This pub art at Silver Moon Brewing captures many of the iconic landmarks of Bend, Oregon. Artist Natalie Fletcher included Smith Rock in the background flanked by the Painted Hills on the left and Mt Bachelor on the right. The Deschutes River winds through the scene.
Can you see the source of the river? An overflowing glass of beer of course. Little Lava Lake is the “real” source and it’s a great place for kayaking.
This mural shows the Les Schwab Amphitheater on the left. It’s packed with people attending one of our many outdoor events.
Phil’s Trail is in the left forefront. It’s a favorite of mountain bikers.
You can see a red bird sculpture in a roundabout on the right. It’s known as the “Flaming Chicken.” Many of our roundabouts contain artwork. There’s another piece of roundabout art in the mural just to the left of the bridge. It’s a graceful sculpture made from old kayaks.
In the right forefront you can see the Tower Theater. This small venue has been lovingly restored. On the marquee the featured film is “The Beer Fairies.” There is a tiny fairy hidden on the right side of the mural.
This pub art at Silver Moon captures many of the things that make this place great. The beer there is good too.
Silver Moon’s sense of humor is reflected in parts of this mural and also on their website. Here’s a quote from the site:
Best pub this side of the Milky Way!Someone, probably
This sculpture by Robert Dow Reid is called Rhapsody. It’s located in Kelowna, British Columbia, Canada. The artist captured their playful spirit perfectly.
These beaded bags are some of my favorite works of art. The bags are part of a display at The Museum at Warm Springs. In this region, work with beads began in earnest in the early 1800s. The beads, created in the glass shops of Venice, Italy, were transported across oceans, mountains, and plains. Settlers, trappers, and explorers used them in trade.
When you look at these photos, you will notice something becoming more clear in the background. Right across from this display, there is a modern-day image showing members of the three tribes that live on the Warm Springs Reservation. You can see their reflections in my photos of the bags. It was almost as if they were looking over my shoulder making sure I noticed their presence.
This museum features parts of their history you probably didn’t learn about in school. It also shows their resilience and celebrates their heritage. These beaded bags are a part of their culture that preserve moments worth remembering.
For more images of beaded pieces from my past posts, see beadwork.
I took an accidental abstract when I was crossing a wooden bridge. I must have pushed the shutter button by accident. It’s slightly blurred, but I kinda like how it turned out! 😀
This is one more entry for this week’s Lens-Artist Photo Challenge (LAPC) of Abstract.
I often walk through this “Tunnel of Joy” by the Deschutes River in Bend, Oregon. I call it that because the bright artwork is so joyful. I’ve previously featured one side of the bridge and the other but never the inside of the tunnel.
The abstract painting lining the tunnel is by artist, Tom Cramer. He works in a variety of media and is one of the most successful artists currently working in Portland, Oregon. His best-known mural was “Machine”, painted in 1989.
At first this mural appears to just be random shapes, but if you look closer you may notice shapes you recognize. I see faces, hearts, snakes, and wings. You can use your imagination to find objects in an abstract work of art.
I’m thankful the city of Bend supported the creation of this Tunnel of Joy to make all of our days a little brighter.
The essence of all beautiful art, all great art, is gratitude.Friedrich Nietzsche
Lens-Artists Photo Challenge (LAPC) – Abstract
I drew this stylized picture of a belted kingfisher in flight several years ago. These interesting songbirds nest in horizontal burrows near shorelines. The tunnels range in length from 1 – 8 feet. Tunnels as long as 15 feet have been found.
This drawing is of a male bird. Belted kingfishers are one of the few songbirds where the female is more colorful. They have an additional orange-colored breast band.
While out walking my dog on the Deschutes River Trail this morning, I caught a glimpse of a male belted kingfisher perched on a tree limb. A lucky sighting! He was kind of far away but I had time to snap a quick shot before he flew.
Granny Shot It – Bird of the Day challenge BOTD
We recently saw this magnificent mural in the downtown area of The Dalles, Oregon. Isn’t it fantastic! This is The Valley Gorge Hub by Blaine Fontana. Blaine and Jeremy Nichols used hundreds of cans of spray paint to create this mural in 2018. Toma Villa consulted on this project. He is a colleague of Fontana’s and an enrolled member of the Yakama Nation.
This building has murals painted on the north, south, and east sides. You can see a small sign for Kung Fu classes on the left side of the building.
This Valley Gorge project is one of many planned to bring together the communities near the Columbia River Gorge. They plan to “build a more inclusive mecca for creativity, culture, outdoor recreation, and opportunities for new and existing businesses.”
Blaine created another magnificent mural in The Dalles as a part of the Oregon Mural Trail. This project is funding seven large murals in seven small Oregon towns located throughout the state.
The Dalles has an amazing collection of murals. The Dalles Mural Society has more information on them.
Nancy Merrill’s A Photo a Week Challenge – Signs
You can find the Tin Pan Theater tucked away in an alley in downtown Bend, Oregon. If you didn’t know it was there, you could walk right past it.
This tiny theater only has 28 seats. You might not see the next Avengers movie there, but you will see some great movies. Indie films like The Nightingale, Linda Ronstadt: The Sound of my Voice, and Maiden. They also feature foreign films.
Get there early because seats fill up fast. You can enjoy some popcorn and drinks while you’re waiting–including some local brews.
This theater received good news recently. BendFilm purchased the property in May 2019. The BendFilm Festival takes place in October and films can be viewed at this theater and several other locations. This festival was recently recognized by MovieMaker Magazine as being one of the 25 coolest film festivals in the world.
As BendFilm Executive Director Todd Looby noted, “Anyone who has entered the Tin Pan Theater immediately falls in love with the space.”
Be sure to look at the artwork in the alley just across from the theater. Tin Pan Alley Art features a variety of techniques and media. Bend has some amazing art and culture tucked away in its nooks and crannies.
Catlow Cave artifacts, including sagebrush bark sandals, grass & bark baskets, and arrowheads & spearpoints, are displayed at the Harney County Historical Society Museum in Burns, Oregon. There are a couple pointed sticks that may be “knitting needles”, used to knit the sagebrush bark together.
These cave artifacts are between 9,000 to 10,000 years old. The Northern Paiute people lived in this region. There are several caves in the Catlow Valley cliffs. Petroglyphs adorn some of the rock faces.
Do you want to learn more about the native peoples who lived in this area thousands of years ago? Consider taking a guided tour to the Fort Rock Cave hosted by Oregon Parks and Recreation. Be sure to visit the nearby Fort Rock Valley Historical Society Homestead Museum. This small museum has more examples of cave artifacts from this region. The woven items were practical but also works of art with distinctive patterns.
Angles are often used in art and architecture and are also found in nature. Here are several photos that show art and nature from different angles.
This sculpture of a flock of birds zigzags down a foyer and flutters around the corner of a building in downtown Bend, Oregon.
Swallows collect beakfuls of mud to create these nests along the roof angles at Summer Lake Wildlife Area, Oregon.
Columnar basalt forms when volcanic rock cools rapidly. In this picture, at Cove Palisades State Park, the columns formed in different angles. Orange lichens highlight their form.
The supporting beams at the Warm Spring Museum are set at different angles in imitation of how shelters from the past were constructed.
Trails of smoke from passing jets form an angle that points toward a field of flowering corn in Silverton, Oregon.
Lens-Artists Photo Challenge – Angles
Old bits & spurs from days gone by live on in this collage.
This is a kinetic sound sculpture that’s part of an exhibit at the High Desert Museum in Bend, Oregon. The exhibit is called Desert Reflections: Water Shapes the West and it runs through September 29, 2019. This exhibit used the combined talents of scientists, historians, and artists.
When you play the video on this post, listen carefully to the music in the background. The sounds of High Desert water and wind were recorded. They were combined with the “color” of music played on a Skinner church organ.
As the artists at Harmonic Laboratory state, “This evokes the richness of the region, a place shaped by many forces interacting in a complex way.”
As you stand underneath the sculpture, the calming tones, continuous motion, and gentle breeze helps you feel some of the energy that’s such an important part of High Desert environments.
Freedom of Expression Challenge – Art
The vision must be followed by the venture. It is not enough to stare up the steps – we must step up the stairs.Vance Havner
This stairway of art in the Old Mill district of Bend invites you to hear its story. The garbage can and utility box are supporting cast members in this tale.
This work is by Yuya Negishi. I show another of his pieces and tell a bit more about him in Big Bold Art in Bend.
Here is a short video showing Yuya creating this stairway of art.
Lens-Artists Photo Challenge – Street Art
This mural is by husband and wife artists Paul Alan Bennett and Carolyn Platt. Can you see why I titled this post Dog Art+? One of those “dogs” looks a little different.
Here in Bend, we are into dogs so it only makes sense they are featured in our public art. We have many dog-friendly businesses and plenty of trails to hike with your four-footed friends.
This mini mini Aussie I painted onto a rock is one of my favorites. I’ve always wanted a mini Australian shepherd and this pocket pet is very low maintenance. 😀
Last June we happened to be in Tillamook, Oregon the day the new Tillamook Creamery visitor center opened.
They have 1.3 million visitors a year and the new 38,500 square foot facility is a welcome addition. The original visitor center opened in 1949. We visited that much smaller center years ago.
Yes, you can still watch them making delicious cheese and get samples, but there’s a lot more there now.
The new displays are interactive and informative.
I loved the layout of some of these displays. Crisp, bold, and bright. They are works of art.
Tillamook County Creamery Association creates the products you find in stores today. This co-op was formed in 1909 and there are almost 100 families in it now.
They have a big store with everything from clothing to specialty dairy products.
If that’s not enough, they also have a dining area with several options. You can get ice cream, yogurt with toppings, and a range of other choices. These include everything from tempura battered cheese curds (huh?) to mac and cheese, pizza, sandwiches, and a few breakfast items. I was pleasantly surprised to see the food at the center featured in a funny article in Food and Wine.
If you have the time, this is a stop worth making.
The Tin Pan Alley Art “gallery” is located in a short alleyway in downtown Bend, Oregon. The alley features large pieces of art created with a variety of media. Some are 2-dimensional while others are more sculptural. Do you have a favorite among these wonderful pieces of art?
This collection is part of a public art initiative that supports local arts and culture. It takes our outdoor lifestyle into consideration. Another example of outdoor art is featured in many of Bend’s roundabouts.
This is The Visitor by artist Carol Sternkopf. This is a mixed media piece that combines photography, vinyl, paint, twigs, wood, metal, and salvaged home decor. Nature and animals were important in Carol’s childhood. She incorporates them into her art. She hopes viewers think about the “larger story within the magnificent blue owl’s eyes” in this piece.
Here’s a picture of the whole collection. We like to go to the Lone Pine Coffee Shop in this alley. It’s small, but it’s our favorite. The owner takes the craft of creating the best cup of coffee very seriously.
This is Love Lost, Love Found by artist Bill Hoppe. This colorful metal work represents the artist’s interpretation of an 11th Century Indian manuscript. The many pieces of this sculpture were created by hundreds of community members. This was part of a community engagement goal set forth by the Central Oregon Metal Arts Guild.
This is Tomas’ Riddle by artist Judy Campbell. This piece is created from steel, wood, and lights. Judy was inspired by infinitely repeating patterns, or fractals. In this piece she sought to bring the “abstract concepts such as love, mystery, and infinity into the earthly plane.”
This is Ride with Me by artist Jeff Remiker. The mountain culture, especially biking, is a big part of Bend. Jeff was inspired by a childhood love of bike riding. He incorporated wood and metal work into this rustic piece. Viewers can interact with this piece by putting things into the bike basket.
This is an untitled piece by artist Andrew Wachs. This piece was inspired by basalt rock formations that can be found throughout Central Oregon. The artwork represents a close-up perspective of a vertical overhang. Andrew works with metal and wood design in his studio, Weld Design Studio.
This is Southwark by photographer/artist/adventure seeker Amy Castaño. This photograph of a bikeway in London captures some of the many textures and sights of the city. Amy looks for unique viewpoints, different angles, interesting parts of the ordinary, and the perfect radiant light.
This is A Parade of Strange Ideas by artist Phillip Newsom. This vivid painting represents a spontaneous procession of ideas “emerging from the unconscious and growing as multi-dimensional shapes in some back-alley of the mind.” Phillip’s work includes book & magazine illustrations, animal portraits, murals, landscapes, and graphic designs.
This exhibition features portraits of Native women by photographer Edward S. Curtis from the collection of Christopher G. Cardozo. Curtis took the featured photographs over a 30-year period as part of a project to document Native American’s lifestyle and culture in a time of change. Curtis traveled across North America from 1900 to 1930 photographing over 80 tribes.
Edward S. Curtis worked out of a studio in Seattle, Washington and received financial support from J. P. Morgan. Curtis collected information about the lives of each tribe through photographs, writings, and audio recordings. With the help of Native translators, he assembled a 20-volume set titled The North American Indian. Curtis intended to publish 500 copies but due to a series of financial and personal setbacks, only about 272 were printed. Ninety percent of the original sets are owned by institutions, including the High Desert Museum.
The portraits in this exhibit have a beautiful yet haunting quality to them. The labor-intensive photogravure process Curtis used allowed him to create subtle variations in tone and focus. Curtis insisted on using only the highest quality materials and he experimented with a variety of techniques. In 2015 there was a city-wide celebration of Curtis’ work in Bend. Dawn Boone, of the A6 studio, gave a lecture on the photographs. She made an observation that one of the women portrayed seemed to be “softening back into the earth right before our eyes.”
Native American author Louise Erdrich has an interesting perspective on the women represented in Edward S. Curtis’ photographs. She said, “Women’s work is celebrated in Curtis’ photographs–women grind corn, bake bread, make clay vessels, doctor each other, pick berries, haul wood and water, gather reeds, dig clams. These images of women working are among my favorites, for they are more practical then elegiac, yet entirely harmonious, and they are often the most sensual of Curtis’ works.”
While Curtis’ ambitious project documented the tribes, it was not without controversy. He often staged portraits. Sometimes he mixed up artifacts and traditions between tribes. He referred to Native Americans as a “vanishing race.” Native peoples were losing their rights and their lands but many did successfully adapt to Western society.
There was a revival of interest in Curtis’ work beginning in the 1970s. He was an exceptional photographer, and he documented many facets of Native American life that no longer exist. Museums across the country feature major exhibitions of his work. Original printings of The North American Indian bring extraordinary prices at auction.
This new exhibit also includes basketry, beadwork, and leatherwork created by Native Americans of the Columbia Plateau. Intricate beadwork adorns bags, a cradleboard, and clothing. There are examples of different styles of basketry in this exhibit. Featured contemporary Native artists include Pat Courtney Gold, Roberta Kirk, and Kelli Palmer. Kelli Palmer often designs baskets based on photographs from the past—including those of Edward S. Curtis.
Native American cultures passed techniques for creating basketry and beadwork down through generations. Many items were utilitarian, but the makers included symbols and patterns in artistic ways. Contemporary artists may include materials such as commercial string and yarn in traditional and newly created patterns.
In the early 20th century, Native people were forced to live on reservations. Many lost their language, ways of life, and skills such as basket making. Children were sent to boarding schools and weren’t allowed to learn things associated with their cultural identity. Columbia Plateau people have been working to bring back the knowledge of cultural traditions. As new generations learn the traditions and art forms of their ancestors, they will ensure the culture portrayed in Curtis’ photographs survives. Pat Courtney Gold notes that basket making is not only artistic; it is an expression of and central to the revitalization of her culture.
This exhibit will be on display at the High Desert Museum through January 20, 2019. For more about Edward S. Curtis, see a series of articles I wrote here.
Close ups of images are from this source:
Northwestern University Library, Edward S. Curtis’s “The North American Indian,” 2003.
This is a reprint of a November 2018 article in High Desert Voices, a newsletter by and for volunteers and staff at the High Desert Museum in Bend, Oregon. To see more issues of the newsletter, go here.
This summer a new big bold mural was added to the collection of outdoor art in the Old Mill District of Bend, Oregon. Yuya Negishi created this artwork. He was inspired by the mountains, colorful skies, and brilliant flowers of Central Oregon.
Did you notice that the dragon in this mural is breathing flowers instead of fire?
Here’s more about the artist from a post about Art Murals Around Bend.
“Yuya Negishi is a Japanese visual artist based in Minneapolis, Minnesota. His work combines his extensive background in the classical Japanese techniques of calligraphy and SUMI with Japanese pop culture images such as koi, dragons and Buddha’s. Yuya approaches his work in the spirit of play often exploring new ideas and mediums. He also teaches hands on workshops sharing his approaches to SUMI and Calligraphy.
Yuya was born in a small farming community in the mountains beyond Tokyo. Yuya draws artistic inspiration from the memories and sensations of growing up in the Japanese countryside, where he would roam “like a hidden Ninja” exploring the woods, temples and mountain tops of the breathtaking Gunma region.”
See more of Yuya’s amazing art on yuyart .
This big bold artwork is right next to the flag bridge and it can be seen when you’re walking the Mill A Loop trail or floating the Deschutes River.
Lens-Artists Photo Challenge – BIG can be beautiful too!
I saw these outdoor bonsai trees on the High Desert Garden Tour in Bend, Oregon this summer. I marveled at the artistry that went into sculpting these plants. Though I’ve seen bonsai trees in the past, I was pleasantly surprised to see tree species that grow locally sculpted into small replicas of full size trees. You can see why they are referred to as “living art.”
Lens-Artists Photo Challenge – Small is beautiful
I am always amazed by the beautiful beadwork on display at the High Desert Museum where I volunteer. The carefully crafted pieces represent work by tribes of the Columbia Plateau in parts of modern-day Washington, Oregon, and Idaho.
Tribes represented include Umatilla, Wasco, Wishram, Paiute, Washo, Chehalis, Quinault, Nez Perce, Skokomish, Chinook, Tillamook, Yakima, Warm Springs, Haida, Salish, Yaqui, and others.
They are artifacts with an emphasis on “art.” However, Native Americans in the 1700’s and 1800’s did not make art for art’s sake. Beads embellished utilitarian pieces. Beads adorned items ranging from small handbags and knife cases, to deerskin clothing and footwear.
The High Desert Museum houses the Doris Swayze Bounds Collection of Native American Artifacts. Born in 1904 in Oklahoma, Doris Swayze Bounds later lived in Hermiston, Oregon, where she worked as a banker. She always appreciated Native American people and their culture. Many of the pieces in the collection were gifted to her by local Native Americans as a way of showing their respect and affection to her. The artifacts date from the 1870’s to the 1960’s. The collection has many pieces, but I focused on the beadwork in this post.
In the early 1800’s, beads used in trading with native people were referred to as “pony” beads. Transported by pack animals, the beads were limited in availability and colors. The smaller “seed” beads became widely available after about 1850. These inexpensive beads were available in larger quantities and in a wider variety of colors.
White traders thought of the beads as cheap trinkets but to native peoples, they were highly prized. The beads were valued for their beauty and durability. They also freed up time that would have gone into crafting beads from bone, shells, and other materials. The beadwork became a status symbol and a source of pride in their culture.
Bead-working techniques vary and show ethnic membership. Colors and motifs represent different things to different tribes. If symbols are changed, such as being inverted or assembled in incorrect colors, they may show a hidden negative message. For example, an inverted American flag could have expressed displeasure with governmental policies.
The beadwork is this collection is beautiful but some pieces were made during a dark chapter in American history. The hardships native peoples endured are difficult to imagine. Beadwork allowed them to express pride in their culture when they were being forced to give up their traditional ways of life. We are fortunate that some of their remarkable work has been preserved.
To view more of this collection and learn about Native American’s many accomplishments and challenges, visit the High Desert Museum in Bend, Oregon
Source of beadwork history information:
Logan, M. H. (2014). Brightly Beaded: North American Indian Glass Beadwork [Pamphlet]. Knoxville, Tennessee: University of Tennessee, McClung Museum of Natural History and Culture.
One Word Photo Challenge – Museum
After living a life full of leaps and bounds, she settled down in her favorite aspen grove. The bunchgrass waved goodbye. The rabbitbrush shaded her in her final moments. The rosebush provided fruit in celebration of her life. And finally, the aspen covered her in leaves of gold.
Weekly Photo Challenge – Story
Silent barks speak with voices needing to be heard.
Unknown worlds are tucked into their cracks and crevices.
Layers peel away to reveal glimpses of their hearts.
Their eyes gaze at us with infinite wisdom.
They sometimes wear disguises to cover up who they are.
But by peeking under silent barks, we learn we are all the same beneath.
Weekly Photo Challenge – Out of This World
On January 20, visitors entered Classroom A at the High Desert Museum to find the room filled with lifelike mounts of raptors. One mount depicted a California quail being chased by a sharp-shinned hawk. Another was of a great horned owl perched on a branch. A golden eagle mount, with outstretched wings, dwarfed the other birds on display. Artist Ian Factor welcomed participants in the workshop and everyone got to work sketching the birds. Curator of Art and Community Engagement Andries Fourie also attended and offered help when needed.
Various art supplies were available for our use. Many attendees brought their own supplies neatly tucked into special cases. Others, like me, had the bare essentials, so we were grateful more were provided.
A variety of reference materials were displayed. There was a collection of bird wings, talons, and skulls. An articulated bird skeleton stood on a tabletop. We learned the basic form of our subjects by looking at mounts prepared by taxidermists. Though not available at this workshop, study skins, or museum mounts, are often utilized for research and artistic purposes. Photographs can help when you’re doing wildlife art and participants were snapping a lot of pictures. Reference materials are helpful in getting the details right and in understanding the underlying anatomy.
This workshop, like most hosted by the Museum, was open to people of all skill levels. Some attending the event were beginners, while others were more advanced. The artists drew the birds with a variety of media. Several sketched in black-and-white with pencils, graphite, or charcoal; other participants added color with pastels and colored pencils.
Drawing from life can be much more challenging. When sketching in a natural setting, you have to work fast to capture the essence of the bird. In this workshop, we sketched a live red-tailed hawk and great horned owl from the Museum’s collection. The hawk was quiet and basically stayed in one position. The owl was vocal and active the whole time. It can frustrate you when your subject doesn’t cooperate, but you have to learn to be flexible.
Participants were told to draw large shapes first then “carve down” to the details. After getting the basics down, Ian Factor advised us to capture the character of the birds. Character in this case is related to their adaptations for a predatory lifestyle and their individual personality. Wildlife Specialist Laura McWhorter provided many interesting life history facts on both of the live bird models provided for this workshop.
Ian pointed out things each participant did well and areas that might need improvements. He was especially helpful to those new to drawing. Participants were enthusiastic about this workshop. In fact, one even asked if we could have this class every weekend.
Do you have any ideas for art workshops at the Museum? If so, please send them to Andries Fourie at email@example.com.
Reprinted from the February 2018 issue of High Desert Voices, a newsletter by and for volunteers working at the High Desert Museum in Bend, Oregon. To see issues of the newsletter, click here.
I have posted a couple pictures of bridge art on one side of this bridge in Bend, Oregon. Now it’s time to show the other side. The colorful artwork brightens up these cool cloudy winter days.
Here’s a link to a photo of the artist, Sandy Klein, working on the paintings on the bridge – Bridge of Art.
Here’s a link that shows the completed artwork on the other side – Bridge of Art Update.
I saw this metal sculpture of a stagecoach on a recent trip and wanted to experiment with how to present it. I chose to use a digital version of the autochrome process.
When this process was first presented at the Paris Photo Club by the Lumiére brothers in 1907, it was a turning point in color photography. Other methods existed but this process used a novel ingredient – potato starch. Glass plates were covered with grains of potato starch dyed red, green, and blue. Carbon black and a thin emulsion layer were added and the plate was flipped and exposed to light. The image could be developed into a transparency. To see some of the dreamlike photos created with this process, click here.
The sculpture is on Highway 140, northeast of Lakeview, Oregon. The artwork is near a locked gate with “Crane Creek Ranch” over the entrance.
Here’s what my original image looked like:
Weekly Photo Challenge – Experimental
Yesterday I went to the Festival of Cultures in Redmond, Oregon. I was impressed by a dance group called Titlakawan Aztec Danza. Hope you enjoy the video I shot of them dancing. Even the toddlers and babies participated.
Here’s a blurb about them that was in the program for the World Beat Festival in Salem earlier this year:
“This Aztec dance troupe is based in Salem/Dayton, Oregon. Titlakawan means “We all possess it” or “We all have potential to fully realize ourselves as human beings”. Our troupe promotes through Aztec dance discipline a healthy lifestyle and outlook. The Aztec dance has its roots in central Mexico and has been practiced and protected in the last 400 years. Through immigration, it has set root here in the Northwest for the enjoyment of all those who participate.”
Here are a few pictures of the dancers. I loved the ornate headpieces! They were colorful and dramatic.
This Festival of Cultures had representatives from several countries including Bolivia, China, the Punjab state in India, Japan, and Yemen. This event celebrates the many cultures that live in Oregon and the contributions they have made to our state. There were musical performances, dances, activities, handmade crafts, and foods from several of the cultures. There was also a play area for kids. It was a feast for the senses.