Isn’t this dragon door spectacular? It’s a beautiful work of art with an interesting story behind it.
Do you recognize the tree-lined road in the photos below? This road, in County Antrim, Northern Ireland, is featured in the Game of Thrones television series.
Do you see the big stump on the left? Four of the 245-year old beech trees fell in windstorms over the last few years. The reclaimed wood was used to create several doors. The dragon door is one of ten doors installed in pubs and hotels in Northern Ireland. Each door represents a scene from season six of Game of Thrones. You can download a Journey of the Doors passport and collect stamps as you visit the location of each door.
The dragon door above is at Fullerton Arms Guesthouse in Ballintoy, County Antrim. It features an image of Drogon, one of Daenerys’ dragons. Dothraki stallions are also featured on this door. There is also a facsimile of the Iron Throne at this location, in case you have an urge to sit on a throne made of swords.
The Dark Hedges
In the Game of Thrones series, this location is “The Dark Hedges” of King’s Road in Westeros. Digital magic replaced the paved road with a dirt road. This site appears in a couple episodes of seasons two and seven. The trees are also featured in Transformers: The Last Knight.
This is a popular tourist destination and that popularity may have contributed to the trees falling over during the storms. Beech trees have relatively shallow root systems and the heavy vehicle traffic was affecting their growth.
In October of 2017, most traffic was forbidden from traveling on the road. The Woodland Trust, a woodland conservation charity, was instrumental in this decision.
This road is often packed with visitors so it can be difficult to compose a picture. I didn’t have that problem in February. Maybe that was because it was snowing… 😉
Here is a crow feather on scratchboard I created long ago in a scientific illustration course.
On the first Friday of every month, the city of Bend usually hosts an art walk through the galleries in town. The galleries serve snacks and drinks and highlight local artists. Since the First Friday event is not happening this month, I thought I would share a piece of my own art.
Do you have artwork you would like to share? You can include a First Friday Art tag on your post.
In 1847, the worst year of Ireland’s Great Famine, people of the Choctaw Nation of the southeastern United States sent a gift of $170 to Ireland. The money, worth thousands in today’s dollars, was collected to help the starving people of Ireland. Over a million Irish people died from starvation and disease in the period from 1845 to 1849.
But why would the Choctaw have sent such a gift when many of their people were struggling to survive? In 1831, the Choctaw were the first tribe to be forcibly removed from their native lands because of the Indian Removal Act of 1830. People of the Seminole, Cherokee, Chickasaw, and Muscogee (Creek) nations, and many non-natives and people of African descent who lived with the tribes, were also forced to move. Between 1830 to 1850, they forced tens of thousands of people from nine states to move to what is now Oklahoma. The perilous journey would become known as theTrail of Tears. Thousands died from exposure, disease, starvation, and harassment by local frontiersmen.
In 1847, the Choctaw were still recovering from the injustice they had experienced. They shared what little they had to help the starving Irish people.
The nine curved eagle feathers of this sculpture, arranged in a circular shape, symbolize an empty bowl. Each feather is different and they represent the Choctaw Nation’s strength, kindness, and humanity.
A bond between nations
The simplicity of this sculpture and the simple act of kindness it symbolizes, touched my heart. At the unveiling ceremony, a Cork County official said:
They bestowed a blessing not only on the starving Irish men, women and children, but also on humanity. The gift from the Choctaw people was a demonstration of love and this monument acknowledges that and hopefully will encourage the Irish people to act as the Choctaw did.
Joe McCarthy, East Cork municipal officer
Members of the Choctaw Nation attended the opening ceremony. They felt humbled by the recognition they received 170 years later. At the ceremony, the Choctaw Nation’s chief said:
Your story is our story. We didn’t have any income. This was money pulled from our pockets. We had gone through the biggest tragedy that we could endure, and saw what was happening in Ireland and just felt compelled to help…
The bond between our nations has strengthened over the years. We are blessed to have the opportunity to share our cultures, and meet the generous people who have continued to honour a gift from the heart.
Chief Gary Batton, Choctaw Nation
Update: The kindness continues…
A couple of days ago I read an article in The Irish Times about people in Ireland participating in a fundraiser to help Native Americans suffering from the coronavirus. Native people have been especially hard hit by this virus. A GoFundMe page was set up for the Navajo & Hopi Families Covid-19 Relief Fund on 15 March 2020. Their goal was to raise $1.5 million but as of today, 7 May 2020, they have raised $3,019,390.00.
Donations have come from all over the world, but many of the donors have Irish surnames. They remember the kindness the people of the Choctaw Nation showed them in the past.
I was looking for things to do around the house and decided to paint this dinosaur rock. This 8″ x 12″ Tyrannosaurus rex is the bigger version of this rock that I painted several years ago. Maybe this one will find a place in my garden.
In these chaotic times, I was looking for something to bring a sense of calm. Who knew I could find my calm by painting a dinosaur rock.
Art, in itself, is an attempt to bring order out of chaos.
This morning I found this article – Soothe Your Soul With An Arts Break. It features a wide variety of artwork from diverse artists. The site features six short videos. I hope some of the art in these videos will soothe your soul… at least for a little while.
Last weekend we visited the Oregon WinterFest event in Bend. I always look forward to seeing the fire pits and there were over 20 entries this year.
The Lens-Artists Photo Challenge (LAPC) this week is Treasure Hunt. I thought the fire pits fit perfectly under the suggested topic of “something hot.” Here are a few of the sculptures I saw at the WinterFest event.
A scaly tree holding a suspended ball of fire
This one looked like kindling hovering over a fire
Tall and graceful, reaching for the sky
This triangular one had flames that pulsed to the music
A salmon leaping above the flames
Cattails swaying in the breeze
A cyclone of spinning metal
The reflective discs spun with the slightest breeze so this one was always in motion
This one reminds me of the space needle in Seattle
Mountains and their wildlife in a lovely panoramic display
See my recent That’s some Pig! post for one more of these amazing fire pit sculptures.
I’m impressed by the artists that create these works. The sculptures have to look great and be fully functional as a fire pit. Not an easy task!
Did you know there are secret rooms at McMenamins Old St Francis in Bend? Here are pictures of two of the blacklight rooms with their secret blue views.
You can’t get into to the rooms through a traditional door. You have to find special panels in the hallway and push them in just the right spot.
The secret blue views inspired me to write microfiction stories related to each room.
On the night of the harvest moon, trees in a hidden forest create plump blue and red fruit. Jackrabbits venture into the forest, searching for the red fruit. They nibble on their magic and dance until the sun rises and the fruit disappears.
I am lost in a deep blue forest. Hanging crystals appear to light the way, so I follow them, turning to the left and right. I can’t find my way. Slumping against a tree trunk, I turn my gaze towards the sky. Then I notice it—a heart of branches leading to the true path. I am found.
This pub art at Silver Moon Brewing captures many of the iconic landmarks of Bend, Oregon. Artist Natalie Fletcher included Smith Rock in the background flanked by the Painted Hills on the left and Mt Bachelor on the right. The Deschutes River winds through the scene.
Can you see the source of the river? An overflowing glass of beer of course. Little Lava Lake is the “real” source and it’s a great place for kayaking.
This mural shows the Les Schwab Amphitheater on the left. It’s packed with people attending one of our many outdoor events.
Phil’s Trail is in the left forefront. It’s a favorite of mountain bikers.
In the right forefront you can see the Tower Theater. This small venue has been lovingly restored. On the marquee the featured film is “The Beer Fairies.” There is a tiny fairy hidden on the right side of the mural.
This pub art at Silver Moon captures many of the things that make this place great. The beer there is good too.
Silver Moon’s sense of humor is reflected in parts of this mural and also on their website. Here’s a quote from the site:
These beaded bags are some of my favorite works of art. The bags are part of a display at The Museum at Warm Springs. In this region, work with beads began in earnest in the early 1800s. The beads, created in the glass shops of Venice, Italy, were transported across oceans, mountains, and plains. Settlers, trappers, and explorers used them in trade.
When you look at these photos, you will notice something becoming more clear in the background. Right across from this display, there is a modern-day image showing members of the three tribes that live on the Warm Springs Reservation. You can see their reflections in my photos of the bags. It was almost as if they were looking over my shoulder making sure I noticed their presence.
This museum features parts of their history you probably didn’t learn about in school. It also shows their resilience and celebrates their heritage. These beaded bags are a part of their culture that preserve moments worth remembering.
For more images of beaded pieces from my past posts, see beadwork.
I often walk through this “Tunnel of Joy” by the Deschutes River in Bend, Oregon. I call it that because the bright artwork is so joyful. I’ve previously featured one side of the bridge and the other but never the inside of the tunnel.
The abstract painting lining the tunnel is by artist, Tom Cramer. He works in a variety of media and is one of the most successful artists currently working in Portland, Oregon. His best-known mural was “Machine”, painted in 1989.
At first this mural appears to just be random shapes, but if you look closer you may notice shapes you recognize. I see faces, hearts, snakes, and wings. You can use your imagination to find objects in an abstract work of art.
I’m thankful the city of Bend supported the creation of this Tunnel of Joy to make all of our days a little brighter.
The essence of all beautiful art, all great art, is gratitude.
I drew this stylized picture of a belted kingfisher in flight several years ago. These interesting songbirds nest in horizontal burrows near shorelines. The tunnels range in length from 1 – 8 feet. Tunnels as long as 15 feet have been found.
This drawing is of a male bird. Belted kingfishers are one of the few songbirds where the female is more colorful. They have an additional orange-colored breast band.
While out walking my dog on the Deschutes River Trail this morning, I caught a glimpse of a male belted kingfisher perched on a tree limb. A lucky sighting! He was kind of far away but I had time to snap a quick shot before he flew.
We recently saw this magnificent mural in the downtown area of The Dalles, Oregon. Isn’t it fantastic! This is The Valley Gorge Hub by Blaine Fontana. Blaine and Jeremy Nichols used hundreds of cans of spray paint to create this mural in 2018. Toma Villa consulted on this project. He is a colleague of Fontana’s and an enrolled member of the Yakama Nation.
This building has murals painted on the north, south, and east sides. You can see a small sign for Kung Fu classes on the left side of the building.
This Valley Gorge project is one of many planned to bring together the communities near the Columbia River Gorge. They plan to “build a more inclusive mecca for creativity, culture, outdoor recreation, and opportunities for new and existing businesses.”
Blaine created another magnificent mural in The Dalles as a part of the Oregon Mural Trail. This project is funding seven large murals in seven small Oregon towns located throughout the state.
Sometimes you get lucky when you’re taking candids of critters. This little burrowing owl gave me a knowing wink right when I took its picture.
We visited the Caswell Sculpture Garden in Troutdale, Oregon a couple days ago. This sculpture of two great blue herons is right by the entrance.
I noticed a movement near the willows right behind this sculpture. I spied a real great blue heron!
This ground squirrel didn’t want me to know where it was hiding its cache. It had so much in its cheek pouches it could barely walk.
These spotted pigs look content in this shot, but one of the piglets had just escaped its enclosure. I scooped it up and returned it to its family.
There are lots of opportunities to take candids of critters right on our property. This morning I was out walking my dogs and I noticed this orange tabby cat. He blended in so well with the plants around him that my dogs didn’t even notice him.
I took this candid shot of my dog, Shelby, relaxing on the window seat. See her ball right next to her head? She is dreaming of when she can play fetch again. 😀
This is a kinetic sound sculpture that’s part of an exhibit at the High Desert Museum in Bend, Oregon. The exhibit is called Desert Reflections: Water Shapes the West and it runs through September 29, 2019. This exhibit used the combined talents of scientists, historians, and artists.
When you play the video on this post, listen carefully to the music in the background. The sounds of High Desert water and wind were recorded. They were combined with the “color” of music played on a Skinner church organ.
As the artists at Harmonic Laboratory state, “This evokes the richness of the region, a place shaped by many forces interacting in a complex way.”
As you stand underneath the sculpture, the calming tones, continuous motion, and gentle breeze helps you feel some of the energy that’s such an important part of High Desert environments.
This drum painting is part of the new Desert Reflections: Water Shapes the West exhibit at the High Desert Museum. The artist, Ka’ila Farrell-Smith, blends traditional indigenous art forms and contemporary installation art. The traditional concept of a drum is extended into a large rectangular form. Two “hitchhiker” rocks anchor it to the ground.
The sounds and views of this instrument change as it reacts to sunlight. The shadows of the sinew on the back move across the front as the sun moves across the sky. The sinew expands and contracts as temperatures change.
The painting on the front references the Long Lake abstract petroglyphs. It is an example of Great Basin Curvilinear, Rectilinear, and Representational rock art styles.
I liked the back of this work just as much as the front. Loved the lines!
My friend asked me to go hear author Pamela Royes talk about her book Temperance Creek: A Memoirat a quilt shop. At a quilt shop? I thought. I didn’t know that QuiltWorks had a “Books to Quilts” program.
Pamela spoke about her book and showed slides of where she lives in the rugged country near Hells Canyon in northeastern Oregon. A chance encounter with Skip Royes led her into living the life of a wandering shepherder. She and Skip spent four years on a life-changing journey in the wilderness. Pamela transforms from a carefree hippie into a responsible woman who learns to appreciate the wildness of her new home. She also learns of the culture of the Nez Perce, who first occupied this land.
Her lyrical prose helps paint pictures in your mind of her adventures and the surrounding country. Quilters made the “words into art” and they displayed their work in this shop. Pamela became emotional as she described her appreciation for the quilts depicting her words. These creative works meant more to her than any trophy.
Sheep and a special dog
These quilts show different interpretations of sheep. Some are realistic while others are whimsical. Their dog, Puss, helped keep the sheep in line.
Here are quilts showing horses and mules, an important part of their family.
Flora and Fauna
These quilts show some of the plants and animals that live in northeastern Oregon. Pamela and Skip had many exciting encounters with wildlife in the back country.
Camping out and remembering
They spent months out in the wilderness living in a tent. They remembered the contributions of Native Americans who called this place home.
These quilts focus on some of the small details of their life. Sometimes Pamela had one foot in one world and the other in another.
Many of the quilts focus on the beauty of the land. Some of these are abstract, others are realistic. They vary in appearance and texture, just like the land they represent.
And as the sun sinks into the West
This quilt captures the color and majesty of the country around North Temperance Creek. I hope you liked these beautiful words into art quilts as much as I did.
I entered a short story I wrote in a local contest and I just found out it took first place in the Children’s Fiction category. Hooray for me! 😀
The short story from my first novel is called How the River of Falls Came to Be and it’s about a little newt who gets more than he asks for. He ends up turning into a tortoise in the desert and he misses the rain.
Here are the last couple of paragraphs:
“Many years later, Tortoise passed away and his shell tipped upside-down and filled with water from passing storms. In fact, the shell caught so much rain it overflowed. The heavy shell eventually sunk and settled deep in the earth. It became the source of a river with many waterfalls. Río de las Caídas.
Sometimes when you walk along the river, you can see the smiles of Rain and Sun in waterfall rainbows. They are showing their gratitude for the gift Tortoise gave to the world.”
I’ll be reading the story I entered in the Central Oregon Writers Guild Contest next month at the downtown library in Bend, Oregon.
Back to work editing my book, Dark Fountain Songs. Maybe I’ll draw some pictures of tortoise to go along with the “award-winning” tale.
I’m sharing the March issue of the High Desert Voices newsletter. It’s a newsletter for volunteers and staff at the High Desert Museum in Bend, Oregon. I help out with the newsletter and I’m particularly proud of this issue.
This issue of the High Desert Voices newsletter includes a History event – 19th Century Making & Mending; Art – a new exhibit by Native American artist, Rick Bartow; Nature – a fact sheet on white sturgeon; People – a profile of our Communication Director; and Recreation – a trail through the colorful Blue Basin. There’s a little more related to updates for the different areas of the Museum and kudos, for work well done.
The Tin Pan Alley Art “gallery” is located in a short alleyway in downtown Bend, Oregon. The alley features large pieces of art created with a variety of media. Some are 2-dimensional while others are more sculptural. Do you have a favorite among these wonderful pieces of art?
This collection is part of a public art initiative that supports local arts and culture. It takes our outdoor lifestyle into consideration. Another example of outdoor art is featured in many of Bend’s roundabouts.
This is The Visitor by artist Carol Sternkopf. This is a mixed media piece that combines photography, vinyl, paint, twigs, wood, metal, and salvaged home decor. Nature and animals were important in Carol’s childhood. She incorporates them into her art. She hopes viewers think about the “larger story within the magnificent blue owl’s eyes” in this piece.
Here’s a picture of the whole collection. We like to go to the Lone Pine Coffee Shop in this alley. It’s small, but it’s our favorite. The owner takes the craft of creating the best cup of coffee very seriously.
Metal and wood
This is Love Lost, Love Found by artist Bill Hoppe. This colorful metal work represents the artist’s interpretation of an 11th Century Indian manuscript. The many pieces of this sculpture were created by hundreds of community members. This was part of a community engagement goal set forth by the Central Oregon Metal Arts Guild.
This is Tomas’ Riddleby artist Judy Campbell. This piece is created from steel, wood, and lights. Judy was inspired by infinitely repeating patterns, or fractals. In this piece she sought to bring the “abstract concepts such as love, mystery, and infinity into the earthly plane.”
This isRide with Me by artist Jeff Remiker. The mountain culture, especially biking, is a big part of Bend. Jeff was inspired by a childhood love of bike riding. He incorporated wood and metal work into this rustic piece. Viewers can interact with this piece by putting things into the bike basket.
This is an untitled piece by artist Andrew Wachs. This piece was inspired by basalt rock formations that can be found throughout Central Oregon. The artwork represents a close-up perspective of a vertical overhang. Andrew works with metal and wood design in his studio, Weld Design Studio.
Photographs and paintings
This is Southwark by photographer/artist/adventure seeker Amy Castaño. This photograph of a bikeway in London captures some of the many textures and sights of the city. Amy looks for unique viewpoints, different angles, interesting parts of the ordinary, and the perfect radiant light.
This is A Parade of Strange Ideas by artist Phillip Newsom. This vivid painting represents a spontaneous procession of ideas “emerging from the unconscious and growing as multi-dimensional shapes in some back-alley of the mind.” Phillip’s work includes book & magazine illustrations, animal portraits, murals, landscapes, and graphic designs.
I visited Blue Pool on a cool September day. Mother Nature was busy there producing colorful works of art. The colors in the pool are unbelievably beautiful and intense. On this day, the warm colors of fall leaves were reflected on the water.
As I mentioned in Blue Pool is a Jewel, the reflections look like Impressionist paintings. I could have stayed there for a long time taking pictures. Can you see why?
The Photographs of Edward S. Curtis in the By Her Hand Exhibit
This exhibition features portraits of Native women by photographer Edward S. Curtis from the collection of Christopher G. Cardozo. Curtis took the featured photographs over a 30-year period as part of a project to document Native American’s lifestyle and culture in a time of change. Curtis traveled across North America from 1900 to 1930 photographing over 80 tribes.
By Her Hand Exhibit of Edward S. Curtis Photos, High Desert Museum, Bend, Oregon
Edward S. Curtis worked out of a studio in Seattle, Washington and received financial support from J. P. Morgan. Curtis collected information about the lives of each tribe through photographs, writings, and audio recordings. With the help of Native translators, he assembled a 20-volume set titled The North American Indian. Curtis intended to publish 500 copies but due to a series of financial and personal setbacks, only about 272 were printed. Ninety percent of the original sets are owned by institutions, including the High Desert Museum.
Hupa Female Shaman – by Edward S. Curtis
The portraits in this exhibit have a beautiful yet haunting quality to them. The labor-intensive photogravure process Curtis used allowed him to create subtle variations in tone and focus. Curtis insisted on using only the highest quality materials and he experimented with a variety of techniques. In 2015 there was a city-wide celebration of Curtis’ work in Bend. Dawn Boone, of the A6 studio, gave a lecture on the photographs. She made an observation that one of the women portrayed seemed to be “softening back into the earth right before our eyes.”
On the Beach – Chinook by Edward S. Curtis
Native American author Louise Erdrich has an interesting perspective on the women represented in Edward S. Curtis’ photographs. She said, “Women’s work is celebrated in Curtis’ photographs–women grind corn, bake bread, make clay vessels, doctor each other, pick berries, haul wood and water, gather reeds, dig clams. These images of women working are among my favorites, for they are more practical then elegiac, yet entirely harmonious, and they are often the most sensual of Curtis’ works.”
While Curtis’ ambitious project documented the tribes, it was not without controversy. He often staged portraits. Sometimes he mixed up artifacts and traditions between tribes. He referred to Native Americans as a “vanishing race.” Native peoples were losing their rights and their lands but many did successfully adapt to Western society.
There was a revival of interest in Curtis’ work beginning in the 1970s. He was an exceptional photographer, and he documented many facets of Native American life that no longer exist. Museums across the country feature major exhibitions of his work. Original printings of The North American Indian bring extraordinary prices at auction.
Historical and Contemporary Art from the Museum’s Collection
This new exhibit also includes basketry, beadwork, and leatherwork created by Native Americans of the Columbia Plateau. Intricate beadwork adorns bags, a cradleboard, and clothing. There are examples of different styles of basketry in this exhibit. Featured contemporary Native artists include Pat Courtney Gold, Roberta Kirk, and Kelli Palmer. Kelli Palmer often designs baskets based on photographs from the past—including those of Edward S. Curtis.
By Her Hand Exhibit of Edward S. Curtis Photos, baskets, and beadwork, High Desert Museum, Bend, Oregon
Native American cultures passed techniques for creating basketry and beadwork down through generations. Many items were utilitarian, but the makers included symbols and patterns in artistic ways. Contemporary artists may include materials such as commercial string and yarn in traditional and newly created patterns.
By Her Hand Exhibit of Edward S. Curtis Photos, baskets, and beadwork, High Desert Museum, Bend, Oregon
In the early 20th century, Native people were forced to live on reservations. Many lost their language, ways of life, and skills such as basket making. Children were sent to boarding schools and weren’t allowed to learn things associated with their cultural identity. Columbia Plateau people have been working to bring back the knowledge of cultural traditions. As new generations learn the traditions and art forms of their ancestors, they will ensure the culture portrayed in Curtis’ photographs survives. Pat Courtney Gold notes that basket making is not only artistic; it is an expression of and central to the revitalization of her culture.
By Her Hand Exhibit of Edward S. Curtis Photos, baskets, and beadwork, High Desert Museum, Bend, Oregon
This exhibit will be on display at the High Desert Museum through January 20, 2019. For more about Edward S. Curtis, see a series of articles I wrote here.
This is a reprint of a November 2018 article in High Desert Voices, a newsletter by and for volunteers and staff at the High Desert Museum in Bend, Oregon. To see more issues of the newsletter, go here.