This summer a new big bold mural was added to the collection of outdoor art in the Old Mill District of Bend, Oregon. Yuya Negishi created this artwork. He was inspired by the mountains, colorful skies, and brilliant flowers of Central Oregon.
Did you notice that the dragon in this mural is breathing flowers instead of fire?
Here’s more about the artist from a post about Art Murals Around Bend.
“Yuya Negishi is a Japanese visual artist based in Minneapolis, Minnesota. His work combines his extensive background in the classical Japanese techniques of calligraphy and SUMI with Japanese pop culture images such as koi, dragons and Buddha’s. Yuya approaches his work in the spirit of play often exploring new ideas and mediums. He also teaches hands on workshops sharing his approaches to SUMI and Calligraphy.
Yuya was born in a small farming community in the mountains beyond Tokyo. Yuya draws artistic inspiration from the memories and sensations of growing up in the Japanese countryside, where he would roam “like a hidden Ninja” exploring the woods, temples and mountain tops of the breathtaking Gunma region.”
See more of Yuya’s amazing art on yuyart .
This big bold artwork is right next to the flag bridge and it can be seen when you’re walking the Mill A Loop trail or floating the Deschutes River.
Lens-Artists Photo Challenge – BIG can be beautiful too!
I saw these outdoor bonsai trees on the High Desert Garden Tour in Bend, Oregon this summer. I marveled at the artistry that went into sculpting these plants. Though I’ve seen bonsai trees in the past, I was pleasantly surprised to see tree species that grow locally sculpted into small replicas of full size trees. You can see why they are referred to as “living art.”
Lens-Artists Photo Challenge – Small is beautiful
I am always amazed by the beautiful beadwork on display at the High Desert Museum where I volunteer. The carefully crafted pieces represent work by tribes of the Columbia Plateau in parts of modern-day Washington, Oregon, and Idaho.
Tribes represented include Umatilla, Wasco, Wishram, Paiute, Washo, Chehalis, Quinault, Nez Perce, Skokomish, Chinook, Tillamook, Yakima, Warm Springs, Haida, Salish, Yaqui, and others.
They are artifacts with an emphasis on “art.” However, Native Americans in the 1700’s and 1800’s did not make art for art’s sake. Beads embellished utilitarian pieces. Beads adorned items ranging from small handbags and knife cases, to deerskin clothing and footwear.
The High Desert Museum houses the Doris Swayze Bounds Collection of Native American Artifacts. Born in 1904 in Oklahoma, Doris Swayze Bounds later lived in Hermiston, Oregon, where she worked as a banker. She always appreciated Native American people and their culture. Many of the pieces in the collection were gifted to her by local Native Americans as a way of showing their respect and affection to her. The artifacts date from the 1870’s to the 1960’s. The collection has many pieces, but I focused on the beadwork in this post.
After living a life full of leaps and bounds, she settled down in her favorite aspen grove. The bunchgrass waved goodbye. The rabbitbrush shaded her in her final moments. The rosebush provided fruit in celebration of her life. And finally, the aspen covered her in leaves of gold.
Weekly Photo Challenge – Story
Silent barks speak with voices needing to be heard.
Unknown worlds are tucked into their cracks and crevices.
Layers peel away to reveal glimpses of their hearts.
On January 20, visitors entered Classroom A at the High Desert Museum to find the room filled with lifelike mounts of raptors. One mount depicted a California quail being chased by a sharp-shinned hawk. Another was of a great horned owl perched on a branch. A golden eagle mount, with outstretched wings, dwarfed the other birds on display. Artist Ian Factor welcomed participants in the workshop and everyone got to work sketching the birds. Curator of Art and Community Engagement Andries Fourie also attended and offered help when needed.
Various art supplies were available for our use. Many attendees brought their own supplies neatly tucked into special cases. Others, like me, had the bare essentials, so we were grateful more were provided.
A variety of reference materials were displayed. There was a collection of bird wings, talons, and skulls. An articulated bird skeleton stood on a tabletop. We learned the basic form of our subjects by looking at mounts prepared by taxidermists. Though not available at this workshop, study skins, or museum mounts, are often utilized for research and artistic purposes. Photographs can help when you’re doing wildlife art and participants were snapping a lot of pictures. Reference materials are helpful in getting the details right and in understanding the underlying anatomy.
This workshop, like most hosted by the Museum, was open to people of all skill levels. Some attending the event were beginners, while others were more advanced. The artists drew the birds with a variety of media. Several sketched in black-and-white with pencils, graphite, or charcoal; other participants added color with pastels and colored pencils.
I have posted a couple pictures of bridge art on one side of this bridge in Bend, Oregon. Now it’s time to show the other side. The colorful artwork brightens up these cool cloudy winter days.
Here’s a link to a photo of the artist, Sandy Klein, working on the paintings on the bridge – Bridge of Art.
Here’s a link that shows the completed artwork on the other side – Bridge of Art Update.
I saw this metal sculpture of a stagecoach on a recent trip and wanted to experiment with how to present it. I chose to use a digital version of the autochrome process.
When this process was first presented at the Paris Photo Club by the Lumiére brothers in 1907, it was a turning point in color photography. Other methods existed but this process used a novel ingredient – potato starch. Glass plates were covered with grains of potato starch dyed red, green, and blue. Carbon black and a thin emulsion layer were added and the plate was flipped and exposed to light. The image could be developed into a transparency. To see some of the dreamlike photos created with this process, click here.
The sculpture is on Highway 140, northeast of Lakeview, Oregon. The artwork is near a locked gate with “Crane Creek Ranch” over the entrance.
Here’s what my original image looked like:
Weekly Photo Challenge – Experimental
Yesterday I went to the Festival of Cultures in Redmond, Oregon. I was impressed by a dance group called Titlakawan Aztec Danza. Hope you enjoy the video I shot of them dancing. Even the toddlers and babies participated.
Here’s a blurb about them that was in the program for the World Beat Festival in Salem earlier this year:
“This Aztec dance troupe is based in Salem/Dayton, Oregon. Titlakawan means “We all possess it” or “We all have potential to fully realize ourselves as human beings”. Our troupe promotes through Aztec dance discipline a healthy lifestyle and outlook. The Aztec dance has its roots in central Mexico and has been practiced and protected in the last 400 years. Through immigration, it has set root here in the Northwest for the enjoyment of all those who participate.”
Here are a few pictures of the dancers. I loved the ornate headpieces! They were colorful and dramatic.
This Festival of Cultures had representatives from several countries including Bolivia, China, the Punjab state in India, Japan, and Yemen. This event celebrates the many cultures that live in Oregon and the contributions they have made to our state. There were musical performances, dances, activities, handmade crafts, and foods from several of the cultures. There was also a play area for kids. It was a feast for the senses.
If you’re looking for things to do in Bend this weekend, go see the Art in the High Desert show. This juried arts and crafts show features works in a wide variety of media. Please help support the 115 North American artisans selected for this show by purchasing some of the things they have created. To see a gallery of the work featured this year, click here.
Here is the woodwork of Jack West of Fort Jones, California. These works of art display fine craftsmanship and an eye for bringing out the best in the woods he works with. The carved curving lines on some of his works are unique and they enhance the wood’s natural beauty. You can see more of his work here .
Here is the ceramic work of Gerald Arrington of Sebastopol, California. You may know that I have a thing about rocks and this artist creates realistic-looking rocks out of clay. His pieces are sculptural, stunning, and earthy. You can see more of his work here.
This show is good every year but this year it’s great! If you go to the show, you will understand why it’s in the top ten shows in the nation. The show runs August 25-27 and it’s free to get in. It’s located on the banks of the Deschutes River in Bend at 730 SW Columbia Street.
Last summer I was out for an early morning walk and happened to see an artist at work painting a mural on a bridge. Sandy Klein was painting spring flowers and birds on this bridge of art in the Old Mill district of Bend, Oregon. The beautiful artwork sprinkled throughout Bend accentuates its natural beauty.
Weekly Photo Challenge – Bridge
Can you guess where (or wear) I was earlier this month? Yes! I was on a 2,754-mile road trip to see parks in Utah and Nevada. We visited five national parks and one state park in Utah and one national park in Nevada.
I love the artwork on these t-shirts. It’s nice to remember a place with a piece of art you can wear.
I took a few pictures while on this trip. 1,420 to be exact. Lots of material for future blog posts!
An amazing example of petroglyphs can be seen on the road into the Needles section of Canyonlands National Park in Utah. Wow! I have seen petroglyphs before but never so many in one spot. There are more than 650 drawings on Newspaper Rock at this state historical monument. The dark desert varnish provides a nice contrast to the messages carved into the stone.
The first carvings at this site have been determined to be 2,000 years old. People of the Archaic, Anasazi, Fremont, Navajo, Anglo, and Pueblo cultures have carved their messages into the rock over the years. Unfortunately, it looks like some more modern graffiti artists added to parts of the scene.
The meanings of the messages here have been difficult to figure out. Do they tell a story or are they merely scribbles? The Navajo refer to Newspaper Rock as Tse’ Hane – translated as “Rock that tells a story.” It does indeed appear to tell many stories. Only the people who made the carvings know exactly what those stories were.
Sometimes an artist’s greatest wish is that others will be able to see the emotion and spirit of a place in their work. I hope you can feel some of what I was trying to capture in this photo from Yellowstone National Park.
Art is about expressing the true nature of the human spirit in whatever way one wishes to express it. If it is honest, it is beautiful. If it is not honest, it is obvious.
Weekly Photo Challenge – Wish
Here is another great outdoor metal sculpture by local artist Greg Congleton. This sculpture depicts a team of draft horses pulling a log. Thousands of draft horses were imported from Western Europe in the late 19th and early 20th century to help with logging, farming, and moving freight and passengers.
Here is the sign nearby that lists some of the parts used to make this sculpture. Can you find any of them?
Note that this sculpture was donated by Penny and Phil Knight. Phil is the co-founder and chairman emeritus of a company named Nike. Perhaps you have heard of it.
Here is a video of Belgian draft horses at work dragging logs. They are pretty impressive.
Weekly Photo Challenge – A Good Match
Ready to celebrate a new month by looking at some impressive art? If so, you might want to go to Bend, Oregon for the First Friday event. Every month select businesses keep their doors open late in support of the arts. Businesses in the downtown and Old Mill areas host artists while galleries feature the latest exhibits. This month Willow Lane Artist’s Creative Space joined First Friday for the first time.
As you walk around the area, you can stop in to view the art and get free drinks and snacks at the participating businesses. Some also have live music. It’s a popular event so get there early. We went a couple nights ago and the cool temperatures helped make the crowds a little smaller.
You never know what you will find at this event. One summer night we saw a young boy standing on a street corner putting out some amazing music on his fiddle. Just around the corner from him, a craftsman displayed his handmade leather works. Just across the street from them, a couple guys strummed on their guitars as they sang. Many passerbys stopped to admire the work of these artisans.
While on vacation, I picked up a rock and it told me what it was meant to be. A T. rex of course!
I took it home and got ready to paint a Tyrannosaurus rex. All of the ridges and depressions seemed to be in exactly the right spots. Even the greenish color was right. I darkened a few spots and enhanced others. I added scales with a tiny brush. The crooked T. rex grin fit right into the contours of the rock. The nostril and eye placed themselves along a ridge and depression.
Look past external appearances and you may find magic hidden within.
Weekly Photography Challenge – Repurpose
Fossilized teeth that form a shape like a buzzsaw were found in the 1800’s but the type of creature they belonged to was not determined until 2013. A research team consisting of people with backgrounds in art, science, and digital technology solved the mystery. The whorl of teeth belonged to Helicoprion, the buzzsaw shark or whorl toothed shark. This exhibit brings the findings of that research to life through the artwork of Ray Troll and the sculptures of Gary Straub.
A massive sculpture of the huge head of a buzzsaw shark bursts through the wall outside of the exhibit at the High Desert Museum and there are additional sculptures and detailed images inside the gallery. A large sculpture of a buzzsaw shark hangs over your head as you enter the gallery. The walls are covered with murals of waves and members of the shark family. Large colorful paintings show the shark family tree and how buzzsaw sharks swimming in the deep may have looked. Glass cases enclose fossils of the odd-shaped whorl of teeth. Projections of that whorl spin across the floor. Framed drawings of buzzsaw sharks hang on the walls. An interactive model of a buzzsaw shark skull shows the action of those formidable-looking teeth. You can sit on a comfy couch (emblazoned with a whorl pattern) and watch a video about the now-extinct shark.
When I was at the exhibit, I heard a five-year old boy entering the gallery with his family remark, “Wow! Mommy look at that!” Yes, this is a dramatic exhibit that contains a lot of visual interest and fascinating information. The whorl pattern is repeated throughout the exhibit. The artist also had a little fun with the exhibit by hiding several representations of cheeseburgers in the displays. Can you find any of them in the gallery?
I’m calling this image Peace Tree 2 because I used digital magic to alter it into this final version.
I posted this version several months ago but I thought it needed some more emphasis on the peace sign in the branches so I added a few more.
Here is the original image with no editing.
Weekly Photo Challenge – Magic
I decided I needed to spend some time giving art wings. Here’s a painting of a scrub jay that I worked on this week. It helped me cope with some of my stress. Jays are one of my favorite birds and the most common one in my neighborhood seemed to be the perfect subject. Click here to see another of my jay paintings and to read an entertaining post about jays.
Set along the scenic Deschutes River, the Art in the High Desert event features 110 artists from throughout North America. Based on its sales of fine art, it is ranked number 12 for best fine arts festival in the nation. This is the ninth year of the event. The show features a wide variety of two- and three-dimensional artwork.
My favorite works there this year were created by local artist, Jason Waldron. He makes three-dimensional works created with wood and metal scraps salvaged in Central Oregon. They are large, dramatic, and expressive. Check them out at Waldron 3D.
Harnessing hot air into giant works of art makes for some hot air extraordinaire. We went to Balloons Over Bend last weekend for a couple of their events. There were plenty of opportunities for photographs. In these first photos, I decided to focus in on some of the colorful shapes and interesting lines.
This peace tree was seen in my backyard. Please share this image and the words I wrote to go along with it.
Look beneath your feet
Notice the textures
Notice the colors blending
Bold and brilliant hues
Bold and distinct edges
Patterns of cracks
Patterns of smoothness
Transitions moving towards new
Transitions moving in a rhythm
Beat into the earth
Beat into your memory
It’s meadowlark time! I couldn’t find a clock I really liked so I made one with some leftover scraps of wood. I painted a Western Meadowlark, Sturnella neglecta, on it because it’s our state bird. It’s also the state bird of Montana, Wyoming, North Dakota, Kansas, and Nebraska.
They are a beautiful bird with bold, bright markings. They have a cheery sounding song that always reminds me of the Wild West. Listen to it here. Western Meadowlark song.
Songsters of the Spring has photos of other yellow-colored songbirds of the High Desert.
Oregon WinterFest celebrates the winter season here in Central Oregon. This is the 17th year of the event. Here are few photos from the recent event.Continue reading
Did that get your attention? I went to the Oregon WinterFest event here in Bend this weekend and took some pictures of the Fire Pit Competition that I wanted to share with you. This is the 17th year of the festival so it has a long history in the area. This is the fourth year for the fire pit competition and there are more entries every year.
The dragon and a fire pit with the flag bridge and Deschutes River in the background.Continue reading
Images by Edward S. Curtis are still being pushed out into the world. There are many inexpensive prints available. In the last presentation of the Curtis Fever series, Dr. Julia Dolan wondered what Edward S. Curtis conclusions would be over this citywide event. She wondered what the tribes thought about it as well. Though Curtis photographed native peoples because he thought they were vanishing, that idea was wrong since they still exist. An advertisement for a TV show showing a portrait of Curtis on a bed stand was shown. It was from a program called, “The New Normal”. Ironically, it has become the new normal to see pictures of Curtis and the photos he took all over the world thanks to the Internet.
It was assumed that all of Edward S. Curtis’ photogravure copper plates were lost or destroyed. It’s common practice to destroy the plates after the initial printing so more can’t be made. However, many were sold to the Charles E. Lauriat Company in Boston. In 1972, decades after he passed away, there was a Edward S. Curtis discovery surprise. A treasure trove of Curtis’ work was discovered in the Lauriat basement by photographer Karl Kernberger. This cache included 19 complete bound sets of The North American Indian, thousands of paper prints, copper plates, unbound pages, and the original glass plate negatives. It’s important to realize how significant this discovery was. This collection subsequently passed through several hands. In 2005, Kenneth Zerbe purchased the copper plates. New prints were eventually made from the plates. However, they aren’t printed on the high quality Van Gelder paper favored by Curtis.
In recent times, Christopher Cardozo has launched a repatriation project to return some of Curtis’ works to Native American people. As a result of this work, we now know the names of 3,500 people featured in the photographs.
Three contemporary Native American photographers, and their responses to Edward S. Curtis’ work, will be the subject of an upcoming exhibit. The exhibit runs from February 6, 2016 to May 8, 2016 at the Portland Art Museum. Photographs from Zig Jackson, Wendy Red Star, and Will Wilson will be featured in the exhibit.
Each artist responded in different ways to the Curtis photographs. Zig Jackson noted that people still “take” a photograph of Native Americans. He even pokes a little fun at this concept in one of his pictures entitled Indian Photographing Tourist Photographing Indian. Several volumes of The North American Indian will also be displayed in the upcoming exhibit. Digitized versions of Curtis’ original audio recordings of native language and song will be a part of the exhibit. The Museum is also trying to crowdsource a way for descendants of people featured in The North American Indian to be able to input information about themselves and their ancestors.
Photo by Edward S. Curtis in this article from the following source: http://curtis.library.northwestern.edu/index.html
Posts in this series:
There is controversy surrounding Edward Curtis’ work. Some think the photos were staged and that they degraded and dehumanized the people into mere caricatures. Some think he dressed the people portrayed in a certain way; others say they actually dressed in the clothing they wished to be photographed in. Oftentimes they are portrayed wearing traditional clothing that had been outlawed for them to wear. In Geronimo’s case, he is pictured wrapped in an Army blanket because that is all the white man gave him.
In the 2000 film, Coming to Light: Edward S. Curtis and the North American Indian, many present-day Native Americans were interviewed in regards to Curtis and his work. It has deeply affected modern day tribal members. Some treasure the images and recordings as reminders of their ancestors while others want references to that time to be over. One of the people interviewed about the images remarked that “the world came alive again when viewing them.” During that period in history Native Americans could be thrown in jail for wearing their traditional clothing, speaking their language, and practicing their rituals.Continue reading
In 1914, Edward S. Curtis’ film, In the Land of the Head-Hunters, featuring the Kwakiutl tribe, was shown to theater audiences. He worked on the film with George Hunt, an adopted member of the tribe. Hunt had been indispensable when he had worked for anthropologist Franz Boaz. The Kwakiutl tribe is from Vancouver Island and they rely on salmon fishing for their way of life. However, Curtis had them pretend to hunt whale in the film. Creating the film had its hardships including an incident when Curtis was dropped off on an “island” that flooded with the incoming tides. It left him waist-deep in water through the night.
The film includes a potlatch ceremony because Curtis thought filming it would be very dramatic. The Kwakiutl culture carved elaborate totem poles, canoes, and longhouse buildings. Tribal members wore full-body ceremonial garb made from wood, feathers, and skins that represented animals.