year Celebration—a fundraiser for Bend Senior High School’s Life Skills
Last June we happened to be in Tillamook, Oregon the day the new Tillamook Creamery visitor center opened.
They have 1.3 million visitors a year and the new 38,500 square foot facility is a welcome addition. The original visitor center opened in 1949. We visited that much smaller center years ago.
Yes, you can still watch them making delicious cheese and get samples, but there’s a lot more there now.
The new displays are interactive and informative.
I loved the layout of some of these displays. Crisp, bold, and bright. They are works of art.
Tillamook County Creamery Association creates the products you find in stores today. This co-op was formed in 1909 and there are almost 100 families in it now.
They have a big store with everything from clothing to specialty dairy products.
If that’s not enough, they also have a dining area with several options. You can get ice cream, yogurt with toppings, and a range of other choices. These include everything from tempura battered cheese curds (huh?) to mac and cheese, pizza, sandwiches, and a few breakfast items. I was pleasantly surprised to see the food at the center featured in a funny article in Food and Wine.
If you have the time, this is a stop worth making.
In The Story Who Came to Visit, I mentioned I would be doing an Open Mic event here in Bend. Yes, it does take a bit of courage to do something like that. Yesterday I read a short piece from the children’s book I wrote during NaNoWriMo. The audience was eager to hear the work of local writers.
I read a story about a bullied girl who finds her courage after talking with a magpie and a badger. They both have hidden weaknesses but found their inner strength. Nuǎn, the main character in the story, finds her strength just when she needs it most. A snow leopard that had attacked her and left her scarred is about to attack another child.
Here’s an excerpt from that scene:
Snow Leopard’s ears perked up, and
he turned towards her. “You again, Nuǎn?” He hissed and bared his
teeth. “Yeowrrr! I already marked you once. Stay out of my way.” Snow
Leopard struck out at her, scratching her arm with his long claws.
“You marked me again!” Nuǎn
held her hand over the wound. “The first time you marked me, it made me weak.
Nuǎn grabbed an ax in the yard
and swung it down, chopping off the end of Snow Leopard’s long tail. The big
cat yowled in pain and leapt over the fence.
“Now you are marked!” Nuǎn yelled at the leopard as it bounded away.
I have a lot more editing and revising to do, but my work in progress was well received by the audience. 🙂
The Tin Pan Alley Art “gallery” is located in a short alleyway in downtown Bend, Oregon. The alley features large pieces of art created with a variety of media. Some are 2-dimensional while others are more sculptural. Do you have a favorite among these wonderful pieces of art?
This collection is part of a public art initiative that supports local arts and culture. It takes our outdoor lifestyle into consideration. Another example of outdoor art is featured in many of Bend’s roundabouts.
This is The Visitor by artist Carol Sternkopf. This is a mixed media piece that combines photography, vinyl, paint, twigs, wood, metal, and salvaged home decor. Nature and animals were important in Carol’s childhood. She incorporates them into her art. She hopes viewers think about the “larger story within the magnificent blue owl’s eyes” in this piece.
Here’s a picture of the whole collection. We like to go to the Lone Pine Coffee Shop in this alley. It’s small, but it’s our favorite. The owner takes the craft of creating the best cup of coffee very seriously.
Metal and wood
This is Love Lost, Love Found by artist Bill Hoppe. This colorful metal work represents the artist’s interpretation of an 11th Century Indian manuscript. The many pieces of this sculpture were created by hundreds of community members. This was part of a community engagement goal set forth by the Central Oregon Metal Arts Guild.
This is Tomas’ Riddleby artist Judy Campbell. This piece is created from steel, wood, and lights. Judy was inspired by infinitely repeating patterns, or fractals. In this piece she sought to bring the “abstract concepts such as love, mystery, and infinity into the earthly plane.”
This isRide with Me by artist Jeff Remiker. The mountain culture, especially biking, is a big part of Bend. Jeff was inspired by a childhood love of bike riding. He incorporated wood and metal work into this rustic piece. Viewers can interact with this piece by putting things into the bike basket.
This is an untitled piece by artist Andrew Wachs. This piece was inspired by basalt rock formations that can be found throughout Central Oregon. The artwork represents a close-up perspective of a vertical overhang. Andrew works with metal and wood design in his studio, Weld Design Studio.
Photographs and paintings
This is Southwark by photographer/artist/adventure seeker Amy Castaño. This photograph of a bikeway in London captures some of the many textures and sights of the city. Amy looks for unique viewpoints, different angles, interesting parts of the ordinary, and the perfect radiant light.
This is A Parade of Strange Ideas by artist Phillip Newsom. This vivid painting represents a spontaneous procession of ideas “emerging from the unconscious and growing as multi-dimensional shapes in some back-alley of the mind.” Phillip’s work includes book & magazine illustrations, animal portraits, murals, landscapes, and graphic designs.
Last night we had a front row seat to watch the paddle parade go by on the Deschutes River in Bend, Oregon. This event has taken place for many years, rain or shine. It was kind of blustery weather last night but there were still a lot of people participating in the parade.
The event is hosted by Tumalo Creek Kayak and Canoe in the Old Mill district. Participants dress up their watercraft and themselves with colorful lights. The parade takes place from about 4:00 to 6:00 pm. After it’s over, everyone gets together for nice warm drinks.
Santa and a few of his elves were there to help spread good cheer. The flamingos towing the raft looked sort of tired.
The boats went a little past the Flag Bridge and then turned around.
The breezy conditions made it hard to paddle upstream but it was easy going back down.
Everyone looked like they were having a great time. There were a lot of people watching this year — more than I’ve seen before.
We watched part of the parade from inside a nice warm restaurant. It was a wonderful way to watch one of Bend’s special winter events. 🙂
Last month, The Darkness of Hills, The Lightness of Wings came to visit me for 25 days. Yes, that was a long visit. She spoke a little bit to me each day until she was 50,129 words long.
I started her as part of the NaNoWriMo challenge. That’s short for National Novel Writing Month. The goal is to write 50,000 words in a month. It’s a commitment I wasn’t sure I could make, but I did it.
I knew I wanted the story to take place in the late 1800s and I wanted to include a Chinese girl who moves to Oregon to work with her grandfather. He’s a doctor and she knows how to make herbal cures. That’s all I knew when I started writing.
I found my inspirations to build a story from several sources.
To help create my main character, we visited the Kam Wah Chung State Heritage Site in John Day, Oregon. This amazing place was an apothecary in the late 1800s and early 1900s. It’s like a time capsule from the time period I wanted to focus on.
One of the medicines the main character uses is called Tiger Balm. This pain reliever, invented in China, has been around since 1870 and its scent is calming yet spicy. I have a jar of it and used it when I got in a terrible bicycle accident years ago. Its unique scent reminds me of healing.
If it’s a story written by me, of course it includes animals. I thought back to a ring-billed gull I nursed back to health at Malheur NWR. I was there for four weeks as part of a 12-week immersive ornithology class. The seagull in my story is the narrator; a first person secondary character narrator. Am I crazy? Here’s an excerpt:
“So who am I watching from above? I have wings but I’m no angel. In fact, I’m a seagull and what happened that day changed my life. Here is the story of dark hills and light wings. Yes, my wings are a part of this tale, but on that day they weren’t so light. This tale starts with me but it has been passed down beak by beak.”
There’s also a magpie character in my story and I thought I’d write about a magpie and another animal. I considered using a badger since they live near magpies in my high desert home. I did a little research and found out I had made the right choice.
Huān 獾 is the Chinese word for badger. It sounds just like huān 欢, The Chinese word for ‘joyous, happy, pleased’ according to Chinasage. Magpies in flight are often portrayed with badgers and this represents happiness both in heaven and on earth. A picture of a perched magpie represents a wish for future happiness. This was a happy coincidence for me that I tried to weave into the story.
We visited the Painted Hills, near John Day, for further inspiration. That setting added a touch of magic to my tale. The hills have a way of communicating with the main character in my story that only she can understand.
I used a little of this and that to build this story. The first draft is complete but the hard work of editing and rewriting has just begun. Lots of hours to go.
I signed up to read from my book for five minutes at an event in Bend, Oregon in January. Yesterday I worked on editing four pages to present to the public. How long could that take? Much longer than you might think! I’ll let you know how it goes in January. Stay tuned…
The Photographs of Edward S. Curtis in the By Her Hand Exhibit
This exhibition features portraits of Native women by photographer Edward S. Curtis from the collection of Christopher G. Cardozo. Curtis took the featured photographs over a 30-year period as part of a project to document Native American’s lifestyle and culture in a time of change. Curtis traveled across North America from 1900 to 1930 photographing over 80 tribes.
By Her Hand Exhibit of Edward S. Curtis Photos, High Desert Museum, Bend, Oregon
Edward S. Curtis worked out of a studio in Seattle, Washington and received financial support from J. P. Morgan. Curtis collected information about the lives of each tribe through photographs, writings, and audio recordings. With the help of Native translators, he assembled a 20-volume set titled The North American Indian. Curtis intended to publish 500 copies but due to a series of financial and personal setbacks, only about 272 were printed. Ninety percent of the original sets are owned by institutions, including the High Desert Museum.
Hupa Female Shaman – by Edward S. Curtis
The portraits in this exhibit have a beautiful yet haunting quality to them. The labor-intensive photogravure process Curtis used allowed him to create subtle variations in tone and focus. Curtis insisted on using only the highest quality materials and he experimented with a variety of techniques. In 2015 there was a city-wide celebration of Curtis’ work in Bend. Dawn Boone, of the A6 studio, gave a lecture on the photographs. She made an observation that one of the women portrayed seemed to be “softening back into the earth right before our eyes.”
On the Beach – Chinook by Edward S. Curtis
Native American author Louise Erdrich has an interesting perspective on the women represented in Edward S. Curtis’ photographs. She said, “Women’s work is celebrated in Curtis’ photographs–women grind corn, bake bread, make clay vessels, doctor each other, pick berries, haul wood and water, gather reeds, dig clams. These images of women working are among my favorites, for they are more practical then elegiac, yet entirely harmonious, and they are often the most sensual of Curtis’ works.”
While Curtis’ ambitious project documented the tribes, it was not without controversy. He often staged portraits. Sometimes he mixed up artifacts and traditions between tribes. He referred to Native Americans as a “vanishing race.” Native peoples were losing their rights and their lands but many did successfully adapt to Western society.
There was a revival of interest in Curtis’ work beginning in the 1970s. He was an exceptional photographer, and he documented many facets of Native American life that no longer exist. Museums across the country feature major exhibitions of his work. Original printings of The North American Indian bring extraordinary prices at auction.
Historical and Contemporary Art from the Museum’s Collection
This new exhibit also includes basketry, beadwork, and leatherwork created by Native Americans of the Columbia Plateau. Intricate beadwork adorns bags, a cradleboard, and clothing. There are examples of different styles of basketry in this exhibit. Featured contemporary Native artists include Pat Courtney Gold, Roberta Kirk, and Kelli Palmer. Kelli Palmer often designs baskets based on photographs from the past—including those of Edward S. Curtis.
By Her Hand Exhibit of Edward S. Curtis Photos, baskets, and beadwork, High Desert Museum, Bend, Oregon
Native American cultures passed techniques for creating basketry and beadwork down through generations. Many items were utilitarian, but the makers included symbols and patterns in artistic ways. Contemporary artists may include materials such as commercial string and yarn in traditional and newly created patterns.
By Her Hand Exhibit of Edward S. Curtis Photos, baskets, and beadwork, High Desert Museum, Bend, Oregon
In the early 20th century, Native people were forced to live on reservations. Many lost their language, ways of life, and skills such as basket making. Children were sent to boarding schools and weren’t allowed to learn things associated with their cultural identity. Columbia Plateau people have been working to bring back the knowledge of cultural traditions. As new generations learn the traditions and art forms of their ancestors, they will ensure the culture portrayed in Curtis’ photographs survives. Pat Courtney Gold notes that basket making is not only artistic; it is an expression of and central to the revitalization of her culture.
By Her Hand Exhibit of Edward S. Curtis Photos, baskets, and beadwork, High Desert Museum, Bend, Oregon
This exhibit will be on display at the High Desert Museum through January 20, 2019. For more about Edward S. Curtis, see a series of articles I wrote here.
This is a reprint of a November 2018 article in High Desert Voices, a newsletter by and for volunteers and staff at the High Desert Museum in Bend, Oregon. To see more issues of the newsletter, go here.
This summer a new big bold mural was added to the collection of outdoor art in the Old Mill District of Bend, Oregon. Yuya Negishi created this artwork. He was inspired by the mountains, colorful skies, and brilliant flowers of Central Oregon.
Did you notice that the dragon in this mural is breathing flowers instead of fire?
“Yuya Negishi is a Japanese visual artist based in Minneapolis, Minnesota. His work combines his extensive background in the classical Japanese techniques of calligraphy and SUMI with Japanese pop culture images such as koi, dragons and Buddha’s. Yuya approaches his work in the spirit of play often exploring new ideas and mediums. He also teaches hands on workshops sharing his approaches to SUMI and Calligraphy.
Yuya was born in a small farming community in the mountains beyond Tokyo. Yuya draws artistic inspiration from the memories and sensations of growing up in the Japanese countryside, where he would roam “like a hidden Ninja” exploring the woods, temples and mountain tops of the breathtaking Gunma region.”