This pub art at Silver Moon Brewing captures many of the iconic landmarks of Bend, Oregon. Artist Natalie Fletcher included Smith Rock in the background flanked by the Painted Hills on the left and Mt Bachelor on the right. The Deschutes River winds through the scene.
Can you see the source of the river? An overflowing glass of beer of course. Little Lava Lake is the “real” source and it’s a great place for kayaking.
This mural shows the Les Schwab Amphitheater on the left. It’s packed with people attending one of our many outdoor events.
Phil’s Trail is in the left forefront. It’s a favorite of mountain bikers.
In the right forefront you can see the Tower Theater. This small venue has been lovingly restored. On the marquee the featured film is “The Beer Fairies.” There is a tiny fairy hidden on the right side of the mural.
This pub art at Silver Moon captures many of the things that make this place great. The beer there is good too.
Silver Moon’s sense of humor is reflected in parts of this mural and also on their website. Here’s a quote from the site:
These beaded bags are some of my favorite works of art. The bags are part of a display at The Museum at Warm Springs. In this region, work with beads began in earnest in the early 1800s. The beads, created in the glass shops of Venice, Italy, were transported across oceans, mountains, and plains. Settlers, trappers, and explorers used them in trade.
When you look at these photos, you will notice something becoming more clear in the background. Right across from this display, there is a modern-day image showing members of the three tribes that live on the Warm Springs Reservation. You can see their reflections in my photos of the bags. It was almost as if they were looking over my shoulder making sure I noticed their presence.
This museum features parts of their history you probably didn’t learn about in school. It also shows their resilience and celebrates their heritage. These beaded bags are a part of their culture that preserve moments worth remembering.
For more images of beaded pieces from my past posts, see beadwork.
I often walk through this “Tunnel of Joy” by the Deschutes River in Bend, Oregon. I call it that because the bright artwork is so joyful. I’ve previously featured one side of the bridge and the other but never the inside of the tunnel.
The abstract painting lining the tunnel is by artist, Tom Cramer. He works in a variety of media and is one of the most successful artists currently working in Portland, Oregon. His best-known mural was “Machine”, painted in 1989.
At first this mural appears to just be random shapes, but if you look closer you may notice shapes you recognize. I see faces, hearts, snakes, and wings. You can use your imagination to find objects in an abstract work of art.
I’m thankful the city of Bend supported the creation of this Tunnel of Joy to make all of our days a little brighter.
The essence of all beautiful art, all great art, is gratitude.
I drew this stylized picture of a belted kingfisher in flight several years ago. These interesting songbirds nest in horizontal burrows near shorelines. The tunnels range in length from 1 – 8 feet. Tunnels as long as 15 feet have been found.
This drawing is of a male bird. Belted kingfishers are one of the few songbirds where the female is more colorful. They have an additional orange-colored breast band.
While out walking my dog on the Deschutes River Trail this morning, I caught a glimpse of a male belted kingfisher perched on a tree limb. A lucky sighting! He was kind of far away but I had time to snap a quick shot before he flew.
We recently saw this magnificent mural in the downtown area of The Dalles, Oregon. Isn’t it fantastic! This is The Valley Gorge Hub by Blaine Fontana. Blaine and Jeremy Nichols used hundreds of cans of spray paint to create this mural in 2018. Toma Villa consulted on this project. He is a colleague of Fontana’s and an enrolled member of the Yakama Nation.
This building has murals painted on the north, south, and east sides. You can see a small sign for Kung Fu classes on the left side of the building.
This Valley Gorge project is one of many planned to bring together the communities near the Columbia River Gorge. They plan to “build a more inclusive mecca for creativity, culture, outdoor recreation, and opportunities for new and existing businesses.”
Blaine created another magnificent mural in The Dalles as a part of the Oregon Mural Trail. This project is funding seven large murals in seven small Oregon towns located throughout the state.
Sometimes you get lucky when you’re taking candids of critters. This little burrowing owl gave me a knowing wink right when I took its picture.
We visited the Caswell Sculpture Garden in Troutdale, Oregon a couple days ago. This sculpture of two great blue herons is right by the entrance.
I noticed a movement near the willows right behind this sculpture. I spied a real great blue heron!
This ground squirrel didn’t want me to know where it was hiding its cache. It had so much in its cheek pouches it could barely walk.
These spotted pigs look content in this shot, but one of the piglets had just escaped its enclosure. I scooped it up and returned it to its family.
There are lots of opportunities to take candids of critters right on our property. This morning I was out walking my dogs and I noticed this orange tabby cat. He blended in so well with the plants around him that my dogs didn’t even notice him.
I took this candid shot of my dog, Shelby, relaxing on the window seat. See her ball right next to her head? She is dreaming of when she can play fetch again. 😀
This is a kinetic sound sculpture that’s part of an exhibit at the High Desert Museum in Bend, Oregon. The exhibit is called Desert Reflections: Water Shapes the West and it runs through September 29, 2019. This exhibit used the combined talents of scientists, historians, and artists.
When you play the video on this post, listen carefully to the music in the background. The sounds of High Desert water and wind were recorded. They were combined with the “color” of music played on a Skinner church organ.
As the artists at Harmonic Laboratory state, “This evokes the richness of the region, a place shaped by many forces interacting in a complex way.”
As you stand underneath the sculpture, the calming tones, continuous motion, and gentle breeze helps you feel some of the energy that’s such an important part of High Desert environments.
This drum painting is part of the new Desert Reflections: Water Shapes the West exhibit at the High Desert Museum. The artist, Ka’ila Farrell-Smith, blends traditional indigenous art forms and contemporary installation art. The traditional concept of a drum is extended into a large rectangular form. Two “hitchhiker” rocks anchor it to the ground.
The sounds and views of this instrument change as it reacts to sunlight. The shadows of the sinew on the back move across the front as the sun moves across the sky. The sinew expands and contracts as temperatures change.
The painting on the front references the Long Lake abstract petroglyphs. It is an example of Great Basin Curvilinear, Rectilinear, and Representational rock art styles.
I liked the back of this work just as much as the front. Loved the lines!
My friend asked me to go hear author Pamela Royes talk about her book Temperance Creek: A Memoirat a quilt shop. At a quilt shop? I thought. I didn’t know that QuiltWorks had a “Books to Quilts” program.
Pamela spoke about her book and showed slides of where she lives in the rugged country near Hells Canyon in northeastern Oregon. A chance encounter with Skip Royes led her into living the life of a wandering shepherder. She and Skip spent four years on a life-changing journey in the wilderness. Pamela transforms from a carefree hippie into a responsible woman who learns to appreciate the wildness of her new home. She also learns of the culture of the Nez Perce, who first occupied this land.
Her lyrical prose helps paint pictures in your mind of her adventures and the surrounding country. Quilters made the “words into art” and they displayed their work in this shop. Pamela became emotional as she described her appreciation for the quilts depicting her words. These creative works meant more to her than any trophy.
Sheep and a special dog
These quilts show different interpretations of sheep. Some are realistic while others are whimsical. Their dog, Puss, helped keep the sheep in line.
Here are quilts showing horses and mules, an important part of their family.
Flora and Fauna
These quilts show some of the plants and animals that live in northeastern Oregon. Pamela and Skip had many exciting encounters with wildlife in the back country.
Camping out and remembering
They spent months out in the wilderness living in a tent. They remembered the contributions of Native Americans who called this place home.
These quilts focus on some of the small details of their life. Sometimes Pamela had one foot in one world and the other in another.
Many of the quilts focus on the beauty of the land. Some of these are abstract, others are realistic. They vary in appearance and texture, just like the land they represent.
And as the sun sinks into the West
This quilt captures the color and majesty of the country around North Temperance Creek. I hope you liked these beautiful words into art quilts as much as I did.
I entered a short story I wrote in a local contest and I just found out it took first place in the Children’s Fiction category. Hooray for me! 😀
The short story from my first novel is called How the River of Falls Came to Be and it’s about a little newt who gets more than he asks for. He ends up turning into a tortoise in the desert and he misses the rain.
Here are the last couple of paragraphs:
“Many years later, Tortoise passed away and his shell tipped upside-down and filled with water from passing storms. In fact, the shell caught so much rain it overflowed. The heavy shell eventually sunk and settled deep in the earth. It became the source of a river with many waterfalls. Río de las Caídas.
Sometimes when you walk along the river, you can see the smiles of Rain and Sun in waterfall rainbows. They are showing their gratitude for the gift Tortoise gave to the world.”
I’ll be reading the story I entered in the Central Oregon Writers Guild Contest next month at the downtown library in Bend, Oregon.
Back to work editing my book, Dark Fountain Songs. Maybe I’ll draw some pictures of tortoise to go along with the “award-winning” tale.
I’m sharing the March issue of the High Desert Voices newsletter. It’s a newsletter for volunteers and staff at the High Desert Museum in Bend, Oregon. I help out with the newsletter and I’m particularly proud of this issue.
This issue of the High Desert Voices newsletter includes a History event – 19th Century Making & Mending; Art – a new exhibit by Native American artist, Rick Bartow; Nature – a fact sheet on white sturgeon; People – a profile of our Communication Director; and Recreation – a trail through the colorful Blue Basin. There’s a little more related to updates for the different areas of the Museum and kudos, for work well done.
The Tin Pan Alley Art “gallery” is located in a short alleyway in downtown Bend, Oregon. The alley features large pieces of art created with a variety of media. Some are 2-dimensional while others are more sculptural. Do you have a favorite among these wonderful pieces of art?
This collection is part of a public art initiative that supports local arts and culture. It takes our outdoor lifestyle into consideration. Another example of outdoor art is featured in many of Bend’s roundabouts.
This is The Visitor by artist Carol Sternkopf. This is a mixed media piece that combines photography, vinyl, paint, twigs, wood, metal, and salvaged home decor. Nature and animals were important in Carol’s childhood. She incorporates them into her art. She hopes viewers think about the “larger story within the magnificent blue owl’s eyes” in this piece.
Here’s a picture of the whole collection. We like to go to the Lone Pine Coffee Shop in this alley. It’s small, but it’s our favorite. The owner takes the craft of creating the best cup of coffee very seriously.
Metal and wood
This is Love Lost, Love Found by artist Bill Hoppe. This colorful metal work represents the artist’s interpretation of an 11th Century Indian manuscript. The many pieces of this sculpture were created by hundreds of community members. This was part of a community engagement goal set forth by the Central Oregon Metal Arts Guild.
This is Tomas’ Riddleby artist Judy Campbell. This piece is created from steel, wood, and lights. Judy was inspired by infinitely repeating patterns, or fractals. In this piece she sought to bring the “abstract concepts such as love, mystery, and infinity into the earthly plane.”
This isRide with Me by artist Jeff Remiker. The mountain culture, especially biking, is a big part of Bend. Jeff was inspired by a childhood love of bike riding. He incorporated wood and metal work into this rustic piece. Viewers can interact with this piece by putting things into the bike basket.
This is an untitled piece by artist Andrew Wachs. This piece was inspired by basalt rock formations that can be found throughout Central Oregon. The artwork represents a close-up perspective of a vertical overhang. Andrew works with metal and wood design in his studio, Weld Design Studio.
Photographs and paintings
This is Southwark by photographer/artist/adventure seeker Amy Castaño. This photograph of a bikeway in London captures some of the many textures and sights of the city. Amy looks for unique viewpoints, different angles, interesting parts of the ordinary, and the perfect radiant light.
This is A Parade of Strange Ideas by artist Phillip Newsom. This vivid painting represents a spontaneous procession of ideas “emerging from the unconscious and growing as multi-dimensional shapes in some back-alley of the mind.” Phillip’s work includes book & magazine illustrations, animal portraits, murals, landscapes, and graphic designs.
I visited Blue Pool on a cool September day. Mother Nature was busy there producing colorful works of art. The colors in the pool are unbelievably beautiful and intense. On this day, the warm colors of fall leaves were reflected on the water.
As I mentioned in Blue Pool is a Jewel, the reflections look like Impressionist paintings. I could have stayed there for a long time taking pictures. Can you see why?
The Photographs of Edward S. Curtis in the By Her Hand Exhibit
This exhibition features portraits of Native women by photographer Edward S. Curtis from the collection of Christopher G. Cardozo. Curtis took the featured photographs over a 30-year period as part of a project to document Native American’s lifestyle and culture in a time of change. Curtis traveled across North America from 1900 to 1930 photographing over 80 tribes.
By Her Hand Exhibit of Edward S. Curtis Photos, High Desert Museum, Bend, Oregon
Edward S. Curtis worked out of a studio in Seattle, Washington and received financial support from J. P. Morgan. Curtis collected information about the lives of each tribe through photographs, writings, and audio recordings. With the help of Native translators, he assembled a 20-volume set titled The North American Indian. Curtis intended to publish 500 copies but due to a series of financial and personal setbacks, only about 272 were printed. Ninety percent of the original sets are owned by institutions, including the High Desert Museum.
Hupa Female Shaman – by Edward S. Curtis
The portraits in this exhibit have a beautiful yet haunting quality to them. The labor-intensive photogravure process Curtis used allowed him to create subtle variations in tone and focus. Curtis insisted on using only the highest quality materials and he experimented with a variety of techniques. In 2015 there was a city-wide celebration of Curtis’ work in Bend. Dawn Boone, of the A6 studio, gave a lecture on the photographs. She made an observation that one of the women portrayed seemed to be “softening back into the earth right before our eyes.”
On the Beach – Chinook by Edward S. Curtis
Native American author Louise Erdrich has an interesting perspective on the women represented in Edward S. Curtis’ photographs. She said, “Women’s work is celebrated in Curtis’ photographs–women grind corn, bake bread, make clay vessels, doctor each other, pick berries, haul wood and water, gather reeds, dig clams. These images of women working are among my favorites, for they are more practical then elegiac, yet entirely harmonious, and they are often the most sensual of Curtis’ works.”
While Curtis’ ambitious project documented the tribes, it was not without controversy. He often staged portraits. Sometimes he mixed up artifacts and traditions between tribes. He referred to Native Americans as a “vanishing race.” Native peoples were losing their rights and their lands but many did successfully adapt to Western society.
There was a revival of interest in Curtis’ work beginning in the 1970s. He was an exceptional photographer, and he documented many facets of Native American life that no longer exist. Museums across the country feature major exhibitions of his work. Original printings of The North American Indian bring extraordinary prices at auction.
Historical and Contemporary Art from the Museum’s Collection
This new exhibit also includes basketry, beadwork, and leatherwork created by Native Americans of the Columbia Plateau. Intricate beadwork adorns bags, a cradleboard, and clothing. There are examples of different styles of basketry in this exhibit. Featured contemporary Native artists include Pat Courtney Gold, Roberta Kirk, and Kelli Palmer. Kelli Palmer often designs baskets based on photographs from the past—including those of Edward S. Curtis.
By Her Hand Exhibit of Edward S. Curtis Photos, baskets, and beadwork, High Desert Museum, Bend, Oregon
Native American cultures passed techniques for creating basketry and beadwork down through generations. Many items were utilitarian, but the makers included symbols and patterns in artistic ways. Contemporary artists may include materials such as commercial string and yarn in traditional and newly created patterns.
By Her Hand Exhibit of Edward S. Curtis Photos, baskets, and beadwork, High Desert Museum, Bend, Oregon
In the early 20th century, Native people were forced to live on reservations. Many lost their language, ways of life, and skills such as basket making. Children were sent to boarding schools and weren’t allowed to learn things associated with their cultural identity. Columbia Plateau people have been working to bring back the knowledge of cultural traditions. As new generations learn the traditions and art forms of their ancestors, they will ensure the culture portrayed in Curtis’ photographs survives. Pat Courtney Gold notes that basket making is not only artistic; it is an expression of and central to the revitalization of her culture.
By Her Hand Exhibit of Edward S. Curtis Photos, baskets, and beadwork, High Desert Museum, Bend, Oregon
This exhibit will be on display at the High Desert Museum through January 20, 2019. For more about Edward S. Curtis, see a series of articles I wrote here.
This is a reprint of a November 2018 article in High Desert Voices, a newsletter by and for volunteers and staff at the High Desert Museum in Bend, Oregon. To see more issues of the newsletter, go here.
This summer a new big bold mural was added to the collection of outdoor art in the Old Mill District of Bend, Oregon. Yuya Negishi created this artwork. He was inspired by the mountains, colorful skies, and brilliant flowers of Central Oregon.
Did you notice that the dragon in this mural is breathing flowers instead of fire?
“Yuya Negishi is a Japanese visual artist based in Minneapolis, Minnesota. His work combines his extensive background in the classical Japanese techniques of calligraphy and SUMI with Japanese pop culture images such as koi, dragons and Buddha’s. Yuya approaches his work in the spirit of play often exploring new ideas and mediums. He also teaches hands on workshops sharing his approaches to SUMI and Calligraphy.
Yuya was born in a small farming community in the mountains beyond Tokyo. Yuya draws artistic inspiration from the memories and sensations of growing up in the Japanese countryside, where he would roam “like a hidden Ninja” exploring the woods, temples and mountain tops of the breathtaking Gunma region.”
The ground trembled beneath a stunted sagebrush shrub. The Toad Queen emerged from her burrow to a changed world. Clouds of smoke hung over the land from a wildfire. The spadefoot toad gazed at this new world through golden slitted eyes. Sand tumbled down her spotted back.
A purple larkspur plant stood near her burrow. Its head of flowers tilted toward the earth, wilted from the blistering heat.
The Toad Queen heard a meadowlark singing nearby. The song stopped abruptly, interrupted by a fit of coughing.
“What happened while I slept in my burrow?” She glanced around at the desert landscape.
She and the other spadefoot toads had pulled moisture from the soil as they slept underground and it helped them survive. Other creatures had not been so lucky. The carcass of a sage sparrow fledgling lay near her burrow. A few feathers clung to the tiny dried out body.
“Wind and fire are taking the water from the land,” her mate said. He had emerged from his own burrow. The toad shook the sand off the black spades on his hind feet.
“The sun is drying everything,” she said. “We must call for help.”
A call for help
Her mate called the spadefoot toads. His loud croaking call carried far over the sagebrush steppe. Other toads joined in and soon the air was filled with a chorus of croaks.
Over their heads, dark clouds collected in the smoky skies. Thunderheads formed. The patter of rainfall on the earth woke other spadefoot toads. They emerged from their burrows and joined in the chorus. The air was alive with the energy created by their song.
Rain fell, dousing the fires. White smoke rose from the burning trees and shrubs doused by the rain. Hours later, the fire was out.
“Thank you,” the Toad Queen said. She smiled at the group of spadefoot toads gathered around her.
The meadowlark alighted on a greasewood shrub near the Toad Queen. His melodic song of gratitude echoed across the landscape.
Renewal and change was coming to this land, but it would take time.
I am always amazed by the beautiful beadwork on display at the High Desert Museum where I volunteer. The carefully crafted pieces represent work by tribes of the Columbia Plateau in parts of modern-day Washington, Oregon, and Idaho.
Tribes represented include Umatilla, Wasco, Wishram, Paiute, Washo, Chehalis, Quinault, Nez Perce, Skokomish, Chinook, Tillamook, Yakima, Warm Springs, Haida, Salish, Yaqui, and others.
Doris Swayze Bounds Collection of Native American Artifacts
They are artifacts with an emphasis on “art.” However, Native Americans in the 1700’s and 1800’s did not make art for art’s sake. Beads embellished utilitarian pieces. Beads adorned items ranging from small handbags and knife cases, to deerskin clothing and footwear.
The High Desert Museum houses the Doris Swayze Bounds Collection of Native American Artifacts. Born in 1904 in Oklahoma, Doris Swayze Bounds later lived in Hermiston, Oregon, where she worked as a banker. She always appreciated Native American people and their culture. Many of the pieces in the collection were gifted to her by local Native Americans as a way of showing their respect and affection to her. The artifacts date from the 1870’s to the 1960’s. The collection has many pieces, but I focused on the beadwork in this post.
A brief history of beadwork in North America
In the early 1800’s, beads used in trading with native people were referred to as “pony” beads. Transported by pack animals, the beads were limited in availability and colors. The smaller “seed” beads became widely available after about 1850. These inexpensive beads were available in larger quantities and in a wider variety of colors.
White traders thought of the beads as cheap trinkets but to native peoples, they were highly prized. The beads were valued for their beauty and durability. They also freed up time that would have gone into crafting beads from bone, shells, and other materials. The beadwork became a status symbol and a source of pride in their culture.
Bead-working techniques vary and show ethnic membership. Colors and motifs represent different things to different tribes. If symbols are changed, such as being inverted or assembled in incorrect colors, they may show a hidden negative message. For example, an inverted American flag could have expressed displeasure with governmental policies.
Expressions of cultural pride
The beadwork is this collection is beautiful but some pieces were made during a dark chapter in American history. The hardships native peoples endured are difficult to imagine. Beadwork allowed them to express pride in their culture when they were being forced to give up their traditional ways of life. We are fortunate that some of their remarkable work has been preserved.
To view more of this collection and learn about Native American’s many accomplishments and challenges, visit the High Desert Museum in Bend, Oregon
After living a life full of leaps and bounds, she settled down in her favorite aspen grove. The bunchgrass waved goodbye. The rabbitbrush shaded her in her final moments. The rosebush provided fruit in celebration of her life. And finally, the aspen covered her in leaves of gold.
The Mill A Loop is a short and easy hike that starts on the flag bridge in the Old Mill district of Bend. This 1.1 mile trail is paved and mostly flat. You walk along the Deschutes River for most of the hike. At certain times of the year, kayakers, stand up paddleboarders, and innertubers will float by you on the river.
Flag Bridge March 2018
Crossing the bridge over the Deschutes River to see the Art in the High Desert show in Bend, Oregon
The Flag Bridge is a well-known sight in Bend. The flags are changed to celebrate different holidays and events. I am always impressed by these flags of many colors fluttering in the breeze. They also fly over a smaller pond near the restaurants.
Les Schwab Amphitheater
Deschutes Brewery from the trail
You will walk past a few notable landmarks. Yes, you start out in a shopping center, but you’ll also go by the Les Schwab Amphitheater, Deschutes Brewery, and the Bend Whitewater Park (adjacent to McKay Park). The amphitheater is where many concerts and outdoor events take place here in Bend. Deschutes Brewery, founded in 1988, was one of the first craft brewers in the region. The brewery has a nice tasting room and guided tours. The Whitewater Park was completed in 2015 and it divides the river into three channels. One channel is for wildlife, one is for innertubers and rafters, and one is for whitewater surfers, kayakers, or paddleboarders. I have seen people out surfing in wetsuits in all kinds of weather. See my post Bend Whitewater Park for info about the park and a few videos.
“No Caulks Allowed” by Roger Fox
“River Geese” by Peter Helze
“Kingfisher Perch” by Andrew Wachs and Dylan Woocks
“Spring Birds and Flowers” by Sandy Klein
“Charlie” by Greg Congleton
There is a lot of artwork on display along this route. Look for a large metal sculpture of a horse outside Tumalo Art Company close to the Flag Bridge. Be sure to take a closer look at this piece. A tall sculpture that incorporates steel wheels from one of the old lumber mills is just outside of Anthony’s restaurant. The Colorado Avenue Bridge has artwork inside and outside of the pedestrian tunnel. The amphitheater has beautiful murals on both sides of the stage. On the east side of the Whitewater Park, there is a tall metal sculpture that was designed as a perch for kingfishers. There is a sculpture of a group of Canada geese on the west side of the river.
Flora and Fauna
I have to mention the beautiful flowers in the landscaping along this route. I really like the blooming border plants on the west side of the amphitheater. They are gorgeous in the spring and summer months. Watch for the occasional hummingbird when the flowers are in full bloom. There are also some delicious smelling hops plants near the amphitheater.
California Quail near prickly poppy and green rabbitbrush
I walk this trail regularly and the types of wildlife seen varies by season. Ospreys and bald eagles can be seen near the river. Common waterfowl include Canada geese, mallards, mergansers, and American coots. You may see songbirds such as red-winged blackbirds, scrub jays, robins, cedar waxwings, and goldfinches. Swallows drift over the river in pursuit of insects. There is a beaver dam a little ways south of Tumalo Creek Kayak & Canoe and you may get a glimpse of them in early morning hours. I have also seen river otter and muskrats. A small population of the Oregon spotted frog breeds in this vicinity.
There is also a one-of-a-kind 12-station fly fishing course here. You may notice circles on land and in a couple of the smaller ponds. Each station has a sign nearby and you can try your hand at various casting challenges.
Smokestacks from the Old Mill
A little history
This district was named Old Mill because there used to be two lumber mills located here, one on each side of the river. The three iconic smoke stacks you see were part of a powerhouse that ran 24/7. The stacks were preserved when REI took over the space. This spot was very important for the economy of Bend in the early 1900’s. Timber was hauled into Bend and floated in the river until processing at the Brooks-Scanlon or Shevlin-Hixon mills. The Oregon Trunk Railroad had a line that went to the mills to pick up lumber.
To see a map of this hike and others nearby, look at this brochure from Bend Parks and Recreation. The Mill A Loop is the yellow trail on the inset map. I think you will enjoy walking this easy trail, no matter what season it is.
To find out more about the Old Mill District, click here.