The curving road
Here are some curving roads to various scenic destinations in Oregon. When you’re driving down the road you never know what sights you’ll see just around the bend.
What is straight? A line can be straight, or a street, but the human heart, oh, no, it’s curved like a road through mountains.
Lens-Artists Photo Challenge – Curves.
These photos are of our National Park travels within 1,000 miles of our home. We are lucky to live so close to so much beauty.
I tried to consider what was in the foreground as well as the background in these shots.
Lens-Artists Photo Challenge – My Travels
See more of my park photos at Utah National Parks: Trees & Rocks
It’s always hard to pick favorite photos at the end of the year. Here are several representing nature, history, and culture. Enjoy and have a great New Year!
Favorite Photos – Nature
Favorite Photos – History
Favorite Photos – Culture
Maybe my most favorite photo from 2018…
Lens-Artists Photo Challenge – Photographic review of 2018
The Artwork of Nature
I visited Blue Pool on a cool September day. Mother Nature was busy there producing colorful works of art. The colors in the pool are unbelievably beautiful and intense. On this day, the warm colors of fall leaves were reflected on the water.
As I mentioned in Blue Pool is a Jewel, the reflections look like Impressionist paintings. I could have stayed there for a long time taking pictures. Can you see why?
Lens-Artists Photo Challenge – Reflections
Winter seasons: Softened and accentuated with snow
Spring seasons: Bursting with renewal and change
Summer seasons: Filled with abundance and beauty
Fall seasons: Painted with foliage and fruit
Lens-Artists Photo Challenge – Seasonal
“A light wind swept over the corn, and all nature laughed in the sunshine.”
As you wade through the waters of your life you often end up making a splash. Sometimes you make a big loud splash and other times you need to make a quieter one. Maybe only a ripple. Here are photos of quieter splashes I have seen in Oregon.
Lens-artists Photo Challenge – Splash!
Other times, you’re doing some piece of work and suddenly you get feedback that tells you that you have touched something that is very alive in the cosmos.
The challenge on Travel with Intent today is Viewpoint.
Here a few viewpoints of Oregon from places I’ve visited. Some are from places labeled as a viewpoint; others are taken where people stop to see a special view.
The Photographs of Edward S. Curtis in the By Her Hand Exhibit
This exhibition features portraits of Native women by photographer Edward S. Curtis from the collection of Christopher G. Cardozo. Curtis took the featured photographs over a 30-year period as part of a project to document Native American’s lifestyle and culture in a time of change. Curtis traveled across North America from 1900 to 1930 photographing over 80 tribes.
Edward S. Curtis worked out of a studio in Seattle, Washington and received financial support from J. P. Morgan. Curtis collected information about the lives of each tribe through photographs, writings, and audio recordings. With the help of Native translators, he assembled a 20-volume set titled The North American Indian. Curtis intended to publish 500 copies but due to a series of financial and personal setbacks, only about 272 were printed. Ninety percent of the original sets are owned by institutions, including the High Desert Museum.
The portraits in this exhibit have a beautiful yet haunting quality to them. The labor-intensive photogravure process Curtis used allowed him to create subtle variations in tone and focus. Curtis insisted on using only the highest quality materials and he experimented with a variety of techniques. In 2015 there was a city-wide celebration of Curtis’ work in Bend. Dawn Boone, of the A6 studio, gave a lecture on the photographs. She made an observation that one of the women portrayed seemed to be “softening back into the earth right before our eyes.”
Native American author Louise Erdrich has an interesting perspective on the women represented in Edward S. Curtis’ photographs. She said, “Women’s work is celebrated in Curtis’ photographs–women grind corn, bake bread, make clay vessels, doctor each other, pick berries, haul wood and water, gather reeds, dig clams. These images of women working are among my favorites, for they are more practical then elegiac, yet entirely harmonious, and they are often the most sensual of Curtis’ works.”
While Curtis’ ambitious project documented the tribes, it was not without controversy. He often staged portraits. Sometimes he mixed up artifacts and traditions between tribes. He referred to Native Americans as a “vanishing race.” Native peoples were losing their rights and their lands but many did successfully adapt to Western society.
There was a revival of interest in Curtis’ work beginning in the 1970s. He was an exceptional photographer, and he documented many facets of Native American life that no longer exist. Museums across the country feature major exhibitions of his work. Original printings of The North American Indian bring extraordinary prices at auction.
Historical and Contemporary Art from the Museum’s Collection
This new exhibit also includes basketry, beadwork, and leatherwork created by Native Americans of the Columbia Plateau. Intricate beadwork adorns bags, a cradleboard, and clothing. There are examples of different styles of basketry in this exhibit. Featured contemporary Native artists include Pat Courtney Gold, Roberta Kirk, and Kelli Palmer. Kelli Palmer often designs baskets based on photographs from the past—including those of Edward S. Curtis.
Native American cultures passed techniques for creating basketry and beadwork down through generations. Many items were utilitarian, but the makers included symbols and patterns in artistic ways. Contemporary artists may include materials such as commercial string and yarn in traditional and newly created patterns.
In the early 20th century, Native people were forced to live on reservations. Many lost their language, ways of life, and skills such as basket making. Children were sent to boarding schools and weren’t allowed to learn things associated with their cultural identity. Columbia Plateau people have been working to bring back the knowledge of cultural traditions. As new generations learn the traditions and art forms of their ancestors, they will ensure the culture portrayed in Curtis’ photographs survives. Pat Courtney Gold notes that basket making is not only artistic; it is an expression of and central to the revitalization of her culture.
This exhibit will be on display at the High Desert Museum through January 20, 2019. For more about Edward S. Curtis, see a series of articles I wrote here.
Close ups of images are from this source:
Northwestern University Library, Edward S. Curtis’s “The North American Indian,” 2003.
This is a reprint of a November 2018 article in High Desert Voices, a newsletter by and for volunteers and staff at the High Desert Museum in Bend, Oregon. To see more issues of the newsletter, go here.
These images show branches in a new light…
Reclining and resting in a sea of green
Coated with a covering of snow
Framing a fiery sunrise
Burdened with a bounty of fruit
Shrouded by the smoke of a prescribed burn
Lens-Artists Photo Challenge – Magical Light
In Yellowstone National Park, much of the wildlife is hidden from view. You have to look carefully to find the animals and sometimes they will reveal themselves to you.
Elk in the Lamar Valley are hidden as they blend into the landscape traveling along a ridge top.
However, when they cross a pond they are revealed. The splashing water draws your attention and their pale colored rumps make you take notice of them.
From a distance, this just looks like two lumps in a field. Sandhill cranes’ plumage helps them stay hidden from view.
However, when they raise their head and you see their distinctive silhouette and red cap, they are revealed.
Pronghorn have bars of white on their coats that somehow help them stay hidden from view. These two does are wandering near the river’s edge.
However, when you see them close up, their markings are clearly revealed.
Sometimes all you see are tiny specks in the distance. You try to zoom in as close as you can with your lens but they still remain hidden. The white arrow in this fuzzy photo is pointing at two grizzly bears hundreds of yards away.
However, these magnificent creatures are revealed when you visit a place that helps conserve them. This image was taken at the Grizzly and Wolf Discovery Center in West Yellowstone, Montana. I don’t think I would want to be that close to a grizzly on a trail so I will settle for this view. 😉
Lens-Artists Photo Challenge – Blending In – Or Standing Out?
It’s time for some fun photos to go along with the Lens-Artists Photo Challenge theme of Just for Fun. Here are some of my photo bloopers for your enjoyment. This is what I do with some of my photos that don’t turn out quite right.
For past Blooper posts, see…
in blazingly bright colors
before coolness comes
FOTD – Autumn leaves
Crowded columns taking in the view
Carefully crafted by hand and built to last
Curving crowns of overarching rock
Chronicles covering events from long ago
Creased cracks pressed by time
Colorful cactus thriving and persisting
Sunday Stills – Texture is all around us
Looking up while looking back
These images from Fort Rock, Oregon focus on looking up. In this photo you see what a town from the early 1900’s may have looked like. Buildings were moved to this site to create the Fort Rock Valley Historical Society Homestead Village Museum. Each building is decorated with artifacts so it’s easy to imagine yourself stepping back in time.
Pioneers were promised rich and fertile land. That was not the reality in this arid high desert. Many settlers moved away after unsuccessfully trying to cultivate the land.
Yet some stayed and learned to love the land. In this photo a sage thrasher perches on a shovel next to a re-created pioneer garden. Listen to the thrasher’s beautiful song here.
Fort Rock is a prominent land feature that settlers looked forward to seeing. Some pioneers who settled there cannot imagine living anywhere else. The ever-changing skies make even those of us there for a short visit look up in wonder.
Lens-Artists Photo Challenge – Look Up
Cabin scene from the past
Here’s a cabin scene in Torrey, Utah. It looks as though this old building could tell many interesting stories. Lots of drama in those walls…
Tuesday Photo Challenge at Dutch Goes the Photo! – Scene
Hard and soft patterns in water
To me, this image of patterns in water looks like the chiseled profile of a white-frosted creature from another world. The shape is echoed in the shoreline across the stream.
This image looks like an alien planet where worlds float on pale greenish-gold islands anchored by strong strands of green. Once the worlds are full, they detach from their moorings and float away.
Lens-Artists Photo Challenge – Patterns
McCoin Orchard apple blossoms
I saw these apple blossoms in the McCoin Orchard near the trailhead for the Gray Butte trail. This orchard, near Terrebonne, Oregon, was originally planted in the late 1880s and it was rescued by range specialists 100 years later.
There’s a nice hike here with some spectacular views of the country. The close up views of spring flowers are great as well.
A harsh landscape with soft edges
There are many soft sights to see in Yellowstone National Park’s harsh environments. Soft and steaming mist drifts over Sunset Lake. Soft puffy clouds float over rounded hills in the distance.
The colors along the shorelines blend softly into one another giving the lake its name. To me, it is a mystical sort of place that has many stories to tell.
Lens-Artists Photo Challenge – Soft
Up close and personal with bison
I was glad I was inside my car when I saw these bison coming right at us. Some people think they are calm and tame like a domestic cow. They’re not! Bulls weigh up to 2,000 pounds and cows weigh up to 1,000 pounds. Since they can run up to 30 miles per hour, it’s best to keep your distance.
Here’s another post on them plus a link to more information. Bison Celebrating 4th.
Travel with Intent Photo Challenge – Action
A dwarf mini with big attitude
We used to have two miniature horses. One, Scooby Doo pictured on the left, was a dwarf mini. He stood at only 27″ at the withers. His pedigreed companion, Calypso Blue pictured on the right, stood at 32″. Calypso was calm and even-tempered. Scooby had a lot of personality and let you know it.
When it was time to move, the farrier who trimmed our horse’s hooves took Scooby. He had worked with a lot of horses in his days and could see that Scooby was a big personality in a small package.
Travel with Intent – Dwarf
About page story
Yes, that pronghorn is kind of bossy, but I hope you’ll take a minute to look at my “new and improved” About page. Thanks for visiting!
Bend Branches About page
Three guys cooling their jets
When it’s as hot as it’s been (102 degrees here yesterday!) I wish I could do a little cooling off by being an otter. Here are three cooling otters in motion.
They always look like they’re having so much fun.
Can you imagine sliding down an embankment and cooling off in a clear mountain stream?
I’m also including a short video of three North American river otters at play at the High Desert Museum in Bend, Oregon. You can hear fellow volunteer Jonny Goddard, AKA Otter Brother, in the background “directing” them.
Lens-Artists Photo Challenge – Cooling
Tiny worlds beneath me
I often have to remind myself to look down and notice the worlds beneath me when I’m taking pictures. Here’s a picture of aquatic plants being combed by the waves and highlighted by the sun.
Here’s a picture of a lichen “forest” growing on weathered wood. Worlds of wonder exist in landscapes large and small.
Lens-Artists Photo Challenge – Wonder