This draft horse standing within three large circles of steel is by Devin Laurence Field. Horses played an integral role in Bend’s logging industry. Devin painstakingly constructs each steel piece in a process that includes cutting, forging, pressing, welding, grounding and polishing. This sculpture is in a roundabout in the northeast part of Bend.
Artist Danae Bennett-Miller drew her inspiration for this piece from her husband, who was a buckaroo. “Buckaroo” is an Anglicized version of the Spanish word vaquero, which means cowboy. Danae created this piece using a lost wax method of casting with bronze and glass. This piece is in a roundabout on the west side of Bend.
This sculpture of two draft horses pulling logs pays homage to the importance of the logging industry in Bend’s past. It’s by Greg Congleton and it’s in Farewell Bend Park. It’s constructed of many surprising metal pieces including gears & sprockets, spoons, a garden hoe, and a 1923 Oregon license plate.
This sculpture is also by Greg Congleton. It’s located right outside the Tumalo Art Co. gallery. Greg grew up on a cattle farm in Paulina, Oregon and draws on that background for his creations. According to Greg, he’s been told that he’s “a strange mixture of artist, architect, engineer, and humorist.” Yes, I agree!
If you like outdoor art, be sure to check out the outdoor horse sculptures in Bend. They are fantastic! 😀
Last February I was happy to see the Central Oregon Light Art exhibition lighting up winter nights in Bend. Oregon WinterFest has food, beer, and music like other events, but it’s also a showcase for artists. I have photographed the Fire Pit Competition (one of my favorite events!) and the Ice Sculpture Competition in the past. Central Oregon Light Art was added in 2019. I was surprised and impressed with what I saw this year.
This one looked nice in the daylight but look at how it changes at night.
This one reminded me of blue barber’s pole.
A multi-colored suspended piece with a ghostly sculpture in the background.
A simple and bold piece.
An outline of a person. I think I liked this one the best. The guy walking behind it warned me he was going to photo bomb me and I told him he’d be on my blog. 😀
This piece is like a graceful lighted wind chime.
A tree lighted up in cool colors. The flag bridge is in the background.
The temperature that night was cold, but I was glad to have the opportunity to see these works of art lighting up winter nights.
When I walk my dog in the Old Mill district, I always smile when I see the art at the amphitheater. The Les Schwab Amphitheater is the main venue for large events in Bend, Oregon. Minneapolis artist, Erin Sayer, painted the crow on one side of the stage and the owl on the other.
Fellow Minneapolis artist, Yuya Negishi, assisted her. Yuya painted a dragon mural on the side of a building across the river and another mural on a staircase.
Even the utility boxes are painted.
There’s a big, open field in front of the stage.
The Deschutes River runs behind the stage. Here’s a view from across the river. Those silos on the right side belong to Deschutes Brewery.
Events are temporarily postponed or cancelled because of coronavirus. Huge crowds, such as these seen at Bend Brewfest, often fill the fields at events.
The flower border along one side of the field is spectacular at certain times of the year.
Accommodations for entertainers at this venue are unique. They are old boxcars resting on a section of train track. You can see the old train station, built in 1911, across the street.
Here’s a closer view of the train station on a winter day. Now it’s the Art Station, managed by Bend Park and Recreation District. It offers art classes for adults and children.
Art at the Amphitheater shows up in many forms including murals, concerts, colorful flower borders, art classes, and locally brewed beers. 😀
It’s already First Friday again! Today I’m sharing a prairie falcon pen-and-ink drawing I created. This drawing shows their dark “armpit” marking. That’s one of the ways to distinguish them from peregrine falcons.
Here are a couple glimpses of a prairie falcon flying high above the 9,734 foot peak of Steens Mountain in Oregon.
Isn’t this dragon door spectacular? It’s a beautiful work of art with an interesting story behind it.
Do you recognize the tree-lined road in the photos below? This road, in County Antrim, Northern Ireland, is featured in the Game of Thrones television series.
Do you see the big stump on the left? Four of the 245-year old beech trees fell in windstorms over the last few years. The reclaimed wood was used to create several doors. The dragon door is one of ten doors installed in pubs and hotels in Northern Ireland. Each door represents a scene from season six of Game of Thrones. You can download a Journey of the Doors passport and collect stamps as you visit the location of each door.
The dragon door above is at Fullerton Arms Guesthouse in Ballintoy, County Antrim. It features an image of Drogon, one of Daenerys’ dragons. Dothraki stallions are also featured on this door. There is also a facsimile of the Iron Throne at this location, in case you have an urge to sit on a throne made of swords.
The Dark Hedges
In the Game of Thrones series, this location is “The Dark Hedges” of King’s Road in Westeros. Digital magic replaced the paved road with a dirt road. This site appears in a couple episodes of seasons two and seven. The trees are also featured in Transformers: The Last Knight.
This is a popular tourist destination and that popularity may have contributed to the trees falling over during the storms. Beech trees have relatively shallow root systems and the heavy vehicle traffic was affecting their growth.
In October of 2017, most traffic was forbidden from traveling on the road. The Woodland Trust, a woodland conservation charity, was instrumental in this decision.
This road is often packed with visitors so it can be difficult to compose a picture. I didn’t have that problem in February. Maybe that was because it was snowing… 😉
Here is a crow feather on scratchboard I created long ago in a scientific illustration course.
On the first Friday of every month, the city of Bend usually hosts an art walk through the galleries in town. The galleries serve snacks and drinks and highlight local artists. Since the First Friday event is not happening this month, I thought I would share a piece of my own art.
Do you have artwork you would like to share? You can include a First Friday Art tag on your post.
In 1847, the worst year of Ireland’s Great Famine, people of the Choctaw Nation of the southeastern United States sent a gift of $170 to Ireland. The money, worth thousands in today’s dollars, was collected to help the starving people of Ireland. Over a million Irish people died from starvation and disease in the period from 1845 to 1849.
But why would the Choctaw have sent such a gift when many of their people were struggling to survive? In 1831, the Choctaw were the first tribe to be forcibly removed from their native lands because of the Indian Removal Act of 1830. People of the Seminole, Cherokee, Chickasaw, and Muscogee (Creek) nations, and many non-natives and people of African descent who lived with the tribes, were also forced to move. Between 1830 to 1850, they forced tens of thousands of people from nine states to move to what is now Oklahoma. The perilous journey would become known as theTrail of Tears. Thousands died from exposure, disease, starvation, and harassment by local frontiersmen.
In 1847, the Choctaw were still recovering from the injustice they had experienced. They shared what little they had to help the starving Irish people.
The nine curved eagle feathers of this sculpture, arranged in a circular shape, symbolize an empty bowl. Each feather is different and they represent the Choctaw Nation’s strength, kindness, and humanity.
A bond between nations
The simplicity of this sculpture and the simple act of kindness it symbolizes, touched my heart. At the unveiling ceremony, a Cork County official said:
They bestowed a blessing not only on the starving Irish men, women and children, but also on humanity. The gift from the Choctaw people was a demonstration of love and this monument acknowledges that and hopefully will encourage the Irish people to act as the Choctaw did.
Joe McCarthy, East Cork municipal officer
Members of the Choctaw Nation attended the opening ceremony. They felt humbled by the recognition they received 170 years later. At the ceremony, the Choctaw Nation’s chief said:
Your story is our story. We didn’t have any income. This was money pulled from our pockets. We had gone through the biggest tragedy that we could endure, and saw what was happening in Ireland and just felt compelled to help…
The bond between our nations has strengthened over the years. We are blessed to have the opportunity to share our cultures, and meet the generous people who have continued to honour a gift from the heart.
Chief Gary Batton, Choctaw Nation
Update: The kindness continues…
A couple of days ago I read an article in The Irish Times about people in Ireland participating in a fundraiser to help Native Americans suffering from the coronavirus. Native people have been especially hard hit by this virus. A GoFundMe page was set up for the Navajo & Hopi Families Covid-19 Relief Fund on 15 March 2020. Their goal was to raise $1.5 million but as of today, 7 May 2020, they have raised $3,019,390.00.
Donations have come from all over the world, but many of the donors have Irish surnames. They remember the kindness the people of the Choctaw Nation showed them in the past.
I was looking for things to do around the house and decided to paint this dinosaur rock. This 8″ x 12″ Tyrannosaurus rex is the bigger version of this rock that I painted several years ago. Maybe this one will find a place in my garden.
In these chaotic times, I was looking for something to bring a sense of calm. Who knew I could find my calm by painting a dinosaur rock.
Art, in itself, is an attempt to bring order out of chaos.
This morning I found this article – Soothe Your Soul With An Arts Break. It features a wide variety of artwork from diverse artists. The site features six short videos. I hope some of the art in these videos will soothe your soul… at least for a little while.
This pub art at Silver Moon Brewing captures many of the iconic landmarks of Bend, Oregon. Artist Natalie Fletcher included Smith Rock in the background flanked by the Painted Hills on the left and Mt Bachelor on the right. The Deschutes River winds through the scene.
Can you see the source of the river? An overflowing glass of beer of course. Little Lava Lake is the “real” source and it’s a great place for kayaking.
This mural shows the Les Schwab Amphitheater on the left. It’s packed with people attending one of our many outdoor events.
Phil’s Trail is in the left forefront. It’s a favorite of mountain bikers.
In the right forefront you can see the Tower Theater. This small venue has been lovingly restored. On the marquee the featured film is “The Beer Fairies.” There is a tiny fairy hidden on the right side of the mural.
This pub art at Silver Moon captures many of the things that make this place great. The beer there is good too.
Silver Moon’s sense of humor is reflected in parts of this mural and also on their website. Here’s a quote from the site:
These beaded bags are some of my favorite works of art. The bags are part of a display at The Museum at Warm Springs. In this region, work with beads began in earnest in the early 1800s. The beads, created in the glass shops of Venice, Italy, were transported across oceans, mountains, and plains. Settlers, trappers, and explorers used them in trade.
When you look at these photos, you will notice something becoming more clear in the background. Right across from this display, there is a modern-day image showing members of the three tribes that live on the Warm Springs Reservation. You can see their reflections in my photos of the bags. It was almost as if they were looking over my shoulder making sure I noticed their presence.
This museum features parts of their history you probably didn’t learn about in school. It also shows their resilience and celebrates their heritage. These beaded bags are a part of their culture that preserve moments worth remembering.
For more images of beaded pieces from my past posts, see beadwork.
I often walk through this “Tunnel of Joy” by the Deschutes River in Bend, Oregon. I call it that because the bright artwork is so joyful. I’ve previously featured one side of the bridge and the other but never the inside of the tunnel.
The abstract painting lining the tunnel is by artist, Tom Cramer. He works in a variety of media and is one of the most successful artists currently working in Portland, Oregon. His best-known mural was “Machine”, painted in 1989.
At first this mural appears to just be random shapes, but if you look closer you may notice shapes you recognize. I see faces, hearts, snakes, and wings. You can use your imagination to find objects in an abstract work of art.
I’m thankful the city of Bend supported the creation of this Tunnel of Joy to make all of our days a little brighter.
The essence of all beautiful art, all great art, is gratitude.
I drew this stylized picture of a belted kingfisher in flight several years ago. These interesting songbirds nest in horizontal burrows near shorelines. The tunnels range in length from 1 – 8 feet. Tunnels as long as 15 feet have been found.
This drawing is of a male bird. Belted kingfishers are one of the few songbirds where the female is more colorful. They have an additional orange-colored breast band.
While out walking my dog on the Deschutes River Trail this morning, I caught a glimpse of a male belted kingfisher perched on a tree limb. A lucky sighting! He was kind of far away but I had time to snap a quick shot before he flew.
We recently saw this magnificent mural in the downtown area of The Dalles, Oregon. Isn’t it fantastic! This is The Valley Gorge Hub by Blaine Fontana. Blaine and Jeremy Nichols used hundreds of cans of spray paint to create this mural in 2018. Toma Villa consulted on this project. He is a colleague of Fontana’s and an enrolled member of the Yakama Nation.
This building has murals painted on the north, south, and east sides. You can see a small sign for Kung Fu classes on the left side of the building.
This Valley Gorge project is one of many planned to bring together the communities near the Columbia River Gorge. They plan to “build a more inclusive mecca for creativity, culture, outdoor recreation, and opportunities for new and existing businesses.”
Blaine created another magnificent mural in The Dalles as a part of the Oregon Mural Trail. This project is funding seven large murals in seven small Oregon towns located throughout the state.
You can find the Tin Pan Theater tucked away in an alley in downtown Bend, Oregon. If you didn’t know it was there, you could walk right past it.
This tiny theater only has 28 seats. You might not see the next Avengers movie there, but you will see some great movies. Indie films like The Nightingale, Linda Ronstadt: The Sound of my Voice, and Maiden. They also feature foreign films.
Get there early because seats fill up fast. You can enjoy some popcorn and drinks while you’re waiting–including some local brews.
This theater received good news recently. BendFilm purchased the property in May 2019. The BendFilm Festival takes place in October and films can be viewed at this theater and several other locations. This festival was recently recognized by MovieMaker Magazine as being one of the 25 coolest film festivals in the world.
As BendFilm Executive Director Todd Looby noted, “Anyone who has entered the Tin Pan Theater immediately falls in love with the space.”
Be sure to look at the artwork in the alley just across from the theater. Tin Pan Alley Art features a variety of techniques and media. Bend has some amazing art and culture tucked away in its nooks and crannies.
Catlow Cave artifacts, including sagebrush bark sandals, grass & bark baskets, and arrowheads & spearpoints, are displayed at the Harney County Historical Society Museum in Burns, Oregon. There are a couple pointed sticks that may be “knitting needles”, used to knit the sagebrush bark together.
These cave artifacts are between 9,000 to 10,000 years old. The Northern Paiute people lived in this region. There are several caves in the Catlow Valley cliffs. Petroglyphs adorn some of the rock faces.
This is a kinetic sound sculpture that’s part of an exhibit at the High Desert Museum in Bend, Oregon. The exhibit is called Desert Reflections: Water Shapes the West and it runs through September 29, 2019. This exhibit used the combined talents of scientists, historians, and artists.
When you play the video on this post, listen carefully to the music in the background. The sounds of High Desert water and wind were recorded. They were combined with the “color” of music played on a Skinner church organ.
As the artists at Harmonic Laboratory state, “This evokes the richness of the region, a place shaped by many forces interacting in a complex way.”
As you stand underneath the sculpture, the calming tones, continuous motion, and gentle breeze helps you feel some of the energy that’s such an important part of High Desert environments.
Last June we happened to be in Tillamook, Oregon the day the new Tillamook Creamery visitor center opened.
They have 1.3 million visitors a year and the new 38,500 square foot facility is a welcome addition. The original visitor center opened in 1949. We visited that much smaller center years ago.
Yes, you can still watch them making delicious cheese and get samples, but there’s a lot more there now.
The new displays are interactive and informative.
I loved the layout of some of these displays. Crisp, bold, and bright. They are works of art.
Tillamook County Creamery Association creates the products you find in stores today. This co-op was formed in 1909 and there are almost 100 families in it now.
They have a big store with everything from clothing to specialty dairy products.
If that’s not enough, they also have a dining area with several options. You can get ice cream, yogurt with toppings, and a range of other choices. These include everything from tempura battered cheese curds (huh?) to mac and cheese, pizza, sandwiches, and a few breakfast items. I was pleasantly surprised to see the food at the center featured in a funny article in Food and Wine.
If you have the time, this is a stop worth making.
The Tin Pan Alley Art “gallery” is located in a short alleyway in downtown Bend, Oregon. The alley features large pieces of art created with a variety of media. Some are 2-dimensional while others are more sculptural. Do you have a favorite among these wonderful pieces of art?
This collection is part of a public art initiative that supports local arts and culture. It takes our outdoor lifestyle into consideration. Another example of outdoor art is featured in many of Bend’s roundabouts.
This is The Visitor by artist Carol Sternkopf. This is a mixed media piece that combines photography, vinyl, paint, twigs, wood, metal, and salvaged home decor. Nature and animals were important in Carol’s childhood. She incorporates them into her art. She hopes viewers think about the “larger story within the magnificent blue owl’s eyes” in this piece.
Here’s a picture of the whole collection. We like to go to the Lone Pine Coffee Shop in this alley. It’s small, but it’s our favorite. The owner takes the craft of creating the best cup of coffee very seriously.
Metal and wood
This is Love Lost, Love Found by artist Bill Hoppe. This colorful metal work represents the artist’s interpretation of an 11th Century Indian manuscript. The many pieces of this sculpture were created by hundreds of community members. This was part of a community engagement goal set forth by the Central Oregon Metal Arts Guild.
This is Tomas’ Riddleby artist Judy Campbell. This piece is created from steel, wood, and lights. Judy was inspired by infinitely repeating patterns, or fractals. In this piece she sought to bring the “abstract concepts such as love, mystery, and infinity into the earthly plane.”
This isRide with Me by artist Jeff Remiker. The mountain culture, especially biking, is a big part of Bend. Jeff was inspired by a childhood love of bike riding. He incorporated wood and metal work into this rustic piece. Viewers can interact with this piece by putting things into the bike basket.
This is an untitled piece by artist Andrew Wachs. This piece was inspired by basalt rock formations that can be found throughout Central Oregon. The artwork represents a close-up perspective of a vertical overhang. Andrew works with metal and wood design in his studio, Weld Design Studio.
Photographs and paintings
This is Southwark by photographer/artist/adventure seeker Amy Castaño. This photograph of a bikeway in London captures some of the many textures and sights of the city. Amy looks for unique viewpoints, different angles, interesting parts of the ordinary, and the perfect radiant light.
This is A Parade of Strange Ideas by artist Phillip Newsom. This vivid painting represents a spontaneous procession of ideas “emerging from the unconscious and growing as multi-dimensional shapes in some back-alley of the mind.” Phillip’s work includes book & magazine illustrations, animal portraits, murals, landscapes, and graphic designs.
The Photographs of Edward S. Curtis in the By Her Hand Exhibit
This exhibition features portraits of Native women by photographer Edward S. Curtis from the collection of Christopher G. Cardozo. Curtis took the featured photographs over a 30-year period as part of a project to document Native American’s lifestyle and culture in a time of change. Curtis traveled across North America from 1900 to 1930 photographing over 80 tribes.
By Her Hand Exhibit of Edward S. Curtis Photos, High Desert Museum, Bend, Oregon
Edward S. Curtis worked out of a studio in Seattle, Washington and received financial support from J. P. Morgan. Curtis collected information about the lives of each tribe through photographs, writings, and audio recordings. With the help of Native translators, he assembled a 20-volume set titled The North American Indian. Curtis intended to publish 500 copies but due to a series of financial and personal setbacks, only about 272 were printed. Ninety percent of the original sets are owned by institutions, including the High Desert Museum.
Hupa Female Shaman – by Edward S. Curtis
The portraits in this exhibit have a beautiful yet haunting quality to them. The labor-intensive photogravure process Curtis used allowed him to create subtle variations in tone and focus. Curtis insisted on using only the highest quality materials and he experimented with a variety of techniques. In 2015 there was a city-wide celebration of Curtis’ work in Bend. Dawn Boone, of the A6 studio, gave a lecture on the photographs. She made an observation that one of the women portrayed seemed to be “softening back into the earth right before our eyes.”
On the Beach – Chinook by Edward S. Curtis
Native American author Louise Erdrich has an interesting perspective on the women represented in Edward S. Curtis’ photographs. She said, “Women’s work is celebrated in Curtis’ photographs–women grind corn, bake bread, make clay vessels, doctor each other, pick berries, haul wood and water, gather reeds, dig clams. These images of women working are among my favorites, for they are more practical then elegiac, yet entirely harmonious, and they are often the most sensual of Curtis’ works.”
While Curtis’ ambitious project documented the tribes, it was not without controversy. He often staged portraits. Sometimes he mixed up artifacts and traditions between tribes. He referred to Native Americans as a “vanishing race.” Native peoples were losing their rights and their lands but many did successfully adapt to Western society.
There was a revival of interest in Curtis’ work beginning in the 1970s. He was an exceptional photographer, and he documented many facets of Native American life that no longer exist. Museums across the country feature major exhibitions of his work. Original printings of The North American Indian bring extraordinary prices at auction.
Historical and Contemporary Art from the Museum’s Collection
This new exhibit also includes basketry, beadwork, and leatherwork created by Native Americans of the Columbia Plateau. Intricate beadwork adorns bags, a cradleboard, and clothing. There are examples of different styles of basketry in this exhibit. Featured contemporary Native artists include Pat Courtney Gold, Roberta Kirk, and Kelli Palmer. Kelli Palmer often designs baskets based on photographs from the past—including those of Edward S. Curtis.
By Her Hand Exhibit of Edward S. Curtis Photos, baskets, and beadwork, High Desert Museum, Bend, Oregon
Native American cultures passed techniques for creating basketry and beadwork down through generations. Many items were utilitarian, but the makers included symbols and patterns in artistic ways. Contemporary artists may include materials such as commercial string and yarn in traditional and newly created patterns.
By Her Hand Exhibit of Edward S. Curtis Photos, baskets, and beadwork, High Desert Museum, Bend, Oregon
In the early 20th century, Native people were forced to live on reservations. Many lost their language, ways of life, and skills such as basket making. Children were sent to boarding schools and weren’t allowed to learn things associated with their cultural identity. Columbia Plateau people have been working to bring back the knowledge of cultural traditions. As new generations learn the traditions and art forms of their ancestors, they will ensure the culture portrayed in Curtis’ photographs survives. Pat Courtney Gold notes that basket making is not only artistic; it is an expression of and central to the revitalization of her culture.
By Her Hand Exhibit of Edward S. Curtis Photos, baskets, and beadwork, High Desert Museum, Bend, Oregon
This exhibit will be on display at the High Desert Museum through January 20, 2019. For more about Edward S. Curtis, see a series of articles I wrote here.
This is a reprint of a November 2018 article in High Desert Voices, a newsletter by and for volunteers and staff at the High Desert Museum in Bend, Oregon. To see more issues of the newsletter, go here.