Care to join me for a piece of snowy cake?
Care to join me for a piece of snowy cake?
I’ve featured several outdoor photos taken in and around Fort Rock, but now you’ll get glimpses indoors at the Fort Rock Valley Homestead Museum. Many of these historical buildings were moved here from nearby. The homes and businesses are furnished as they would have been in the early 1900s. This is a place where history truly comes alive.
A people without the knowledge of their past history, origin and culture is like a tree without roots.Marcus Garvey
Lens-Artists Photo Challenge – History
Winter is a special time of the year here in Bend. Winter walks around the neighborhood are highlighted with landscapes covered in snow and ice.
He who marvels at the beauty of the world in summer will find equal cause for wonder and admiration in winter.John Burroughs
Buildings are blanketed with snow and edged with icicles.
Twisting trails are carved through snowdrifts.
Meandering rivers are covered with a cool layer of ice.
Bare branches are clothed in frost and snow.
Lens-Artists Photo Challenge – Around the Neighborhood
When I last visited Yellowstone, I was searching for a new world to inspire me in my fiction writing. Here are some that I found…
A new world of waves and wonder
A world of contrasting colors
A world of muted rainbows
A warm and fuzzy new world
A cold, colorless, and cracked new world
A world where meandering water turns to gold
A new world where everyone lives in spherical houses along the shore
Lens-Artists Photo Challenge – Close-up
Study nature, love nature, stay close to nature. It will never fail you.Frank Lloyd Wright
Here are a few pictures of wild things resting, feeding, and breeding. They are always reminding me to love nature and share that love with others.
There are nights when the wolves are silent and only the moon howls.George Carlin
Being born in a duck yard does not matter, if only you are hatched from a swan’s egg.Hans Christian Andersen
…When alarmed, their rapid career seems more like the flight of birds than the movement of an earthly being.George Ord
It’s not only fine feathers that make a fine bird.Aesop
Each bird loves to hear himself sing.Arapaho
Lens-Artists Photo Challenge – Nature
Hiding in filtered light
Antlers flocked in
Oblivious to his
Lens-Artists Photo Challenge – Shadows
The water in some of the springs presents to the eye the colors of all the precious gems known to commerce. In one spring the hue is like that of an emerald, in another like that of the turquoise, another has the ultra-marine hue of the sapphire, another has the color of topaz; and the suggestions has been made that the names of these jewels may very properly be given to many of these springs.Nathaniel Pitt Langford in Diary of the Washburn Expedition to the Yellowstone and Firehole Rivers in the Year 1870.
Grand Prismatic Spring is the crown jewel of hot springs at Yellowstone National Park. The landscape of Grand Prismatic has all the colors of the rainbow. The cracks and tracks add some interesting texture as well. This 370-foot wide spring is the largest in the United States and third largest in the world.
Lens-Artists Photo Challenge – Landscape
The sky takes on shades of orange during sunrise and sunset, the colour that gives you hope that the sun will set only to rise again.Ram Charan
We have many beautiful sunrises and sunsets here in Bend, Oregon. Sometimes the unique colors and forms of the clouds are totally unexpected and they’ll take your breath away. Here are a few of those moments my camera allowed me to capture.
Lens-Artists Photo Challenge – Unexpected
Here are some curving roads to various scenic destinations in Oregon. When you’re driving down the road you never know what sights you’ll see just around the bend.
What is straight? A line can be straight, or a street, but the human heart, oh, no, it’s curved like a road through mountains.
Lens-Artists Photo Challenge – Curves.
These photos are of our National Park travels within 1,000 miles of our home. We are lucky to live so close to so much beauty.
I tried to consider what was in the foreground as well as the background in these shots.
Lens-Artists Photo Challenge – My Travels
See more of my park photos at Utah National Parks: Trees & Rocks
It’s always hard to pick favorite photos at the end of the year. Here are several representing nature, history, and culture. Enjoy and have a great New Year!
Lens-Artists Photo Challenge – Photographic review of 2018
I visited Blue Pool on a cool September day. Mother Nature was busy there producing colorful works of art. The colors in the pool are unbelievably beautiful and intense. On this day, the warm colors of fall leaves were reflected on the water.
As I mentioned in Blue Pool is a Jewel, the reflections look like Impressionist paintings. I could have stayed there for a long time taking pictures. Can you see why?
Lens-Artists Photo Challenge – Reflections
Winter seasons: Softened and accentuated with snow
Spring seasons: Bursting with renewal and change
Summer seasons: Filled with abundance and beauty
Fall seasons: Painted with foliage and fruit
Lens-Artists Photo Challenge – Seasonal
“A light wind swept over the corn, and all nature laughed in the sunshine.”
As you wade through the waters of your life you often end up making a splash. Sometimes you make a big loud splash and other times you need to make a quieter one. Maybe only a ripple. Here are photos of quieter splashes I have seen in Oregon.
Lens-artists Photo Challenge – Splash!
Other times, you’re doing some piece of work and suddenly you get feedback that tells you that you have touched something that is very alive in the cosmos.
The challenge on Travel with Intent today is Viewpoint.
Here a few viewpoints of Oregon from places I’ve visited. Some are from places labeled as a viewpoint; others are taken where people stop to see a special view.
This exhibition features portraits of Native women by photographer Edward S. Curtis from the collection of Christopher G. Cardozo. Curtis took the featured photographs over a 30-year period as part of a project to document Native American’s lifestyle and culture in a time of change. Curtis traveled across North America from 1900 to 1930 photographing over 80 tribes.
Edward S. Curtis worked out of a studio in Seattle, Washington and received financial support from J. P. Morgan. Curtis collected information about the lives of each tribe through photographs, writings, and audio recordings. With the help of Native translators, he assembled a 20-volume set titled The North American Indian. Curtis intended to publish 500 copies but due to a series of financial and personal setbacks, only about 272 were printed. Ninety percent of the original sets are owned by institutions, including the High Desert Museum.
The portraits in this exhibit have a beautiful yet haunting quality to them. The labor-intensive photogravure process Curtis used allowed him to create subtle variations in tone and focus. Curtis insisted on using only the highest quality materials and he experimented with a variety of techniques. In 2015 there was a city-wide celebration of Curtis’ work in Bend. Dawn Boone, of the A6 studio, gave a lecture on the photographs. She made an observation that one of the women portrayed seemed to be “softening back into the earth right before our eyes.”
Native American author Louise Erdrich has an interesting perspective on the women represented in Edward S. Curtis’ photographs. She said, “Women’s work is celebrated in Curtis’ photographs–women grind corn, bake bread, make clay vessels, doctor each other, pick berries, haul wood and water, gather reeds, dig clams. These images of women working are among my favorites, for they are more practical then elegiac, yet entirely harmonious, and they are often the most sensual of Curtis’ works.”
While Curtis’ ambitious project documented the tribes, it was not without controversy. He often staged portraits. Sometimes he mixed up artifacts and traditions between tribes. He referred to Native Americans as a “vanishing race.” Native peoples were losing their rights and their lands but many did successfully adapt to Western society.
There was a revival of interest in Curtis’ work beginning in the 1970s. He was an exceptional photographer, and he documented many facets of Native American life that no longer exist. Museums across the country feature major exhibitions of his work. Original printings of The North American Indian bring extraordinary prices at auction.
This new exhibit also includes basketry, beadwork, and leatherwork created by Native Americans of the Columbia Plateau. Intricate beadwork adorns bags, a cradleboard, and clothing. There are examples of different styles of basketry in this exhibit. Featured contemporary Native artists include Pat Courtney Gold, Roberta Kirk, and Kelli Palmer. Kelli Palmer often designs baskets based on photographs from the past—including those of Edward S. Curtis.
Native American cultures passed techniques for creating basketry and beadwork down through generations. Many items were utilitarian, but the makers included symbols and patterns in artistic ways. Contemporary artists may include materials such as commercial string and yarn in traditional and newly created patterns.
In the early 20th century, Native people were forced to live on reservations. Many lost their language, ways of life, and skills such as basket making. Children were sent to boarding schools and weren’t allowed to learn things associated with their cultural identity. Columbia Plateau people have been working to bring back the knowledge of cultural traditions. As new generations learn the traditions and art forms of their ancestors, they will ensure the culture portrayed in Curtis’ photographs survives. Pat Courtney Gold notes that basket making is not only artistic; it is an expression of and central to the revitalization of her culture.
This exhibit will be on display at the High Desert Museum through January 20, 2019. For more about Edward S. Curtis, see a series of articles I wrote here.
Close ups of images are from this source:
Northwestern University Library, Edward S. Curtis’s “The North American Indian,” 2003.
This is a reprint of a November 2018 article in High Desert Voices, a newsletter by and for volunteers and staff at the High Desert Museum in Bend, Oregon. To see more issues of the newsletter, go here.
These images show branches in a new light…
Reclining and resting in a sea of green
Coated with a covering of snow
Framing a fiery sunrise
Burdened with a bounty of fruit
Shrouded by the smoke of a prescribed burn
Lens-Artists Photo Challenge – Magical Light
In Yellowstone National Park, much of the wildlife is hidden from view. You have to look carefully to find the animals and sometimes they will reveal themselves to you.
Elk in the Lamar Valley are hidden as they blend into the landscape traveling along a ridge top.
However, when they cross a pond they are revealed. The splashing water draws your attention and their pale colored rumps make you take notice of them.
From a distance, this just looks like two lumps in a field. Sandhill cranes’ plumage helps them stay hidden from view.
However, when they raise their head and you see their distinctive silhouette and red cap, they are revealed.
Pronghorn have bars of white on their coats that somehow help them stay hidden from view. These two does are wandering near the river’s edge.
However, when you see them close up, their markings are clearly revealed.
Sometimes all you see are tiny specks in the distance. You try to zoom in as close as you can with your lens but they still remain hidden. The white arrow in this fuzzy photo is pointing at two grizzly bears hundreds of yards away.
However, these magnificent creatures are revealed when you visit a place that helps conserve them. This image was taken at the Grizzly and Wolf Discovery Center in West Yellowstone, Montana. I don’t think I would want to be that close to a grizzly on a trail so I will settle for this view. 😉
Lens-Artists Photo Challenge – Blending In – Or Standing Out?
It’s time for some fun photos to go along with the Lens-Artists Photo Challenge theme of Just for Fun. Here are some of my photo bloopers for your enjoyment. This is what I do with some of my photos that don’t turn out quite right.
For past Blooper posts, see…
in blazingly bright colors
before coolness comes
FOTD – Autumn leaves
Crowded columns taking in the view
Carefully crafted by hand and built to last
Curving crowns of overarching rock
Chronicles covering events from long ago
Creased cracks pressed by time
Colorful cactus thriving and persisting
Sunday Stills – Texture is all around us
These images from Fort Rock, Oregon focus on looking up. In this photo you see what a town from the early 1900’s may have looked like. Buildings were moved to this site to create the Fort Rock Valley Historical Society Homestead Village Museum. Each building is decorated with artifacts so it’s easy to imagine yourself stepping back in time.
Pioneers were promised rich and fertile land. That was not the reality in this arid high desert. Many settlers moved away after unsuccessfully trying to cultivate the land.
Yet some stayed and learned to love the land. In this photo a sage thrasher perches on a shovel next to a re-created pioneer garden. Listen to the thrasher’s beautiful song here.
Fort Rock is a prominent land feature that settlers looked forward to seeing. Some pioneers who settled there cannot imagine living anywhere else. The ever-changing skies make even those of us there for a short visit look up in wonder.
Lens-Artists Photo Challenge – Look Up