Early 1900s Woman’s Leggings at the High Desert Museum, Oregon
Wordless Wednesday (WW)
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Beautiful beaded gloves & bags at the High Desert Museum, Oregon
Wordless Wednesday (WW)
Bend Branches always appreciates your comments and likes. Comments may not appear right away since they’re screened for spam prior to posting. Thanks!
Today I’m sharing a particularly challenging photo edit I worked on recently. Sometimes putting extra time into something can really pay off.
When I visited the Museum of the American West in Lander, Wyoming last year, I took a couple pictures of an art piece entitled The Confrontation. I marveled at the detail the artist, Tess Diaz, created with thousands of tiny glass beads.
Here are the two pictures I took that day, shown with no editing. As you can see, the bright light and many reflections hid the beauty of the work.
This Beaded Horse Regalia is part of the exhibition at The Indian Museum of North America®. The beaded horse is on display at the Crazy Horse Memorial in South Dakota. Douglas Fast Horse, Oglala Lakota, created this piece. He makes a point of creating work that replicates “historic Lakota regalia as a way to honor his heritage and help tell the story of Lakota Oyate.”
I’ve always admired beadwork such as this. This Beaded Horse Regalia piece shows what can be accomplished with many tiny glass beads, and a lot of patience.
The High Desert Museum, in Bend, Oregon, is currently hosting the Creations of Spirit exhibition. The pieces on display include historical artifacts and works by contemporary Native artists.
The beautiful pieces are enhanced by quotes throughout the gallery. I will let their words tell the stories.
Throughout the process, you continually impart yourself in the creation of that object. And when you’ve completed it, it takes on a life of its own.
Philip Cash Cash, Ph. D., Weyíiletpuu (Cayuse) and Niimpíipuu (Nez Perce) tribes
I wanted to have my own story in the baskets. I wanted to keep the traditional form and the shape, but I wanted to add iconography that talked to the present.
Joe Feddersen, Member of the Confederated Tribes of the Colville Reservation
Root bag with multiple figures by Plateau artist (early 1900s); Basket with animal figures by Umatilla artist (mid-1900s); Round Dance pitcher & cup by Joe Feddersen, 2002; Berry-picking container by Vivian Harrison, (StuYat), Yakama/Palouse/Wishram, 2002
Most of my designs are from the petroglyphs along the Nch’i wana [Columbia River]. I love and appreciate where our people came from, and our people left animals as stories in our pictographs and petroglyphs. That’s why I want to instill them in my baskets and keep them alive. I want people to know that we’ve been seeing these animals for tens of thousands of years.
Natalie Kirk, Confederated Tribes of Warm Springs
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Today I’m sharing pictures taken at the Plains Indian Museum section of the Buffalo Bill Center of the West. This world-class museum has five sections focused on western history, culture, and the environment. It’s in Cody, Wyoming, a half an hour drive from the east entrance to Yellowstone National Park.
The theme this week for the Lens-Artists Photo Challenge is “low light.” Museums and galleries often have challenging lighting for taking photographs. I used my Samsung phone to take most of these photos since it does well in low light conditions. I’ll share some of my tips for taking and editing photos.
The first image shows a war lodge. Warriors made these temporary structures in wooded areas to hide their presence in enemy territory.
There was a reflection of a large blue screen on the right side of the image that I eliminated with my editing program, Corel PaintShop Pro 2021. I also used a vignette effect to direct viewers to the most interesting parts of this structure.
Wordless Wednesday
Wordless Wednesday
I’m featuring pictures of Plateau Indian beaded moccasins for the Lens-Artists Photo Challenge. The challenge this week is “A labor of love.”
After so much was taken away from Native Americans, creating beadwork became a labor of love. They preserved parts of their culture by decorating everyday items.
Prior to the European invasion of North America, Native Americans decorated their clothing with shells, porcupine quills, and bones.
Wordless Wednesday
These beaded bags are some of my favorite works of art. The bags are part of a display at The Museum at Warm Springs. In this region, work with beads began in earnest in the early 1800s. The beads, created in the glass shops of Venice, Italy, were transported across oceans, mountains, and plains. Settlers, trappers, and explorers used them in trade.
When you look at these photos, you will notice something becoming more clear in the background. Right across from this display, there is a modern-day image showing members of the three tribes that live on the Warm Springs Reservation. You can see their reflections in my photos of the bags. It was almost as if they were looking over my shoulder making sure I noticed their presence.
This museum features parts of their history you probably didn’t learn about in school. It also shows their resilience and celebrates their heritage. These beaded bags are a part of their culture that preserve moments worth remembering.
I am always amazed by the beautiful beadwork on display at the High Desert Museum where I volunteer. The carefully crafted pieces represent work by tribes of the Columbia Plateau in parts of modern-day Washington, Oregon, and Idaho.
Tribes represented include Umatilla, Wasco, Wishram, Paiute, Washo, Chehalis, Quinault, Nez Perce, Skokomish, Chinook, Tillamook, Yakima, Warm Springs, Haida, Salish, Yaqui, and others.
They are artifacts with an emphasis on “art.” However, Native Americans in the 1700’s and 1800’s did not make art for art’s sake. Beads embellished utilitarian pieces. Beads adorned items ranging from small handbags and knife cases, to deerskin clothing and footwear.
The High Desert Museum houses the Doris Swayze Bounds Collection of Native American Artifacts. Born in 1904 in Oklahoma, Doris Swayze Bounds later lived in Hermiston, Oregon, where she worked as a banker. She always appreciated Native American people and their culture. Many of the pieces in the collection were gifted to her by local Native Americans as a way of showing their respect and affection to her. The artifacts date from the 1870’s to the 1960’s. The collection has many pieces, but I focused on the beadwork in this post.
