Last June we happened to be in Tillamook, Oregon the day the new Tillamook Creamery visitor center opened.
They have 1.3 million visitors a year and the new 38,500 square foot facility is a welcome addition. The original visitor center opened in 1949. We visited that much smaller center years ago.
Yes, you can still watch them making delicious cheese and get samples, but there’s a lot more there now.
The new displays are interactive and informative.
I loved the layout of some of these displays. Crisp, bold, and bright. They are works of art.
Tillamook County Creamery Association creates the products you find in stores today. This co-op was formed in 1909 and there are almost 100 families in it now.
They have a big store with everything from clothing to specialty dairy products.
If that’s not enough, they also have a dining area with several options. You can get ice cream, yogurt with toppings, and a range of other choices. These include everything from tempura battered cheese curds (huh?) to mac and cheese, pizza, sandwiches, and a few breakfast items. I was pleasantly surprised to see the food at the center featured in a funny article in Food and Wine.
If you have the time, this is a stop worth making.
The Tin Pan Alley Art “gallery” is located in a short alleyway in downtown Bend, Oregon. The alley features large pieces of art created with a variety of media. Some are 2-dimensional while others are more sculptural. Do you have a favorite among these wonderful pieces of art?
This collection is part of a public art initiative that supports local arts and culture. It takes our outdoor lifestyle into consideration. Another example of outdoor art is featured in many of Bend’s roundabouts.
This is The Visitor by artist Carol Sternkopf. This is a mixed media piece that combines photography, vinyl, paint, twigs, wood, metal, and salvaged home decor. Nature and animals were important in Carol’s childhood. She incorporates them into her art. She hopes viewers think about the “larger story within the magnificent blue owl’s eyes” in this piece.
Here’s a picture of the whole collection. We like to go to the Lone Pine Coffee Shop in this alley. It’s small, but it’s our favorite. The owner takes the craft of creating the best cup of coffee very seriously.
Metal and wood
This is Love Lost, Love Found by artist Bill Hoppe. This colorful metal work represents the artist’s interpretation of an 11th Century Indian manuscript. The many pieces of this sculpture were created by hundreds of community members. This was part of a community engagement goal set forth by the Central Oregon Metal Arts Guild.
This is Tomas’ Riddleby artist Judy Campbell. This piece is created from steel, wood, and lights. Judy was inspired by infinitely repeating patterns, or fractals. In this piece she sought to bring the “abstract concepts such as love, mystery, and infinity into the earthly plane.”
This isRide with Me by artist Jeff Remiker. The mountain culture, especially biking, is a big part of Bend. Jeff was inspired by a childhood love of bike riding. He incorporated wood and metal work into this rustic piece. Viewers can interact with this piece by putting things into the bike basket.
This is an untitled piece by artist Andrew Wachs. This piece was inspired by basalt rock formations that can be found throughout Central Oregon. The artwork represents a close-up perspective of a vertical overhang. Andrew works with metal and wood design in his studio, Weld Design Studio.
Photographs and paintings
This is Southwark by photographer/artist/adventure seeker Amy Castaño. This photograph of a bikeway in London captures some of the many textures and sights of the city. Amy looks for unique viewpoints, different angles, interesting parts of the ordinary, and the perfect radiant light.
This is A Parade of Strange Ideas by artist Phillip Newsom. This vivid painting represents a spontaneous procession of ideas “emerging from the unconscious and growing as multi-dimensional shapes in some back-alley of the mind.” Phillip’s work includes book & magazine illustrations, animal portraits, murals, landscapes, and graphic designs.
The Photographs of Edward S. Curtis in the By Her Hand Exhibit
This exhibition features portraits of Native women by photographer Edward S. Curtis from the collection of Christopher G. Cardozo. Curtis took the featured photographs over a 30-year period as part of a project to document Native American’s lifestyle and culture in a time of change. Curtis traveled across North America from 1900 to 1930 photographing over 80 tribes.
By Her Hand Exhibit of Edward S. Curtis Photos, High Desert Museum, Bend, Oregon
Edward S. Curtis worked out of a studio in Seattle, Washington and received financial support from J. P. Morgan. Curtis collected information about the lives of each tribe through photographs, writings, and audio recordings. With the help of Native translators, he assembled a 20-volume set titled The North American Indian. Curtis intended to publish 500 copies but due to a series of financial and personal setbacks, only about 272 were printed. Ninety percent of the original sets are owned by institutions, including the High Desert Museum.
Hupa Female Shaman – by Edward S. Curtis
The portraits in this exhibit have a beautiful yet haunting quality to them. The labor-intensive photogravure process Curtis used allowed him to create subtle variations in tone and focus. Curtis insisted on using only the highest quality materials and he experimented with a variety of techniques. In 2015 there was a city-wide celebration of Curtis’ work in Bend. Dawn Boone, of the A6 studio, gave a lecture on the photographs. She made an observation that one of the women portrayed seemed to be “softening back into the earth right before our eyes.”
On the Beach – Chinook by Edward S. Curtis
Native American author Louise Erdrich has an interesting perspective on the women represented in Edward S. Curtis’ photographs. She said, “Women’s work is celebrated in Curtis’ photographs–women grind corn, bake bread, make clay vessels, doctor each other, pick berries, haul wood and water, gather reeds, dig clams. These images of women working are among my favorites, for they are more practical then elegiac, yet entirely harmonious, and they are often the most sensual of Curtis’ works.”
While Curtis’ ambitious project documented the tribes, it was not without controversy. He often staged portraits. Sometimes he mixed up artifacts and traditions between tribes. He referred to Native Americans as a “vanishing race.” Native peoples were losing their rights and their lands but many did successfully adapt to Western society.
There was a revival of interest in Curtis’ work beginning in the 1970s. He was an exceptional photographer, and he documented many facets of Native American life that no longer exist. Museums across the country feature major exhibitions of his work. Original printings of The North American Indian bring extraordinary prices at auction.
Historical and Contemporary Art from the Museum’s Collection
This new exhibit also includes basketry, beadwork, and leatherwork created by Native Americans of the Columbia Plateau. Intricate beadwork adorns bags, a cradleboard, and clothing. There are examples of different styles of basketry in this exhibit. Featured contemporary Native artists include Pat Courtney Gold, Roberta Kirk, and Kelli Palmer. Kelli Palmer often designs baskets based on photographs from the past—including those of Edward S. Curtis.
By Her Hand Exhibit of Edward S. Curtis Photos, baskets, and beadwork, High Desert Museum, Bend, Oregon
Native American cultures passed techniques for creating basketry and beadwork down through generations. Many items were utilitarian, but the makers included symbols and patterns in artistic ways. Contemporary artists may include materials such as commercial string and yarn in traditional and newly created patterns.
By Her Hand Exhibit of Edward S. Curtis Photos, baskets, and beadwork, High Desert Museum, Bend, Oregon
In the early 20th century, Native people were forced to live on reservations. Many lost their language, ways of life, and skills such as basket making. Children were sent to boarding schools and weren’t allowed to learn things associated with their cultural identity. Columbia Plateau people have been working to bring back the knowledge of cultural traditions. As new generations learn the traditions and art forms of their ancestors, they will ensure the culture portrayed in Curtis’ photographs survives. Pat Courtney Gold notes that basket making is not only artistic; it is an expression of and central to the revitalization of her culture.
By Her Hand Exhibit of Edward S. Curtis Photos, baskets, and beadwork, High Desert Museum, Bend, Oregon
This exhibit will be on display at the High Desert Museum through January 20, 2019. For more about Edward S. Curtis, see a series of articles I wrote here.
This is a reprint of a November 2018 article in High Desert Voices, a newsletter by and for volunteers and staff at the High Desert Museum in Bend, Oregon. To see more issues of the newsletter, go here.
This summer a new big bold mural was added to the collection of outdoor art in the Old Mill District of Bend, Oregon. Yuya Negishi created this artwork. He was inspired by the mountains, colorful skies, and brilliant flowers of Central Oregon.
Did you notice that the dragon in this mural is breathing flowers instead of fire?
“Yuya Negishi is a Japanese visual artist based in Minneapolis, Minnesota. His work combines his extensive background in the classical Japanese techniques of calligraphy and SUMI with Japanese pop culture images such as koi, dragons and Buddha’s. Yuya approaches his work in the spirit of play often exploring new ideas and mediums. He also teaches hands on workshops sharing his approaches to SUMI and Calligraphy.
Yuya was born in a small farming community in the mountains beyond Tokyo. Yuya draws artistic inspiration from the memories and sensations of growing up in the Japanese countryside, where he would roam “like a hidden Ninja” exploring the woods, temples and mountain tops of the breathtaking Gunma region.”
I saw these outdoor bonsai trees on the High Desert Garden Tour in Bend, Oregon this summer. I marveled at the artistry that went into sculpting these plants. Though I’ve seen bonsai trees in the past, I was pleasantly surprised to see tree species that grow locally sculpted into small replicas of full size trees. You can see why they are referred to as “living art.”
I am always amazed by the beautiful beadwork on display at the High Desert Museum where I volunteer. The carefully crafted pieces represent work by tribes of the Columbia Plateau in parts of modern-day Washington, Oregon, and Idaho.
Tribes represented include Umatilla, Wasco, Wishram, Paiute, Washo, Chehalis, Quinault, Nez Perce, Skokomish, Chinook, Tillamook, Yakima, Warm Springs, Haida, Salish, Yaqui, and others.
Doris Swayze Bounds Collection of Native American Artifacts
They are artifacts with an emphasis on “art.” However, Native Americans in the 1700’s and 1800’s did not make art for art’s sake. Beads embellished utilitarian pieces. Beads adorned items ranging from small handbags and knife cases, to deerskin clothing and footwear.
The High Desert Museum houses the Doris Swayze Bounds Collection of Native American Artifacts. Born in 1904 in Oklahoma, Doris Swayze Bounds later lived in Hermiston, Oregon, where she worked as a banker. She always appreciated Native American people and their culture. Many of the pieces in the collection were gifted to her by local Native Americans as a way of showing their respect and affection to her. The artifacts date from the 1870’s to the 1960’s. The collection has many pieces, but I focused on the beadwork in this post.
A brief history of beadwork in North America
In the early 1800’s, beads used in trading with native people were referred to as “pony” beads. Transported by pack animals, the beads were limited in availability and colors. The smaller “seed” beads became widely available after about 1850. These inexpensive beads were available in larger quantities and in a wider variety of colors.
White traders thought of the beads as cheap trinkets but to native peoples, they were highly prized. The beads were valued for their beauty and durability. They also freed up time that would have gone into crafting beads from bone, shells, and other materials. The beadwork became a status symbol and a source of pride in their culture.
Bead-working techniques vary and show ethnic membership. Colors and motifs represent different things to different tribes. If symbols are changed, such as being inverted or assembled in incorrect colors, they may show a hidden negative message. For example, an inverted American flag could have expressed displeasure with governmental policies.
Expressions of cultural pride
The beadwork is this collection is beautiful but some pieces were made during a dark chapter in American history. The hardships native peoples endured are difficult to imagine. Beadwork allowed them to express pride in their culture when they were being forced to give up their traditional ways of life. We are fortunate that some of their remarkable work has been preserved.
To view more of this collection and learn about Native American’s many accomplishments and challenges, visit the High Desert Museum in Bend, Oregon
After living a life full of leaps and bounds, she settled down in her favorite aspen grove. The bunchgrass waved goodbye. The rabbitbrush shaded her in her final moments. The rosebush provided fruit in celebration of her life. And finally, the aspen covered her in leaves of gold.
On January 20, visitors entered Classroom A at the High Desert Museum to find the room filled with lifelike mounts of raptors. One mount depicted a California quail being chased by a sharp-shinned hawk. Another was of a great horned owl perched on a branch. A golden eagle mount, with outstretched wings, dwarfed the other birds on display. Artist Ian Factor welcomed participants in the workshop and everyone got to work sketching the birds. Curator of Art and Community Engagement Andries Fourie also attended and offered help when needed.
My fancy drawing kit
Various art supplies were available for our use. Many attendees brought their own supplies neatly tucked into special cases. Others, like me, had the bare essentials, so we were grateful more were provided.
Drawing from reference materials
A variety of reference materials were displayed. There was a collection of bird wings, talons, and skulls. An articulated bird skeleton stood on a tabletop. We learned the basic form of our subjects by looking at mounts prepared by taxidermists. Though not available at this workshop, study skins, or museum mounts, are often utilized for research and artistic purposes. Photographs can help when you’re doing wildlife art and participants were snapping a lot of pictures. Reference materials are helpful in getting the details right and in understanding the underlying anatomy.
This workshop, like most hosted by the Museum, was open to people of all skill levels. Some attending the event were beginners, while others were more advanced. The artists drew the birds with a variety of media. Several sketched in black-and-white with pencils, graphite, or charcoal; other participants added color with pastels and colored pencils.
Drawing from life
Drawing from life can be much more challenging. When sketching in a natural setting, you have to work fast to capture the essence of the bird. In this workshop, we sketched a live red-tailed hawk and great horned owl from the Museum’s collection. The hawk was quiet and basically stayed in one position. The owl was vocal and active the whole time. It can frustrate you when your subject doesn’t cooperate, but you have to learn to be flexible.
Participants were told to draw large shapes first then “carve down” to the details. After getting the basics down, Ian Factor advised us to capture the character of the birds. Character in this case is related to their adaptations for a predatory lifestyle and their individual personality. Wildlife Specialist Laura McWhorter provided many interesting life history facts on both of the live bird models provided for this workshop.
Participants drawing great horned owl
Ian pointed out things each participant did well and areas that might need improvements. He was especially helpful to those new to drawing. Participants were enthusiastic about this workshop. In fact, one even asked if we could have this class every weekend.
I saw this metal sculpture of a stagecoach on a recent trip and wanted to experiment with how to present it. I chose to use a digital version of the autochrome process.
When this process was first presented at the Paris Photo Club by the Lumiére brothers in 1907, it was a turning point in color photography. Other methods existed but this process used a novel ingredient – potato starch. Glass plates were covered with grains of potato starch dyed red, green, and blue. Carbon black and a thin emulsion layer were added and the plate was flipped and exposed to light. The image could be developed into a transparency. To see some of the dreamlike photos created with this process, click here.
The sculpture is on Highway 140, northeast of Lakeview, Oregon. The artwork is near a locked gate with “Crane Creek Ranch” over the entrance.
Yesterday I went to the Festival of Cultures in Redmond, Oregon. I was impressed by a dance group called Titlakawan Aztec Danza. Hope you enjoy the video I shot of them dancing. Even the toddlers and babies participated.
Here’s a blurb about them that was in the program for the World Beat Festival in Salem earlier this year:
“This Aztec dance troupe is based in Salem/Dayton, Oregon. Titlakawan means “We all possess it” or “We all have potential to fully realize ourselves as human beings”. Our troupe promotes through Aztec dance discipline a healthy lifestyle and outlook. The Aztec dance has its roots in central Mexico and has been practiced and protected in the last 400 years. Through immigration, it has set root here in the Northwest for the enjoyment of all those who participate.”
Here are a few pictures of the dancers. I loved the ornate headpieces! They were colorful and dramatic.
This Festival of Cultures had representatives from several countries including Bolivia, China, the Punjab state in India, Japan, and Yemen. This event celebrates the many cultures that live in Oregon and the contributions they have made to our state. There were musical performances, dances, activities, handmade crafts, and foods from several of the cultures. There was also a play area for kids. It was a feast for the senses.
If you’re looking for things to do in Bend this weekend, go see the Art in the High Desert show. This juried arts and crafts show features works in a wide variety of media. Please help support the 115 North American artisans selected for this show by purchasing some of the things they have created. To see a gallery of the work featured this year, click here.
Woodwork by Jack West at Art in the High Desert 2017 in Bend, Oregon
Here is the woodwork of Jack West of Fort Jones, California. These works of art display fine craftsmanship and an eye for bringing out the best in the woods he works with. The carved curving lines on some of his works are unique and they enhance the wood’s natural beauty. You can see more of his work here .
Ceramics by Gerard Arrington at Art in the High Desert 2017 in Bend, Oregon
Here is the ceramic work of Gerald Arrington of Sebastopol, California. You may know that I have a thing about rocks and this artist creates realistic-looking rocks out of clay. His pieces are sculptural, stunning, and earthy. You can see more of his work here.
Sunny views of the show
Crossing the bridge over the Deschutes River to see the Art in the High Desert show in Bend, Oregon
This show is good every year but this year it’s great! If you go to the show, you will understand why it’s in the top ten shows in the nation. The show runs August 25-27 and it’s free to get in. It’s located on the banks of the Deschutes River in Bend at 730 SW Columbia Street.
Booths at Art in the High Desert 2017 in Bend, Oregon
I previously posted a picture of the artist at work on this bridge here but thought you might want an update. Here is the completed painting. A different artist painted the inside of the tunnel. Lots of beauty on the bridge, inside the tunnel, and all around.
Last summer I was out for an early morning walk and happened to see an artist at work painting a mural on a bridge. Sandy Klein was painting spring flowers and birds on this bridge of art in the Old Mill district of Bend, Oregon. The beautiful artwork sprinkled throughout Bend accentuates its natural beauty.
Can you guess where I was earlier this month? Yes! I was on a 2,754-mile road trip to see parks in Utah and Nevada. We visited five national parks and one state park in Utah and one national park in Nevada.
I love the artwork on these t-shirts. It’s nice to remember a place with a wearable piece of art.
I took a few pictures while on this trip. 1,420 to be exact. Lots of material for future blog posts!
An amazing example of petroglyphs can be seen on the road into the Needles section of Canyonlands National Park in Utah. Wow! I have seen petroglyphs before but never so many in one spot. There are more than 650 drawings on a rock wall at this state historical monument. The dark desert varnish provides a nice contrast to the messages carved into the stone.
The first carvings at this site have been determined to be 2,000 years old. People of the Archaic, Anasazi, Fremont, Navajo, Anglo, and Pueblo cultures have carved their messages into the rock over the years. Unfortunately, it looks like some more modern graffiti artists added to parts of the scene.
The meanings of the messages here have been difficult to figure out. Do they tell a story or are they merely scribbles? The Navajo refer to this site as Tse’ Hane – translated as “Rock that tells a story.” It does indeed appear to tell many stories. Only the people who made the carvings know exactly what those stories were.
Sometimes an artist’s greatest wish is that others will be able to see the emotion and spirit of a place in their work. I hope you can feel some of what I was trying to capture in this photo from Yellowstone National Park.
Art is about expressing the true nature of the human spirit in whatever way one wishes to express it. If it is honest, it is beautiful. If it is not honest, it is obvious. Corin Nemec
Here is another great outdoor metal sculpture by local artist Greg Congleton. This sculpture depicts a team of draft horses pulling a log. Thousands of draft horses were imported from Western Europe in the late 19th and early 20th century to help with logging, farming, and moving freight and passengers.
Here is the sign nearby that lists some of the parts used to make this sculpture. Can you find any of them?
Note that this sculpture was donated by Penny and Phil Knight. Phil is the co-founder and chairman emeritus of a company named Nike. Perhaps you have heard of it.
Here is a video of Belgian draft horses at work dragging logs. They are pretty impressive.
Ready to celebrate a new month by looking at some impressive art? If so, you might want to go to Bend, Oregon for the First Friday event. Every month select businesses keep their doors open late in support of the arts. Businesses in the downtown and Old Mill areas host artists while galleries feature the latest exhibits. This month Willow Lane Artist’s Creative Space joined First Friday for the first time.
Sip, snack, & see stuff
As you walk around the area, you can stop in to view the art and get free drinks and snacks at the participating businesses. Some also have live music. It’s a popular event so get there early. We went a couple nights ago and the cool temperatures helped make the crowds a little smaller.
You never know what you will find at this event. One summer night we saw a young boy standing on a street corner putting out some amazing music on his fiddle. Just around the corner from him, a craftsman displayed his handmade leather works. Just across the street from them, a couple guys strummed on their guitars as they sang. Many passerbys stopped to admire the work of these artisans.
While on vacation, I picked up a rock and it told me what it was meant to be. A Tyrannosaurus rex of course!
I took it home and got ready to paint. All of the ridges and depressions seemed to be in exactly the right spots. Even the greenish color was right. I darkened a few spots and enhanced others. I added scales with a tiny brush. The crooked grin fit right into the contours of the rock. The nostril and eye placed themselves along a ridge and depression.
Look past external appearances and you may find magic hidden within.
Fossilized teeth that form a shape like a buzzsaw were found in the 1800’s but the type of creature they belonged to was not determined until 2013. A research team consisting of people with backgrounds in art, science, and digital technology solved the mystery. The whorl of teeth belonged to Helicoprion, the buzzsaw shark or whorl toothed shark. This exhibit brings the findings of that research to life through the artwork of Ray Troll and the sculptures of Gary Straub.
A massive sculpture of the huge head of a buzzsaw shark bursts through the wall outside of the exhibit at the High Desert Museum and there are additional sculptures and detailed images inside the gallery. A large sculpture of a buzzsaw shark hangs over your head as you enter the gallery. The walls are covered with murals of waves and members of the shark family. Large colorful paintings show the shark family tree and how buzzsaw sharks swimming in the deep may have looked. Glass cases enclose fossils of the odd-shaped whorl of teeth. Projections of that whorl spin across the floor. Framed drawings of buzzsaw sharks hang on the walls. An interactive model of a buzzsaw shark skull shows the action of those formidable-looking teeth. You can sit on a comfy couch (emblazoned with a whorl pattern) and watch a video about the now-extinct shark.
When I was at the exhibit, I heard a five-year old boy entering the gallery with his family remark, “Wow! Mommy look at that!” Yes, this is a dramatic exhibit that contains a lot of visual interest and fascinating information. The whorl pattern is repeated throughout the exhibit. The artist also had a little fun with the exhibit by hiding several representations of cheeseburgers in the displays. Can you find any of them in the gallery?
Scientific research and art intertwine
At first scientists could not figure out what the creature was that possessed the whorl of teeth or where exactly on the animal they were located. The 2013 research team, Team Helico, used CT scans and 3D digital modeling to figure out that it fit into the lower jaw of an ancient shark. Alaskan artist Ray Troll, has been obsessed with the buzzsaw shark for over 20 years and lent his expertise to the team at Idaho Museum of Natural History. Ray is a well-known natural history artist who has lectured at places such as Harvard and Yale. His work has appeared at the Smithsonian and is featured in the current High Desert Museum exhibit.
As part of their research, Team Helico tried to determine exactly how the buzzsaw shark’s jaw worked. It didn’t slice through the head of the shark because it was blocked by small “stops” on the jaw. The team thought it likely that it ate soft-bodied prey because there wasn’t much tooth wear. It probably grabbed and sliced its prey between its tooth whorl and upper jaw and then swallowed it down its gullet.
As more and more of the distinctive whorl-shaped fossils were found in the early 20th century, scientists delineated many as separate species. Leif Tepanila and Jesse Pruitt, of the Idaho Museum of Natural History, did further analysis on the fossils and figured out there were only three distinct buzzsaw sharks species.
The teeth themselves are unique among sharks. Unlike other sharks, they formed a whorl as they grew and were never shed. A mature shark could have 150 or more teeth. New teeth form in a “tooth pit” in the back of the mouth and push the whorl forward when they erupt. They switch from being baby teeth to adult teeth at around tooth number 85. No one knows why their jaw has this unusual form.
A team effort
We are always thankful for the work of our staff on setting up exhibits but this particular exhibit was a little different. The artist wanted lots of participation from staff and volunteers on the background work. Images were projected onto the walls and then painstakingly painted by numerous people at the Museum. If you were one of the people who worked on the display, be sure to go into the exhibit to see the final product. The people who participated in this project had a variety of skill levels and some were nervous about doing it “right.” Everyone should be proud of their work because it all came together into a wonderful looking exhibit!
I am reprinting this article I wrote for the October 2016 issue of High Desert Voices, a newsletter for volunteers and staff at the High Desert Museum. The exhibit will be at the Museum until April 23, 2017. NOTE: This exhibit is no longer at the Museum.
To see a fast-speed video of the installment of this exhibit, go here.
Stress and chaos can take parts of you away; creating art helps to bring it back.
Here is a painting of a scrub jay that I worked on this week to help cope with some of my stress. Jays are one of my favorite birds and the most common one in my neighborhood seemed to be the perfect subject. Click here to see another of my jay paintings and to read an entertaining post about jays.
Set along the scenic Deschutes River, the Art in the High Desertevent features 110 artists from throughout North America. Based on its sales of fine art, it is ranked number 12 for best fine arts festival in the nation. This is the ninth year of the event. The show features a wide variety of two- and three-dimensional artwork.
My favorite works there this year were created by local artist, Jason Waldron. He makes three-dimensional works created with wood and metal scraps salvaged in Central Oregon. They are large, dramatic, and expressive. Check them out at Waldron 3D.
Harnessing hot air into giant works of art makes for some interesting sights. We went to Balloons Over Bend last weekend for a couple of their events. There were plenty of opportunities for photographs. In these first photos, I decided to focus in on some of the colorful shapes and interesting lines.
We went to the morning launch at sunrise. Temperatures are low in the morning and it is not usually as windy so that’s when many of the flights occur. Flights also occur just prior to sunset.
There is also a nightime event called Nightime Glow. The pilots of the balloons light up the balloons with their propane-fueled burners. It creates some beautiful images.
The balloons did not lift off of the ground but they gave us a great light show. There were hundreds and hundreds of people at this event so if you go, get there early.
This was my favorite balloon. It belongs to Big Sky Balloon Company in central Oregon. The artwork was created by owner Darren Kling, as part of his Artaloft Project.
Hot air balloons fly at 100 to 2,000 feet above the ground with an average cruising altitude of 1,000 feet. They travel with the wind and generally don’t go much faster than 8-10 mph. Balloons carry 1-12 passengers. They are a great way to see the landscape around you from a different perspective.
Life can take a lot of twists and turns so it’s nice to get a bouquet once in a while. This giant size bouquet of hot air balloons was my cherry on the top of a great weekend. They were here for the annual Balloons Over Bend event.