As sweltering temperatures occur here and elsewhere around the world, my mind keeps wandering back to the landscape near the pagoda lantern at the Portland Japanese Garden. I visited this impressive garden on a cool day in late October. The waterfall near the sculpture, Heavenly Waterfall, enters a small pond, full of koi fish.
This ‘snow-viewing’ pagoda lantern (Yukimi-dōrō) is located in the the Lower Pond section of the garden. The roof, or umbrella, on these lanterns is designed to catch the snowfall. These sculptures are traditionally placed near water.
Though it’s still a couple of months away, I’m looking forward to the cooler temperatures of autumn and the bright splashes of colorful leaves.
Gertrude Vanderbilt Whitney created Buffalo Bill – The Scout to honor the town’s most famous resident. The dedication took place on July 4th in 1924.
Buffalo Bill Cody’s niece, Mary Jester Allen, was determined to honor his legacy after he died in 1917. She dreamed of opening a museum recognizing his accomplishments, despite the challenges. With her connections with the Eastern establishment, she convinced Gertrude Vanderbilt Whitney to create a statue of Buffalo Bill.
Whitney agreed to create the sculpture, but didn’t like the proposed sites for its placement. She bought 40 adjoining acres. Whitney also ended up paying the entire $50,000 cost of the sculpture. The small town of Cody, evidently, could not raise enough to pay her.
A dream of a museum becomes a reality
In 1925, the International Cody Family Association formed. They proposed creating a Buffalo Bill Historical Museum. The town constructed a full-size replica of Buffalo Bill’s ranch home and opened it to the public in 1927. By 1949, the Buffalo Bill Memorial Association made plans to expand the facility. Western history and art, Native American culture, and natural history would be highlighted. A $250,000 donation in 1955 finally made expansion possible. Sonny Whitney, Gertrude Vanderbilt Whitney’s son, made that donation. In 1958, The Whitney Gallery of Western Art would become the first part of the world-class Buffalo Bill Center of the West.
Sometimes when you research one thing – a statue – you plunge down a rabbit hole and learn much more. I did not know the Vanderbilts, once considered to be the wealthiest family in America, had this connection with William F. “Buffalo Bill” Cody and his legacy.
Mary Jester Allen would serve the museum in multiple roles from 1927 to 1960. Because of her actions and perseverance, the center now attracts millions of visitors from around over the world.
There’s a new sculpture at Tumalo Art Co. in Bend, Oregon. The Homeward Bound sculpture of a deer, by Danae Bennett Miller, is a cast bronze piece. Danae uses a lost wax process to create works of art. I previously featured one of her horse sculptures in Outdoor Horse Sculptures. That post highlights the work of several impressive sculptors.
I’ve been out and about more recently and photographed several spectacular sights seen in blue and green.
I thought the pictures deserved a story, so I made up a tiny tale to go with each one. At a virtual conference I attended yesterday, I learned a “micro-story” is a form of flash fiction with 300 or fewer words. I’m calling the following stories “mini-micros” since they range from 43 to 58 words. Not sure if they qualify as true stories, but they were fun to write.
A crowd of manzanita shrubs watches a shifting skyscape in awe. Their pink blossoms open in silent applause. Snow-covered Cascade volcanoes rumble in the background, taking in the show from a safe distance. Steam billows from their peaks, merging with the dancing clouds.
Clouds emerge from a crack in the ground on a chilly spring morning. They radiate outward from the ridgetop and tree branches stretch and reach towards them. Striated boulders celebrate by tumbling and crashing down a steep slope. An osprey drifting overhead crows in anticipation as another glorious day begins.
I’m always amazed by artists who collect seemingly unrelated bits & pieces of things and combine them into impressive works of art. This week I’m featuring War Paint by Greg Congleton. I have featured some of his other artwork on my blog since he’s one of my favorite local artists.
On a recent trip to Prineville, Oregon, I made a point of stopping to see this work. Greg created this piece in 2020. I decided to photograph the details of this sculpture more closely.
Here it is as you approach it from a distance.
When you get a little closer, you can see the attitude of the horse and the rider.
Greg is a master at showing expression in his welded metal sculptures. Look at the horse’s reaction to the situation.
Rainbow Splendor is a large statue of trout jumping in downtown Troutdale, Oregon. This work is by local residents and world-renown artists, Rip & Alison Caswell. A smaller version is for sale on their website.
This morning I woke up with memories of a bison. This is Wooly Bully by local Central Oregon artist, Greg Congleton. This sculpture used to be in the Old Mill district of Bend but was moved several years ago.
The artist includes collected bits and pieces of everyday and historical artifacts. For example, the guts are made from four cylinders and a crankshaft. The eyes are -7/8 inch hitch balls. The lungs are made from a Model A Ford horn. He has the vision and talent to incorporate the unexpected into his unique works of art.
Maybe I was having memories of a bison because I was thinking of Yellowstone National Park. I hope to visit again soon and view the animals that inspired this outdoor sculpture.
This is a sculpture of Fungie, a bottlenose dolphin who has lived in and around Dingle Bay in County Kerry, Ireland for 37 years. He has brought much joy to visitors and residents over the years. Unfortunately, he has not been seen for over a week. A large scale search is underway.
This draft horse standing within three large circles of steel is by Devin Laurence Field. Horses played an integral role in Bend’s logging industry. Devin painstakingly constructs each steel piece in a process that includes cutting, forging, pressing, welding, grounding and polishing. This sculpture is in a roundabout in the northeast part of Bend.
Last February I was happy to see the Central Oregon Light Art exhibition lighting up winter nights in Bend. Oregon WinterFest has food, beer, and music like other events, but it’s also a showcase for artists. I have photographed the Fire Pit Competition (one of my favorite events!) and the Ice Sculpture Competition in the past. Central Oregon Light Art was added in 2019. I was surprised and impressed with what I saw this year.
This one looked nice in the daylight but look at how it changes at night.
In 1847, the worst year of Ireland’s Great Famine, people of the Choctaw Nation of the southeastern United States sent a gift of $170 to Ireland. The money, worth thousands in today’s dollars, was collected to help the starving people of Ireland. Over a million Irish people died from starvation and disease in the period from 1845 to 1849.
Last weekend we visited the Oregon WinterFest event in Bend. I always look forward to seeing the fire pits and there were over 20 entries this year.
The Lens-Artists Photo Challenge (LAPC) this week is Treasure Hunt. I thought the fire pits fit perfectly under the suggested topic of “something hot.” Here are a few of the sculptures I saw at the WinterFest event.
A scaly tree holding a suspended ball of fire
This one looked like kindling hovering over a fire
I saw this metal sculpture of a stagecoach on a recent trip and wanted to experiment with how to present it. I chose to use a digital version of the autochrome process.
When this process was first presented at the Paris Photo Club by the Lumiére brothers in 1907, it was a turning point in color photography. Other methods existed but this process used a novel ingredient – potato starch. Glass plates were covered with grains of potato starch dyed red, green, and blue. Carbon black and a thin emulsion layer were added and the plate was flipped and exposed to light. The image could be developed into a transparency. To see some of the dreamlike photos created with this process, click here.
The sculpture is on Highway 140, northeast of Lakeview, Oregon. The artwork is near a locked gate with “Crane Creek Ranch” over the entrance.
We are lucky here in Bend to have artists such as Greg Congleton who can transform collections of various items into beautiful works of art. To see more of his unique artwork, like this horse of a different color, click here.